Tag Archives: film

Sex On Screen: An Intro To The Hella Brown Series (NSFW)

By Guest Contributor Crunkonia; cross-posted from The Crunk Feminist Collective

[Watch Racialicious for the first interview in this series coming soon.]

Porn is what’s hot in the streets (a.k.a halls of the academy) now.

There are brilliant scholars who historicize and build upon black feminist participation in conversations about pornography. And there are others who simplify the argument into a false then vs. now paradigm that presents our foremothers as prudes, not as the women who made it possible for us to talk about sexuality in the ways that we do today. I believe these others wish for the day when black women can talk about sex as if they were white men, with no cloud of controlling images over their heads.
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Cloud Atlas Review: Yellowface And Orientalism

By Guest Contributor Jennifer; originally published at Mixed Race America

This post is the second installment in a three-part review. See parts one and three.

There are many people who have written about the phenomenon of “yellowface,” which is the Asian version of “blackface”–having white (although at times there have been black) actors and actresses portraying Asian and Asian American people in Hollywood films.  Racebending.com has a particularly astute and thorough accounting by contributor Michelle I.  I recommend reading her piece, “Yellowface: A Story in Pictures,” to familiarize yourself with the looooong history of yellowface in Hollywood cinema.  But I think this photo of Mickey Rooney in Breakfast at Tiffany‘s probably says it all:

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Argo And The Trouble With Hollywood Logic

By Latoya Peterson

(L-R) Ben Affleck as Tony Mendez in “Argo” and the actual Tony Mendez. Via ABC News.

There are posts where you already know how things are going to fall out before you even write it.  This is one of them.

We’ve talked about the controversy with Argo before.  Arturo broke down the man behind the movie back in July:

The more you read about Antonio Mendez, the more his exploits make Burn Notice look like Get Smart: the Colorado native who grew up in a single-parent household went from answering a random want ad to a 25-year career in the CIA as an “espionage artist,” specializing in helping assets get out of tough situations.

“I would say the whole thing was like James Bond but even better. I was involved in Moscow creating tradecraft, knocking the socks off the KGB,” he told Open Your Eyes magazine in 2008. “If you are surrounded by an army of that kind of counterintelligence and you can still do your business, Bond doesn’t even get close to that.”

Mendez went on to write two memoirs about his experiences in the field. But his most celebrated operation, an extraction of six U.S. diplomats from Iran in the first days of the regime of the Ayatollah Khomeni, was the subject of a 2007 article in Wired Magazine. As Joshuah Bearman wrote, this particular plan would take a more cinematic turn – literally – than the usual covert actions: Mendez actually created a fake movie production.

Many people–including our friends at Racebending and Latino Rebels–have already pointed out that Ben Affleck squandered a prime opportunity to put a Latino actor in the lead for Argo. And we’ve heard the usual pushback that comes to discussing casting in Hollywood.  
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Resistance Is Futile: Tolerating Tyler Perry In South Africa

By Guest Contributor Christopher Keith Johnson

Writer/director/actor Tyler Perry. Photo via rollingout.com

All of the things I had grown accustomed to in the US were engaged often and early in my move to South Africa. I felt right at home after experiencing housing discrimination in my apartment search. Seeing airports filled with white travelers, while bus stations overflowed with folks who looked like me. It all seemed so familiar.  South Africa was a long way from being post-racial.  I could deal with that. I came from that.

What was pleasantly surprising was the level of activist engagement of the South African people. The documentaries I had seen were capturing something real. From service delivery protests to pushback against Wal-Mart’s acquisition of South Africa’s largest retailer, the people were not afraid to protest—nonviolently and otherwise.

South Africans won’t let you off the hook easily. In my role directing programming between the largest American trade union and its counterparts in West African, more than a few meetings with partners ended with tough questions about U.S. foreign policy and my employer’s take on positions supported by the American government. One had to be quick on the toes to navigate queries on Palestine, Israel, and Cuba. The activist community in which I had to engage expected that I would be able to respond to issues and concerns in and outside of Africa. As the only G20 member on the continent, politics beyond its borders mattered to my South African counterparts.

With the above in mind, I was wholly unprepared to be faced with the popularity of Tyler Perry in South Africa.
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Somewhere Between Explores Transracial Adoption And Identity

TRAILER: Somewhere Between – A Feature Documentary from Linda Knowlton on Vimeo.


Check out the synopsis:

Four baby girls are born in China to families who are unable to keep them, largely because of China’s “One Child Policy.” Instead of being raised by their biological parents, the baby girls are raised in orphanages, and then eventually adopted by American families to be whisked halfway around the world to the United States. There, they grow up with Sesame Street, hip-hop, and Twitter. They describe themselves as “bananas”: white on the inside and yellow on the outside. All is well, until they hit their teen years, when their pasts pull at them, and they begin to wonder, “Who am I?”

All four know they were probably “given up” because they were girls (they are understandably uncomfortable with the word “abandoned”), and grapple with issues of race, gender, and identity more acutely than most their age.

Documentaries have been made before about international adoption, but they have always been from the point of view of the adoptive, Caucasian parents, or the adult adoptee. Young women’s voices are rarely heard—especially young women of color. SOMEWHERE BETWEEN lets four teenaged girls—Fang, Haley, Ann, and Jenna—tell their own stories, letting the film unfold from their points of view and shedding light on their deepest thoughts: about their families, their feelings of being “other,” and their powerful connections to a past that most of them cannot recall.

The film captures nearly three years in the lives of these four dynamic young women.

The screening schedule is here.

New Film: Middle of Nowhere

Winner of the Best Director Award at the 2012 Sundance Film Festival, MIDDLE OF NOWHERE follows Ruby, a bright medical student who sets aside her dreams and suspends her career when her husband is incarcerated. As the committed couple stares into the hollow end of an eight-year prison sentence, Ruby must learn to live another life, one marked by shame and separation. But through a chance encounter and a stunning betrayal that shakes her to her core, this steadfast wife is soon propelled in new and often shocking directions of self-discovery – caught between two worlds and two men in the search for herself.

Ava DuVernay is back! And I have been dying to see this film.

New Film: Model Minority

The Film Synopsis:

L.A. teenagers survive the treacherous world of peer pressure, drug dealers, juvenile hall and dysfunctional families. Kayla, an underprivileged Japanese American 16-year-old, endangers her promising future as an aspiring artist when she becomes involved with a drug dealer. It’s a new take on growing up bicultural in multicultural LA.

The film deals joins Wassup Rockers, Kids, Mosquita y Mari, and Better Luck Tomorrow in dealing with the pressures and temptations of youth. It rocked the LA Asian American Film Festival; the next stop is the 2012 Asian American International Film Festival in New York.

Behind The Scenes With Shawn Peters

by Guest Contributor Rob Fields, originally published at Bold As Love

Over the course of the last few years, you’ve probably heard me mention Shawn Peters in relation to the great curating he’s been doing at Weeksville Heritage Center for their annual Garden Party series. However, it’s becoming clearer that the work he’s probably most proud of is his visual work, both as a photographer and a director of photography. He’s shot videos for Gregory Porter, Blitz The Ambassador and Pharoahe Monch, to name a few. He’s also handled the behind-the-lens duties for Afropunk’s Triptych series, as well as the Terence Nance-directed An Oversimplification Of Her Beauty.

So it was great to see Shawn profiled at Jay-Z’s Life And Times in an interview by Fanon Che Wilkins. Here, he talks with Wilkins about the impact of Morehouse on him and his group of contemporaries and fellow classmates that include Saul Williams, Sanford Biggers, and Tahir Hemphill, to name a few:

Well what’s interesting is that Morehouse is not known as a school that focused a great deal on the creative arts, but many of us pursued art because of our tremendous desire to offer something artistically meaningful to the world that was particularly relevant to reclaiming our dignity as a people. Continue reading