Did you have a good weekend? I hope you did. Mine was pretty great: friends, karaoke, laughter, moderately priced alcohol, and other 20-something stereotypes…Instagramming, there was definitely a lot Instagramming. So… Is it as foggy in New York as it is in Washington, DC right now? Because I’m feeling a little like I’m trapped in that Lana Del Rey video. Anyway…
I just wanted to break the ice before our season-long foray into talking at length about Lena Dunham’s Girls. I know, Kendra: the idea of Lena and Lena’s television program and requiring you to watch Lena and Lena’s television program for the site is a less than thrilling idea for a lot of people…and even less than less for entertainment writers like us who are attuned to TV stereotypes and diversity shortages. None of us were thrilled about the whole debacle last year. There was quite an article about it on the site, as you know—you wrote it, after all.
So, Kendra, I’ve watched the first episode of Season 2 already. I’ll let you know what I’m thinking, and I’ll wait for a reply with your own thoughts. We’ll be kind of like pen pals who are super-focused on talking about something neither is particularly fond of. Kidding, of course… sort of.
Every week, your resident entertainment buffs (that is to say…Kendra James and I) will recap the plot of Scandal. Then, the following Thursday morning, we will invite some Racialicious friends in for an in-depth discussion of the previous episode’s events, their implications, and thoughts of what’s to come.
MAJOR Plot Spoilers for Scandal 2.10, “One for the Dog,” after the jump. You’ve been warned…
Hosted by Fashion and Entertainment Editor Joseph Lamour
I would like to take the opportunity to express my dismay that more and more shows are doing this midseason finale thing. It really is just the worst thing for my emotions, especially for fanboys and fangirls like me who find the week-long lull between episodes torture enough. However, one good side-effect to the dreaded midseason finale is having two cliffhangers intensify a show’s season, and this hour of Walking Dead in particular was all the more riveting for it.
This week, we see what happens when Rick, Michonne, and the rest of the Lil’ Asskickers infiltrate Woodbury. Considering the title of the episode is “Made to Suffer”, one can imagine the rescue mission proves…unpleasant. Particularly if you’re a supporting character of color. Watch out, everyone but Merle in Woodbury patrol…but, part of what makes The Walking Dead so great–in spite of the pitfalls–is the tense drama elevates the story. And, in spite of how much (constructive!) criticism I and the rest of the tablers impart, the fact that is that we here at the roundtable all are huge fans of TWD. That fact gets lost in the critique sometimes, so it never hurts to put some love out there. Plus, how can an awesome show get any more awesome if no one points out how?
Before the roundtable hibernates for the winter, Kenneth Hwynn, Carly Mitchell, and newcomer Nikki Urban (welcome, Nikki!) join me, as we witness Glenn do things to a corpse that we will never unsee. Or unhear.
Hosted By Fashion and Entertainment Editor Joseph Lamour
Last week, Michonne showed her selflessness when she took baby formula to a group of people she never met who, in this world, could just deign to kill her on sight. Rick’s camp doesn’t know that she’s Andrea’s friend, which would have been helpful in getting that trust from Rick’s group right in the beginning. That, added with the fact that she cared for a sick Andrea for four months, only reinforces how good a person she truly is.
I’ve been looking very forward to the Michonne/Good Guys meeting, especially since Andrea peaced out for plumbing and Zombie Mortal Kombat nights with the kids. I’ve been less excited so for the Glenn and Maggie/Bad Guys meeting, which proved to be rather tense. This week, it’s date night! Just me and my best mate Carly Mitchell take a look at what happens when these two camps finally start to mesh.
Hosted By Fashion and Entertainment Editor Joseph Lamour
In this week’s Walking Dead, we see Michonne proving why she’s so badass, yet again; we are reminded why Merle is oh so creepy; and we are shown, yet again, that Andrea is not thinking clearly enough in a world where people drag around dead bodies on leashes, keep their decaying loved ones in barns, and men shoot their best friends in the face to protect them from everyone. Carly Mitchell, Kiki Smith, and Jeannie Chan join me to analyze the whos, whats, and whys of this zombie world we see this week.
*I’ll let River Song say what we don’t want in the comments this time:
Hosted By Fashion and Entertainment Editor Joe Lamour
The best and the worst thing about the zombie genre is that anyone can become a casualty at a moments notice. This doesn’t particularly matter to me (usually) because I feel zombie movie characters are secondary to the carnage packed into an hour and a half flick.
With a show like The Walking Dead, however, character building is as important as the carnage. We grow to love (or hate) characters over seasons full of episodes. This makes for great drama, and a more real feeling of sadness when a death occurs. At least, that’s what should happen…
Carly Neely, Kiki Smith, Kenneth Hwynn, Jeannie Chan, Jenn Kim and I mull over this week’s plusses and its many, many minuses.
* Help to keep the comment area a no spoiler zone.
We do the best we can with what we have. All those who aren’t happy, you’re always to go back and ask for a refund … I apologize for being late, but there’s a lot that goes on to get this out to you. – Lauryn Hill, Dec. 28 performance in Brooklyn
By Arturo R. García
While not being race-centric per se, I did want to hear from the Lauryn Hill fans among us – especially if you went to the Dec. 28 show that started more than three hours late.
After some fans booed Hill when she finally took the stage – On The Red Carpet has video here – she said, “I spent my entire 20s sacrificing my life to give you love. So when I hear people complain, I don’t know what to tell you.”
But the question that’s been sticking in my mind since reading about that show is this: given that people went to see her in the wake of the snowstorm that hit New York over Christmas weekend, and the economy being what it is, when does fan expectation become entitlement? And when does showmanship cross over into self-indulgence?