Tag Archives: entertainment

The Racialicious Links Roundup 7.24.13: Ethnicity, Trayvon, Devious Maids and Marc Anothony

By Joseph Lamour

  • How to Ask Someone About Their Ethnicity Without Being an Asshole (Jezebel)

    …I am Not a White Person. This means I am a walking version of this fun little game called “What Kind of Not White Person Are You?” Here’s how it goes: I introduce myself to you at a party or some such social gathering. You introduce yourself as well. In an attempt to get to know me better, or maybe just keep the conversation going, you want to know exactly how I am a Not a White Person. Which is totally fine at the right time and place, because I love gabbing on about my immigrant parents and how much I love mango pickle. It’s all good fun in post-racial America, like wearing a red, white, and blue dashiki on the fourth of July (who knew you could don a dashiki and be patriotic at the same damn time?!)

    But the majority of the time I play this game, supposedly well-intentioned people curious about my brownness go about asking it in the wrong way. No, not the wrong way- the ASSHOLE way. I get it, really. You grew up in a suburb of Indianapolis and no one ever taught you how to not be an asshole. That’s actually my life story, too, but you can’t always throw Indianapolis under the bus as your excuse for being ignorant.

  • The Curious Case of George Zimmerman’s Race

    Gustavo Arellano, editor in chief of OC Weekly and the syndicated columnist behind ¡Ask a Mexican! bristles at the idea that Latinos are responsible for explaining Zimmerman’s actions. “Latinos have acknowledged that he’s half-Peruvian and that makes him Latino. But no one is going out there to say, ‘He’s one of us,’ just like Muslims don’t go out and say, ‘Osama Bin Laden was one of us.’”

  • Obama, Trayvon and the Problem That Won’t Be Named (Colorlines)

    Obama rightly claimed that he could have been Trayvon Martin 35 years ago. Those who immediately took to Twitter to remind us that Obama didn’t grow up in a ghetto are correct. But they should be reminded that Sanford, Fla., is a majority white, yet mixed neighborhood—and far from a ghetto. Those who remind us that Obama attended private schools should know that racism remains alive and well in those institutions. Yes, Obama attended Columbia University in the early 80s—during a time when a whites-only fellowship was offered; in fact, the fellowship never went away. And yes, Obama attended Harvard University, just up the street from where professor Henry Louis Gates was arrested and charged with disorderly conduct four years ago—on suspicion that he was breaking into what turned out to be his own home. Those who think that racial profiling somehow only happens in “ghettos,” which in this case is code for black neighborhoods often orchestrated for poverty, should be informed that black bodies are even blacker among white ones.

    But Barack Obama hasn’t only attended institutions that have historically created unfair advantages for white students, or questioned black professors who teach there.

    Barack Obama has been a politician in the United States where, for the past five years, he’s been continually harassed about this citizenship. A convincing rumor originally started by Hillary Clinton’s supporters in 2008, Obama’s dark skin and lineage cast doubt on his ability to campaign for president. Unlike any other candidate, Obama was forced to provide a copy of his birth certificate in order to illustrate his capacity to serve if elected. And unlike any other president, the rumor that the president may have been born in another country persists. That’s because Obama truly is unlike any other president—he’s a black one. And Friday’s remarks remind us that he, too, remembers what it’s like to not only be the nation’s first black president, but also what it’s like to be the black man in an elevator when a white woman clutches her purse.

  • Marc Anthony On Latino Stereotypes: The Entertainment Industry Doesn’t Owe Us Anything (HuffPo Latino Voices)

    Adding to a viewer’s video question concerning any upcoming projects on film or television, Hill alluded to the “Devious Maids” stereotype controversy and asked the singer whether he believed there was “space to have a different kind of Latino representation.”

    “Is that the show with the fine maids?,” Anthony asked before answering the question.

    “As far as people being in uproar, they don’t owe us anything. The industry doesn’t owe us anything, networks don’t owe us anything. You have a complaint? Educate yourself, take up writing, become a producer, direct it,” the salsa singer told HuffPost Live. “You know what I’m saying? Get up and do it — write good material, produce good films. I’m not of the mind that we’re owed [anything] because ‘oh every Latino on TV is either criminal…then get up and do better.”

Race and Gender in Doctor Who: Beyond Who Plays The Doctor

By Guest Contributor Joy Ellison

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Current executive producer Stephen Moffatt on the Doctor Who set. Image via WhatCulture!

Over the last few weeks, fans have called for a person of color and/or a woman to star in Doctor Who.  If you care about race and gender presentation in Doctor Who, then pay attention to who serves as the show’s next executive producer.

When it comes to who should replace Matt Smith as the next star of the TV show Doctor Who, many fans are hoping for one thing: anyone but another white guy.  

For nearly 50 years, the Doctor, the time-traveling main character of Doctor Who, has been portrayed by white men.  Fans concerned with social justice are right to clamor for a different sort of Doctor.  While the Doctor may be an alien, over the course of the show the character has come to represent the best of humanity.  That’s why it is especially important that the Doctor be portrayed by a person of color or a woman – or, dare we dream, a woman of color, a person with a disability, a queer person, or transgender person, or a combination of all the above.

But while we wait to meet the new incarnation of this beloved sci-fi character, fans should turn their attention to racial and gender representation in an area of Doctor Who that isn’t immediately visible on screen: the executive producer.

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The Mindy Project‘s Rishi And The Call For More PoCs In Charge

By Guest Contributor Crystal Xia, Blogger at There’s Nothing Here

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Mindy Kaling’s show, The Mindy Project, wrapped up its first season on Tuesday. In its first year, the show picked up critical attention and found an audience. More importantly, the show found confidence and its voice, and it developed characters and relationships true to Kaling’s signature comedic style. While the majority of the main cast is white, the show cast Utkarsh Ambudkar to play Rishi, Mindy’s little brother, for a couple of episodes in the first season.

Rishi is a hilarious, complex, and multifaceted character, a strong role for an Indian American male. He can be considered The Mindy Project’s take on the emerging stereotype of an Indian American “faux-gangster” male. Although he is studying science at Stanford University, Rishi is more interested in moving to New York City and becoming a rapper. Interestingly enough, Rishi isn’t just a “typical American kid trying to make it in a creative field”, a trap that many writers who want to normalize the minority experience fall into. He’s actually cool. Instead of being another corny wannabe, Rishi is a great rapper who can command a room, be it a break room full of Mindy’s coworkers or a “Battle of the Rappers”.

The Mindy Project does a great job of making Rishi more than his ethnicity without ignoring it. Jokes about Indian Americans have punch lines that make mainstream society and its misunderstanding of minorities the butt of the joke, not the minority Indian Americans. For example, Rishi manages to convince Mindy’s building manager to let him into Mindy’s apartment because “a well-spoken Indian can get into anywhere he wants”. This is a play on the idea that Asian Americans are stereotypical “model minorities”.

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Scandal Roundtable 2.19: “Seven Fifty-Two”

Hosted by Joseph Lamour

Image via ABC.com.

As I said in my recap last week, “Seven Fifty-Two” is all about Huck–as much as Fitz wanted to weasel his way into the story…and Olivia’s life. Of course, Olivia wasn’t having it, and neither was Mellie. Loss was the thread that wove the disparate stories last week.

After the jump. Jordan St. John, Loree Lamour, and T.F. Charlton join me to break down another engaging episode of Scandal. Continue reading

Confessions Of A Black Morrissey Fan

By Guest Contributor Joshua Alston; originally published at Feminist Wire

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This week, Morrissey announced that he is canceling the remainder of his North American tour, due to an ongoing battle with a bleeding ulcer, Barrett’s esophagus, and a case of pneumonia in both of his lungs. I was disappointed to hear about the illnesses plaguing the singer who, since fronting the seminal rock band The Smiths in the 80s, has built a particularly cultish fan base of which I more or less consider myself a part. But there was also a rush of relief when I heard about the tour cancellation because it relieved me of a quandary that presents itself every few years: whether or not to see Morrissey in concert.

A friend of mine texted me a few weeks back to tell me when Morrissey was scheduled to play Philadelphia and to ask if I planned on going. The question startled me. It shouldn’t have. Like most Morrissey fans, I’ll find a way to mention his work if you talk to me long enough, and I often find myself pleading with Morrissey agnostics to listen to his work, particularly those who know nothing except for the penchant for whiny navel-gazing that has earned him the pejorative honorific “The Pope of Mope.” It only makes sense that anyone who’s gotten close enough to see how important Morrissey’s work is to me would ask if I wanted to see him in concert. But it’s a far more complex decision than it seems on its face.

Morrissey doesn’t make himself easy to like and has proved to be as deft at writing catchy, literate indie-pop songs as he is at erecting barriers that prevent the unqualified enjoyment of those songs. He’s egregiously precious and oversensitive and has a tendency to come off in interviews as self-important, vain, and smug. He’s a vocal advocate for animal rights–but perhaps too vocal. His passion for protecting all God’s creatures is an admirable one, but the rigid, bratty way he tends to express that passion represents the type of myopic zealotry that stunts movements more often than it fortifies them.

I could accept all of this, though, if it weren’t for the fact that Morrissey is also probably racist. I say “probably” for a variety of reasons, not the least of which is that Morrissey is not at all shy about litigation where such accusations are concerned. Added to this, as with any damaging rumor that shadows a celebrity, Morrissey’s alleged racism is a conjecture built of equal parts fact, perception, and apocrypha. But in spite of his insistence that he isn’t racist–an assertion he’s repeated over the years–no one has done more to make the case that Morrissey is deeply racist and xenophobic than the man himself.

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Michelle O And The Curious Case Of Cultural Assimilation

By Guest Contributor Ajené “AJ” Farrar; originally published at Elixher

Five years and a tenuous honeymoon period later, the country is still wholly in love with our First Lady. Her reception by mainstream media outlets has been surprising not just in its warmth, but in its breadth: She has graced the covers of magazines ranging from Vogue to Good Housekeeping to Time. Her approval rating has soared higher than most First Ladies of the the past century—at one point, even exceeding the highest approval rating of Eleanor Roosevelt. Virtually unassailable, she is Maya Angelou in a sleeveless dress—and the surprising new face of all-American regality.

Yes, the country loves our First Lady at least as much as past First Ladies, and it has been a welcomed relief. A chocolate-skinned, relatable, stylish, Ivy League standout, Mrs. Obama represents to black women the President’s resounding rejection of the colorism, racism, and ageism commonly seen not only in elite white circles, but among our most powerful black men. Still, her lasting influence remains in question. Will her acclaim result in a tempering of the racist sentiment maligning black women of all walks of life, or will it merely validate America’s stubbornly misguided campaign of “color-blindness?”

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The Walking Dead Recap 3.11: “I Ain’t A Judas”

by Fashion and Entertainment Editor Joe Lamour

Image via Spinoff Online and AMC.

Lots of moving chess pieces this week. I tend to dislike these discussion-heavy episodes, but a lot happened. So, let’s get straight to it, shall we?

The breakdown: Each week, a Walking Dead roundtabler or I will provide a recap the day after the newest episode airs. The next Friday morning a roundtable discussion of the episode is posted hosted by me, Joe, and a variety of guest commenters.

Spoilers for The Walking Dead 3.11 “I Ain’t A Judas” are under the cut.

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A Scandal Roundtable Discussion On “Olivia Pope and the Scandal of Representation”

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Last week, Scandal roundtabler Jordan St. John brought attention to an Feminist Wire article, “Olivia Pope and the Scandal of Representation” by Brandon Maxwell. We thought it relevant to hold a special roundtable about it, in addition to this week’s episodic roundtable.

I advise that you take a read of the article on Feminist Wire to form your own opinions too–and be sure to share them in the comments.

Jordan St. John pretty much takes the helm on this, but T.F. Charlton and Johnathan Fields also took some time out of their week to share their cogent analyses.
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