The cast of Fox’s “Hieroglyph.” All images courtesy of Fox.
Fox’s latest high-concept sci-fi drama, Hieroglyph, is as fascinating as it is potentially problematic.
The show begins airing early 2015 with a doozy of a storyline: Master thief Ambrose is taken from prison by Pharaoh Shai Kanakht to find the dangerous and magical Book of Thresholds. The story also incorporates sexual and political scandals thanks to the machinations of Pharaoh Shai’s half-sister Nefertari Kanakht; his advisor, Magister Bek; Ambrose’s lost love and second-rate priestess, Peshet; Vocifer, a peddler and old friend of Ambrose’s; the Pharaoh’s captain of the guard, Rawser and Lotus Tenry, a palace concubine and spy for the enemy kingdom.
Oh, and there are also vampires, for some reason.
Everything (except for the vampires) sounds great, but there are some pros and cons with this show. Let’s go down the list. Continue reading →
With Mexico’s presidential elections coming up this Sunday – under no shortage of shadiness, mind you – let’s kick off this week’s edition with Molotov’s “Gimme Tha Power,” (nsfw – language) which still resonates a decade after its original release:
Our next track is a find by our own Andrea Plaid: Esperanza Spalding,who we’ve featured before, teams up with jazz great Joe Lovano for a cover of Michael Jackson’s “Can’t Help It,” in a clip that winds its way thru NYC. And if you’re a fan of Wicked or Rent, keep an extra-close eye on her co-star …
One more track with a message to close us out: Jasiri X and Rhymefest went to the source when making the video for “Who’s Illegal?,” traveling to Alabama and Arizona and getting a view from the ground-level at the immigration fight in each respective state. The track is currently available as a free download on Jasiri’s Bandcamp site.
By now pretty much everyone knows M.I.A. as the bad girl who flipped off the Super Bowl halftime camera. But her fans are more preoccupied with her new music video, “Bad Girls”, in which BMWs and Mercedes Benzes race in a desert we presume to be in the Middle East, tires burn in nameless oil states, Bedouin-styled men ride stallions à la Casablanca, brown rebel-types tote guns, and backup dancers appear in not-quite-accurate hipsterized niqab and hijab. Continue reading →
The Arab Spring shattered everything that I thought I knew about the Arab world. As unrest broke out in the region, and regimes fell, I realised how little I knew. As a Palestinian-American, it has been routine to reference my heritage, from explaining why I do not look like Princess Jasmine, or distancing myself from suicide bombers. The politics of the land of my parents always frustrated me, and I suppose what I understood was mostly gleaned from exhausted conversations overheard in our home or headlines.
To my shock, even though I proved to know very little about what caused the Arab Spring, many seemed to automatically think that the first half of my hyphenated identity automatically made me an authority on the region. While I feel tied to and interested in the struggle for change across the Middle East and North Africa, this is not my Arab Spring.
Twenty-year-old Egyptian blogger Magda Aliaa el-Mahdy rose to stardom after delivering a stick of dynamite via her blog, ‘A Rebel’s Diary’, in what she described as being in the spirit of the revolution.
(Editor’s Note: NSFW image is under the cut. – Arturo)
During our November 9th, 2009 show at Port Ghalib in Egypt, something happened that inspired some of my writing for my album 4 (arriving in a few weeks). I was in the middle of performing “Irreplaceable,” and as the audience started singing “to the left, to the left” there was a woman sitting on top of a man’s shoulders in her full, traditional burka. Only her eyes and hands were visible.
She was waving her hands to the left, to the left, and singing every word – which I could see because the veil around her mouth was moving. Although the venue was at capacity, I could see her clearly in the audience. I was shocked she was even there, that she’d even been allowed to go to a concert, because after it gets dark, you don’t see any women in burkas on the street. So her presence alone was so moving. Witnessing the power, beauty, and strength of women – especially those living in places where their liberty is limited – is what moved me the most. I felt she had her beliefs, and they were important to her, but music also had a place in her life and she made a choice to be there.
—Beyonce, “Eat, Play Love,” published in Essence, July 2011
Google executive Wael Ghonim became one of the faces of the Egyptian revolution through the Facebook page “We are all Khalid Said,” which was a vital spark to the revolution. But another important spark was a video posted by 26-year-old Asmaa Mahfouz from the April 6 Youth Movement, where she declared that she was going out to Tahrir Square and urged people to join her in saving Egypt.
The spirit of freedom Mahfouz spoke about was symbolized in Tahrir Square, where Egyptian women found an equality and camaraderie that they are hoping will be carried forward in shaping a new Egypt—a hope Mona Seif, Gigi Ibrahim, and Salma El Tarzi express in this article.
In the revolutions currently sweeping the region, women’s voices have been loud and clear, from Amal Mathluthi singing for the Tunisian revolution, to the “bravest girl in Egypt” leading chants against Mubarak, to the journalist and activist Tawakul Karaman’s heading protests in Yemen. Outside the region, R&B artist Ayah added her voice to the single “#Jan25″ in solidarity with the Egyptian people, and journalist Mona El Tahawy appeared on countless media outlets, bringing the world’s attention to the events unfolding in her country, and the ongoing events in Yemen, Bahrain, Libya, and Iran.