By Arturo R. García Expectations were high surrounding this past weekend’s episode of Saturday Night…
By Arturo R. García
While we were sleeping, Beyoncé was not. Gaga may have Artpop, but B just made an art of the drop.
In case you missed it or just checked your Twitter feed, Beyoncé released an entire album out of the blue (Ivy), though it’s only available on iTunes until Dec. 21.
But the self-titled album was also accompanied by a “visual album” — basically, she went out and shot videos for every track and released snippets of those on YouTube. For my money, “Pretty Hurts” is already the best dramatic trailer we’re not going to see in theaters this Christmas, “Blow” is a spot-on disco homage/future mashup favorite and somebody’s already seizing on “Partition” to write a think-piece about how Miley Cyrus is MOAR FEMINIST than Beyoncé.
We’ll put some more of the video clips up under the cut and invite you to give your thoughts on those or the album as a whole under the cut.
By Guest Contributor Cheryl Thompson
Just before this year’s Grammy Awards, I stumbled across a national Canadian news channel that was highlighting what Canadians to watch for at the year’s biggest music show. They pointed out hip-hop superstar Drake, indie rockers Tegan and Sara and Arcade Fire, and crooner Michael Bublé. They said nothing of R&B singers Tamia and Melanie Fiona, who were nominated for Best R&B Song and Best R&B Album (“Beautiful Surprise”) and Best Traditional R&B Performance (“Wrong Side of a Love Song”), respectively. Unfortunately, both of them came up empty-handed but it still made me wonder: why does R&B not get any love in Canada? Sure, Canada is most known for its indie-rock, country, and pop singers, but we’ve produced our fair share of R&B singers, too.