by Guest Contributor Aymar Jean Christian, originally published at Televisual
“It’s about two people living together. Doesn’t matter what their names are. Doesn’t matter how old they are. Doesn’t matter where they live. They could be anybody,” creator Jeanine Daniels said when I met up with her and the Black & Sexy team in Los Angeles last month. “Anybody could relate to them.”
Welcome to black television during the rise of YouTube, or at least that’s the hope of Dennis Dortch, director of 2008′s A Good Day to Be Black & Sexy and creator of the YouTube channel Black & Sexy TV.
Television today is brimming with black sitcoms. TV Land just premiered The Soul Man with Cedric the Entertainer and Niecy Nash, new networks like Bounce TV are already showing original scripted programs and older networks like BET are ordering more (and more channels are premiering every year). None of these shows have been as buzzy or relevant as classic series from the Eighties and Nineties, from The Cosby Show to Martin. They’re passable and pleasurable, but few could be called new or innovative.
Maybe it’s because our 300-channel universe demands fresher, fleshier shows, and here the web is picking up steam. Web showrunners are innovating largely out of view of cable network executives, from the diverse oeuvre of Al Thompson to the roaring success of Issa Rae’s Awkward Black Girl, now releasing its second season on Pharrell’s premium iamOTHER channel.
Black & Sexy TV has spent the past year carving out a clear niche amidst rising competition among black web series: focusing on artsy realism that shares more in common with Louie than Let’s Stay Together.
“I really wanted to showcase black people in a certain way. Black is beautiful,” Dennis Dortch said. Read the Post Is It A Good Time To Be ‘Black & Sexy’?