Tag Archives: DC Entertainment

Table For Two: Man Of Steel

Hosted by Arturo R. García and Kendra James

Henry Cavill as Superman in “Man of Steel.” Image via filmofilia.com

It’s not that surprising that the latest Superman movie, Man of Steel, had a, well, super opening weekend. With the hopes of fans of not just this franchise but an eventual Justice League movie for DC Entertainment to assemble, the collaboration between Batman producer Christopher Nolan, writer David Goyer and director Zack Snyder had to deliver, and well.

And it did, financially. Critically? That’s another matter entirely. When outlets like Newsarama, which are usually DC-friendly, give the film a 3 out of 10, that points to how split the opinions have been on this movie.

Racialicious is no different, as our panelists came out of their respective screenings feeling differently about it. Heavy spoilers under the cut.

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Race + Comics: On Green Lantern’s Near-Death Experience

By Arturo R. García

John Stewart, the Green Lantern from Warner Brothers’ Justice League and Justice League Unlimited series.

There’s a stink surrounding DC Entertainment’s alleged intention to kill off John Stewart last week, and it sticks out when you consider this ostensibly non-related promotional item: the company is now pushing a digital-only book based on the adventures of Batman. Specifically, the Batman of 1966:

“The juxtaposition of offering a retro “Batman 66″ comic as a current and modern digital first title is fun,” said DC Entertainment President Diane Nelson.

“DC Entertainment is the most prolific producer of digital first comics and, as we work to create new and compelling content, this is a great way to also preserve the legacy of our characters.

“It’s exciting to roll out the new Batman 66 comic as part of this bigger initiative with our Warner Bros Consumer Product partners.”

DC has previously released digital-first television tie-ins based on “Arrow” and “Smallville.”

Again, there’s no direct link between the company’s digital division planning to resurrect this version of Batman and the DC Comics editors wanting to off the incarnation of Green Lantern that managed to gain mainstream acceptance without being involved in a Hindenburg of a motion picture. But what it does tell us is this: the company would rather court fans of a nearly 50-year-old television show–one synonymous with the cheesiest stereotypes about comic books as a medium and the fandom surrounding it–than the fanbase of a critically acclaimed television show that was on the air less than a decade ago.

Gee, I wonder why that could be?
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On Its Way Out, Young Justice Does Right By Its Diverse Cast

By Arturo R. García

Aqualad stands at the ready in “Young Justice.”

With just a few days until the series end, we come not only to prepare to bury Young Justice, but to praise this series and its creative team for not just engineering one of the best seasons by an animated series–perhaps one of the top five ever–but for doing so while making full, honest use of a cast of characters that got only more diverse as the series went on.

Spoilers under the cut
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Five DC Comics Characters We’d Rather See On Television Than Deadman

By Arturo R. García

DC Comics’ Deadman brought to television by the folks behind Supernatural? Makes sense, if the story holds up.

Much like SPN’s Winchester brothers, Deadman (aka ghostly acrobat Boston Brand) would give showrunner Eric Kripke another outlet for his horror/comedy stylings. Since Boston has to possess people to do anything in the physical realm, one can only hope a Deadman TV show, if it actually gets past the pilot stage, would actually feature more people who aren’t white.

But we wouldn’t bet on it.

Still, the biggest problem with Deadman is, before recent miniseries like Blackest Night and Brightest Day revived interest in him, DC played Boston as more of a “professional” guest-star, to be called upon for stories involving demons, posession and whatnot, crack wise with the core characters, then shuffle off back to the afterlife. And with DC’s “New 52″ relaunch starting tomorrow, it’s a good time to highlight characters who have come into greater prominence than Deadman over the course of the past decade, only to get passed up for bigger media opportunities.

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Score one for creative casting: Tracie Thoms in Wonder Woman Series

By Arturo R. García

Nice to see the team behind the new Wonder Woman show stepping outside “traditional” bounds here – it was announced earlier today that Tracie Thoms would be joining the cast as Etta Candy, personal assistant to the the Amazon superhero – more specifically to one of her secret identities, Diana Themyscira.

So far, reaction on Twitter has been positive, although you just knew somebody was gonna attempt to troll it up, and sure enough, here’s a comment from the thread at DC Women Kicking Ass:

wow they went from morbidly obese fat woman in the 40s and 50s, to the pudgey blond woman in the current (well formly current) series some random woman who looked like etta in the animated movie to this current woman? I’ve seen her in a horror movie before and she was killed and she’s blk this is going to cause a bit of backlash in the fandom world

That kind of reads like a set of derailment Mad Libs, doesn’t it? Luckily, this POV was quickly rebuffed in the thread. But we digress.

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