By Arturo R. Garcia
Enough time has probably passed that most of us can now consider Marvel’s new Daredevil adaptation in full — both the good and the bad. And make no mistake, the good has been very good at times.
In fact, I suggested on the Lawyers, Guns & Money podcast that this show, along with Orphan Black, The Flash and arguably Arrow, has introduced enough non-mainstream “prestige” shows that calls for a set of separate sci-fi/fantasy Emmys should be taken seriously.
But, like a hurdler tripping and landing chin-first near the finish line, Daredevil’s 12th episode closes on a note that is less “shocking” than it is disappointing. And par for the course with the comics industry in all the wrong ways.
SPOILERS under the cut.
Courtesy: DC Comics.
By Arturo R. García
Longtime readers will remember the infamous Twitter discussion between Son of Baldwin and Marvel Comics editor Tom Breevort, where Breevort proceeded to demonstrate how limited the comics industry’s thinking can be when it comes to race.
Not that things have gotten markedly better all of a sudden, but it was pleasant to have a good conversation on the subject vis-a-vis DC Comics’ Superman last night with one of the more notable writers in the industry, Mark Waid, who tackled the character in the Superman: Birthright miniseries, and more recently has earned praise for his work on titles like Irredeemable, Insufferable and Marvel’s Daredevil.
I put together a Storify for the chat, which can be seen under the cut. One note, however: the discussion centers around the representations of the character prior to DC’s reboot last year. So, no short cape and jeans talk here.