By Arturo R. García [View the story “The SDCC Files: Super Asian America” on Storify]
Tag: Dante Basco
By Arturo R. García Big thanks to our friends at Racebending for sharing this with…
By Arturo R. García
If you saw Part I yesterday, you saw that the Black Panel, traditionally held on Saturdays, had made its’ way to the Friday morning line-up. Luckily, more panels have stepped up to fill the POC void on Saturday, and Sunday looks to be book-ended by some interesting stuff. Not that we’re too biased. The line-up is under the cut.
Read the Post The Extra-Large Racialicious Guide To San Diego Comic-Con 2011, Part II
By Arturo R. García
Diversity & Fandom 102: How You Can Make A Difference
In the wake of campaigns like Racebending.com’s protests and the rise of safe spaces like Racialicious.com, fans, consumers and creators from underrepresented groups have more outlets for speaking up. This panel explores how can we take those voices and add them to the conversations we need to have with geeky business interests and our own fan communities!
Where: Room 24ABC
When: Sunday, July 24, 10 – 11 a.m.
Our moderator will be Racebending’s Mike Le, who I interviewed at last year’s event:
Also, I’m honored to say I’ll be sitting on the panel along some pretty impressive company from around the media spectrum. The full line-up, and how you can participate, is under the cut.
Read the Post Racialicious & Racebending Are Teaming Up At San Diego Comic-Con!
By Guest Contributor Ay-leen the Peacemaker, cross-posted from Beyond Victoriana
Avatar: The Last Airbender (A:TLA) is easily one of the best US-created animated shows in the last ten years, and not just because I consider it a great example of Asian-inspired steampunk (though it helps). In terms of steam-worthiness, A:TLA not only creates what Asian steampunk could look like, but it places its steampunk technology within a cultural and political setting that speaks about technological development’s relationship with empire-building and the ramifications of global warfare.
Pretty complex for a children’s show that aired on Nickelodeon. But its depth of storytelling, detailed world-building, and strong characterization attests to its wild popularity across all age groups.
There are other assessments of the world of Avatar: the Last Airbender (A:TLA)–particularly Jha Goh’s article on “Kyriarchy in Avatar: The Last Airbender – Perpetuating & Challenging Oppression & Imperialism” and the Tor.com roundtable re-watch–so I highly suggest you go to them for a more highly detailed reading of the series as a whole. So instead, I’ll answer the question: Why do I think steampunks should watch Avatar: The Last Airbender? Warning: spoilers for the series after the jump.