by Latoya Peterson
Bitch Magazine published an interesting piece called “Oh Yoko!: 20 Ways of Looking at an Art-World Icon.” There are 20 different takes on Yoko Ono’s body of work and perception in the media, many of which revolve around art and gender. Others dealt with race, self-perception, and darkness. Here are my favorites:
4. Offered Sacrifice
Back in the ’60s, I was peripherally involved in a Fluxus concert evening at the Carnegie Recital Hall in New York where Yoko did several pieces, [including] “Cut Piece.” People began lining up to cut little pieces of her skirt or sleeves or strands of hair as souvenirs, or artworks, if you prefer. Everybody was very respectful, [and] Yoko remained impassive, without any change of expression.
The atmosphere changed to dark and unpleasant when several young men who were obviously not members of the art community started taking off large parts of her skirt and sweater, disclosing her bra, and getting back on line after each of their cuts. They couldn’t stop laughing. I recall Carolee Schneemann going up to one of them and slapping him in the face, which didn’t faze him one bit. He was after Yoko—the offered sacrifice.
At the point where one of the grinning guys went towards her bra strap with the scissors, Yoko made a slight gesture towards the wings, and the curtain immediately closed on her before her breast could be revealed. The piece was over. Obviously, when you let the audience into the artwork, you can’t always predict the result.
—eleanor antin, performance artist, filmmaker, and installation artist