Tag: comics

November 10, 2015 / / Racialicious Reads

I’ve been a fan of Marjorie M. Liu’s work for years. From her work on the Hunter Kiss novels to The Astonishing X-Men, Liu’s masterful and inventive storytelling creates deep, expansive worlds that consume the reader.

Liu’s latest work is no different. Teaming up with Japanese artist Sana Takeda, Monstress is a lush, art deco influenced exploration of war and power. In her own words:

MONSTRESS is the story I’ve wanted to tell for years, a dark epic fantasy about a young girl who has suffered tremendous loss and who isn’t quite certain how to put herself back together — if that’s even possible. To make matters worse, she fears something else is living inside her: a monster. And she’s right to be afraid.

My other motivation for telling this story is that powerful women are always imagined as monstrous.  Bringing women, monsters, and power together — setting this in a world that never was, and could be — is something that speaks to my heart.  Every single girl in the world has had to fight to have herself heard, to have space and a self in societies that try their best to deny them all three.  Every single girl, whether we want to recognize it or not, is a warrior.  And me writing about a young warrior woman is less a fantasy than a reflection of what it means to grow up a woman in societies like ours.

From Marjorie M. Liu's Monstress.
From Marjorie M. Liu’s Monstress.

Set against the backdrop of an alternate 1900s Asia, Monstress blends steampunk and kaiju to tell deeply personal story about loss, war, and jihad.  In an interview with The Hollywood Reporter, she explains the core questions underlying the work:

“What does it take to hold on to one’s humanity when you’re forced to suffer the long, continuous, dehumanizing experience of war? Is it just strength? Is it something in your character? Is it the kinds of friends you surround yourself with?” — which is one of the key themes to the series. “Other questions I’ve wrestled with, both in this book and others [are] what it means to be of mixed race, what it means to straddle the borderlands of two cultures,” she added.

“The world of Monstress is one that has been torn apart by racism, slavery, by the commodification of mixed race bodies that produce a valuable substance that humans require like a drug. Even if you look human, you might not be safe. It’s a familiar story to people of color in this country, and in the last four or five years I’ve found myself deeply immersed in the study of identity and race, especially in the Asian American context.”

Check out the whole interview, it’s well worth the read.   

If you haven’t picked up a copy, there are 500 signed editions at Midtown comics in NYC. (Not the Grand Central location, as I found out the hard way yesterday. They will get them in a few weeks.)

From Marjorie M. Liu's Monstress
From Marjorie M. Liu’s Monstress

If you have read the comic, after the jump, I’ll talk a bit about female characters and darkness, particularly around one particular scene in Monstress. There are light spoilers from Monstress.

HERE THERE BE SPOILERS, CLICK WITH CAUTION.

Read the Post Marjorie M. Liu’s Monstress Explores Our Inner Darkness

October 12, 2012 / / comics
“The Walking Dead’s” Michonne, as played by Danai Gurira (L) and portrayed in the original comic. (R)

By Guest Contributors Renee and Sparky

At the end of season two, The Walking Dead finally introduced Michonne, a character who fans have highly anticipated. Without doubt, Michonne is a favorite of fans of the original Walking Dead comic-book for her fearlessness, fierceness, and sheer strength of will.  Though she does have her moments of vulnerability, Michonne can always be counted on to have [our hero] Rick’s back and to be a staunch ally.

SPOILERS FOR THE SHOW AND COMIC ARE UNDER THE CUT

Read the Post Race + The Walking Dead: Why Michonne Matters

August 23, 2012 / / asian
August 9, 2012 / / art
July 17, 2012 / / casting
April 27, 2010 / / comics
March 23, 2010 / / art

By Guest Contributor Jacque Nodell, originally published at Sequential Crush

Part I

I was going to wait on posting this very important story, “Black + White = Heartbreak!” from Girls’ Love Stories #163 (November 1971) until a later date, but fellow romance comic blogger KB did a post yesterday at Out of This World that has encouraged me to post this story now instead of later.

The story KB covered, “Full Hands Empty Heart!” from Young Romance #194 (July/August 1973) tells the story of the love between a young African-American nurse and a white doctor. At the end of his post, KB posed the question:

Were there any earlier inter-racial kisses, romances, or relationships, especially between an African American and a Caucasian, anywhere in comics before this?

To that I can say a resounding yes! Though I do not know if “Black + White = Heartbreak!” is the first interracial relationship in the entirety of the comics medium, it does predate “Full Hands Empty Heart!”

In this Girls’ Love Stories feature, we meet the fathers of our two main characters Chuck and Margo. After working together during World War Two, the two men decide to continue their relationship as civilians by starting an auto dealership together.


Not only are the two men business partners, but friends that share the most joyous of life’s occasions.


As their two small children grew up into good looking teenagers, and then into thoughtful young adults, it was only natural for handsome Chuck and beautiful Margo to fall in love. Their life-long friendship blossomed into romance and the only thing that kept them apart was their attendance at different colleges. When reunited during summer vacation however, they make their love known to the world.


But the world wasn’t understanding. At first it was merely strangers that would ridicule and shun Chuck and Margo.


Read the Post Black + White = Heartbreak!