by Guest Contributor Geo, originally published at Prometheus Brown Morgan Freeman: the kind of black…
Tag: Clint Eastwood
by Guest Contributor Geo, originally published at Prometheus Brown
Three reasons that Gran Torino is more than just another movie about some white person “saving” people of color:
1. It rejects the idea of a “post-racial” society.
While Hollywood tripe like Finding Forrester, Freedom Writers and the like either minimize, or try to resolve, racial tension, Gran Torino confronts them head-on. Those who tout political “correctness” over honesty (however brash) might decry Walt Kowalski’s (Eastwood) blatant racism. The last white person in his run-down midwestern neighborhood, he bitterly throws out every slur imaginable, and I can’t front – it was unsettling to hear. However, an interesting juxtaposition is made between Walt and his supposedly more “liberal” son, who protests his father’s bigotry but lives a decidedly more sheltered, suburban existence in contrast to his father’s working-class life as a Korean War veteran. Without excusing Walt’s distasteful views on race, Eastwood explores where such bitterness may have come from, exposing it as something that is bigger than just him (unlike Mike Douglas in Fallling Down). With a class consciousness absent from similiar film templates, Gran Torino asks the question: who is the real racist – the working-class white dude who tosses slurs around but actually interacts – sometimes friendly, sometimes bitterly – with these communities? Or the bourgeois white dude who has learned not to use these words but never has into interact with communities of color? Perhaps both are racist, but at least one is honest about it.
by Guest Contributor Joanna Eng
In Gran Torino, Clint Eastwood plays a bitter old man who’s basically the only white person left in a run-down neighborhood somewhere in the Midwest. He (reluctantly, at first) gets to know his Hmong neighbors, and ends up getting intricately involved in their lives, as they deal with issues caused by a local Hmong gang that some of their relatives are a part of.
There are plenty of things about the movie that might make for great posts on Racialicious:
1. Like most Hollywood movies that are about a community of people of color, Gran Torino features a white protagonist who not only saves the day, but also has the most layers of complexity to his personality.
2. As the first major Hollywood film about Hmong Americans, how did it do at depicting this community? Does the exposure of Hmong culture and the opportunity for Hmong actors outweigh the possible inaccuracies and negative representations? (See some of the commentary about this on AsianWeek.)
3. Clint Eastwood’s character’s constant racist remarks serve as a running joke in the movie. Just because he uses outdated and blatantly un-P.C. language with an “equal-opportunity discrimination” approach, is it OK to use this deeply offensive language as comic relief?
But I don’t really want to write about those things. I want to write about another reaction I had. Read the Post Gran Torino and Hmong Gangs in the Midwest