Tag Archives: Ciara

Table For Three: The Racialicious Roundup on ‘Run The World (Girls)’

By The Racialicious Editorial Board

Beyonce might not completely run the world, but she’s certainly dominated the blogosphere news cycle since the release of the video for “Run The World (Girls).” Rather than each of us having a go at analyzing the song and the video, we decided it best to get together online and talk about not just the message Beyonce’s song is promoting, but how it fits in with other representations of Girl Power, as well as the song’s problematic backstory.
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Keri Hilson, Ciara, and “Appropriate” Sexuality

by Latoya Peterson

So, I started hearing some rumbling about Keri Hilson’s video for her song “The Way You Love Me.” Video mildly NSFW, audio definitely NSFW:

And the lyrics?

Yeah, you can see – just where we wanna be
I got that kinda lovin’ that’ll keep you off the streets
Yeah, you can see – just where we wanna be
The way you love me the way you love me (Fuck Me)
Yeah, that’s me – just where we wanna be
I got that kinda pussy that’ll keep you off the streets
Yeah, that’s me – just where we wanna be
The way you love me the way you love me (Fuck Me)

Love me, love me – it’s the way you love me
Touch me, touch me – it’s the way you touch me
Fuck me, fuck me – it’s the way you fuck me
(It’s) the way you love me baby you got me goin’ crazy

Now, as far as I can tell, it’s a fairly standard music video, perhaps a little more risque than some. Much of the drama seems to stem from the fact that Hilson dropped the euphemisms and demanded a good screw.

But to be honest, I wonder if people are reacting to the vulgarity or the person saying it. It reminds me of how shocked I was when Renina pointed out that Ciara’s video for “Ride” had been banned from BET for being too explicit. Continue reading

Relationship or Rorschach Test? Interracial Relationships and Societal Self-Projecting

by Racialicious Special Correspondent Wendi Muse

In a recent discussion about the content of Ciara’s video “Love, Sex, Magic,” in which the songstress collaborated with Justin Timberlake, many readers commented that the video itself served as a classic example of race baiting via sex and sexuality on the small screen. The video demonstrated what some considered a clear example of exotification and sexual exploitation of black women for the fodder of a white male audience. And again, in recent weeks, came the criticism of comments made by Kate, of the TLC show about adventures in parenting Jon and Kate Plus 8, who declared her attraction to, and arguably, fetishization (in the connotative sense) of Asian and Asian-American men.

These accounts garnered considerable attention from tv audiences, gossip column connoisseurs, and critical race theorist alike. Yet despite the aforementioned controversy, few considered the experiences of the interracial couples “on the ground.” In many instances, interracial relationships exist as some conversation piece or pivotal point for people who talk about race, but there is little attention paid to the simple fact that, like any other relationship, interracial relationships deserve the respect and courtesy of same-race relationships, respect in this sense meaning the right to exist sans accusations of racial essentialism and an excessive amount of societal self-projecting solely on the basis of the relationship being interracial.

In simply beginning an interracial relationship in the United States, one often suffers a considerable amount of social pressure, be it from family members, friends, or co-workers. When the presence of an interracial relationship is noted, its very existence at times solicits a barrage of questions in the minds of onlookers, one firing after the other. The questions range from the simple, “how did they meet?” to the complex, “do they really love each other or are they just together because they wish to rebel against social norms?” to the intrusive, “how is the sex?” Some of these questions are customary when considering any relationship, yet with interracial relationships, there seems to be an exceptional increase in curiosity, one that certainly rivals that of intraracial pairings.

And while there are plenty of unuttered questions, there is an equal, if not greater, number of unspoken answers, guesses and assumptions as to the many aspects of the relationship. In relation to interracial couples, the participants are rarely given the benefit of the doubt when it comes to their reasons for being together in the first place, at least not in the same way as intraracial couples. For example, if one were to date someone of the same racial background, the issue of essentialism, the idea that one has chosen his or her partner solely on the basis of race and the characteristics one attributes to said race, is rarely considered. Thus we have the double standard. People of the same race could very well be dating each other for calculated reasons, one of them being race, yet this is rarely considered and applied to such couples. Only interracial couples fall victim to such assumptions.

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Your Sex Acts–And Partners–Aren’t Uplifting the Race

By Sexual Correspondent Andrea Plaid

My gurl S., who followed the Justin Timberlake/Ciara post and thread very closely, just about fell out while we talked on the phone.

She was apoplectic over Timberlake pulling Ciara’s chain in the video, of that salient image of BDSM (and possible race play) as well as the article about race play I linked to in the comment thread. Too through, she told me she “had to get up from the computer when I read about race play.” “I mean, I knew about it, but I never read about it in detail. I just can’t believe it!!”

“I know,” I told S. “I know.” ‘Cause I’ve heard this reaction to race play before. Talking to another blogger, she flipped out pretty bad about it. I had to calm her down by saying, ‘I feel you. Personally, I think of race play and, yeah, I feel the body memories of slavery, too. And, yeah, I even felt a negative undercurrent in Hernandez’s piece, one of ‘This isn’t uplifting The Race!’ But, S., I’ll tell you what I told the blogger: the reality is–whether we like it or not–people are into it.”

“And, I added, “you can’t flip out about race play [with the Racial Uplift] argument because some folks can use the same argument about your liking anal beads: ‘The slavemasters–and white men–have stuck all kinds of objects into us to violate us. Why would you want to do something like that? That’s not uplifting the race!’”

S. got quiet. “Yeah, you’re right.”

Unfortunately, this argument gets whipped out among people of color when a PoC steps out of sexual line of “acceptable” sex practices and partners, especially in a public space, like Ciara did in her “Love Sex Magic” video. On the thread from the other day, she gets “read” as a slut corrupting the youth or a victim of the patriarchy or both. Some of the comments:

“Ciara is clearly desperate…her albums aren’t selling like the execs thought they would…in sense she is a slave…so the video is perfect fit.”

“The video is way sexualized to a point that’s unnecessary…My issue is with the fact that Ciara chose to go so far that she came off as tacky.”

“I don’t know that I’ve witnessed this much (grand plié in 2nd position) crotch, thigh waving and close-up butt rumbling by non-brown bodies in a music videos of late…She is dancing around and below him, she is an armrest for him, she is performing for him (and us – not an essentially bad thing, but a thing I’m keeping in mind) . . .”

“Ciara tends to be very sexualized in general. Did anyone see her performance with Chris Brown at the BET awards? This is how she markets herself…But I feel Ciara’s video is too sexual, and I blame that all on her. We need to start making women accountable in these situations.”

“I think the portrayal of Black women in general, rather a Black rapper or rip-off artist like Justin Timberlake, is discraceful no matter who does it. We have girls and boys, Black, white, latino, asian, in middle school watching this crap, and thinking this is how men and women act, and women should have to get half naked to get status while boys have to be immature, crass, and disrespectful, its alienating to the self and destroys creativity. What ever happened to convincing and natural sexuality?” Continue reading

Soulbounce Asks “How Can Justin Timberlake Still Objectify Black Women And Get Away With It?”

by Latoya Peterson

Reader Crash Happy tipped me to this provocative article published on SoulBounce, asking “How Can Justin Timberlake Still Objectify Black Women and Get Away with It?

Contributing editor Ro writes:

Someone please explain why Justin Timberlake continually gets a pass to fetishize and exploit the image of Black women. Right now. Because after watching him aggressively pulling on a chain wrapped around Ciara’s neck only to later use her bending body as a leaning post in her new video for “Love Sex Magic,” it’s getting ludicrously difficult to understand.

It been years since “Nipplegate” after which he distanced himself from Janet Jackson, cowardly allowing her to endure the overly harsh criticism alone. The outcry against his actions from those of us in the indignant minority was quickly overshadowed by an increase in album sales, multiple music awards and an increase in his Pop stardom miming Black music and culture. Instead of subjecting his next project with trepidation–let alone dismissal–nearly every “urban” club, radio station and music channel on the planet had the masses bumping to a song with a hook that’s about shackles, whipping and slavery.

From behind a wry smile and with his hair faded he actually tarnished a reigning, Black Pop star’s image arguably beyond repair by exposing her breast on national television and then built his street cred further by bringing sexy back, Middle Passage style. He’s transitioned from the post-racialist’s pop culture dream of somewhat harmlessly lusting after beautiful Black love interest in the video for “Like I Love You” into something more sinister. He uses the scapegoat of S&M edginess in which he is the aggressor, the dominant force, to subordinate his object of desire when she is Black.

Ro goes on to argue that while both Ciara and Janet Jackson chose to collaborate with Timberlake, “that just makes his ability to exploit their collaborations to the point that they are subjugated to his dominance, wittingly or not, more protestable.”

The comments over at SoulBounce were as provocative and engaging as the post. Here are a few of the choice ones:

You talk about JT “miming Black music and culture,” but until we get away from this insular view of racial ownership of culture (and a type of music) we will never be an integrated society. By making him out to be an imposter because he borrows from hip-hop and collaborates with black women (although his last popular single was with Madonna), aren’t you singling him out soley for the color of his skin and not the content of his musical product? That seems like precisely the kind of thing we are trying to get away from as a country.
Luce | March 25, 2009 5:02 PM | Permalink

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