Based on this interview he did with NPR, the Antoine Dodson phenomenon seems to be turning out more favorably than these memes tend to. But not without reaffirming some of the worst tendencies of both media distributors and consumers.
By now many of us know how the story started: on the morning of July 28th, a man broke into the Dodson home in Huntsville, Ala. and, according to Antoine’s sister Kelly, attempted to assault her in her bedroom. As originally reported by WAFF-TV, Antoine struggled with the assailant, who subsequently escaped.
The first thing to note is that WAFF’s original story was not a live-shot. Meaning both the reporter, Elizabeth Gentle, and her editors had virtually the entire business day to get an interview with either a police spokesperson or the crime scene investigator shown at the scene to add to the story and respond to Antoine’s allegation about there being “a rapist in Lincoln Park” – for instance, had there been similar incidents in the area as of late? Gentle also had time to get a description of the alleged assailant from either the Dodsons or the police department, information that would be useful when the suspect in a forced entry and attempted sexual assault is still at large.
We’ve heard him rap from the perspective of a gun that has been used in several homicides. He’s rapped from the perspective of a kid on a project bench. And on his upcoming album, Nigger, he’s at it again, reciting lyrics from the viewpoint of an insect. One of the standout cuts he previewed for MTV News on Tuesday is called “Project Roach.”
“A roach is what I am, fool/ The ghetto is my land, fool,” he raps on the track, which was produced by No I.D.
“I get to thinking about how we evolved, how the human family evolved and sh–,” Nas said Tuesday from Jimmy Hendrix’s Electric Lady Studios. “And I looked at ants, man. One day, I was looking at a bunch of ants. We’ve got a lot in common — just like everything that’s alive, everything that eats and breathes and builds and creates. There’s a connection to even the smallest thing. So I looked at it as the whole world, instead of looking at us as beauty. Inside poverty, inside the street, inside the ghettos and the gutters and the slums, we aren’t looked at as beauty out there. We were looked at as the worst pest, and because of that, because of that treatment, some of us started to believe we were a pest, started to believe what we were told, and started to act like it, and started to reproduce my people, bring kids in the world that were f—ed up in the head.