There was one clear winner at the network Upfronts this year: DC Comics.
Yes, DC Comics a company that hasn’t managed to do much this year except piss off their fans, came from behind, hurdled over the teen barrier that is the CW network, and dominated the fall 2014 pilot season. Thanks to pickups on NBC, FOX, and the CW, DC (in part with Marvel’s presence on ABC) has managed to leave CBS as the only network without a show centered around superheroes.
Of course, with a demographic needle pointed exclusively at the 45 and older column and two more NCIS and CSI spinoffs headed our way, it’s possible CBS just doesn’t care. Not that CBS was the only network with a line of uninspired pickups for the fall season– there’s plenty more of that (and the full details of DC’s television takeover) under the cut.
Last year, around this time, I was nursing far too high expectations for a little pilot season pickup called Deception. This year I’m just really glad it’s been cancelled so that the actors involved can escape with some dignity intact. One can’t say the same about Community.
Yeah, it’s that time again. Most networks are at least 80% set with their 2013-2014 Fall/Winter lineups. For better worse you will be sitting through another season of potentially Harmon-less Community. As Abed might say, some stations just like to watch the world burn.
The New Normal has no shame left, is what I was thinking during the whole episode. In this week’s episode, Shania (played by the ever-so-cute Bebe Wood) had to come up with an influential woman to cover for a presentation recital–do these actually happen? I’m actually curious–and perform the speech in front of the parents at school. And, boy, did she perform…because she chose Cher. Walking up to stage in a hot pink war bonnet–I don’t want to even start with that again right now because, when she starts to sing, it gets worse…
Late in the second season of Dr. Quinn, Medicine Woman, there’s an episode where the Klu Klux Klan comes to Colorado Springs in the form of a bank official peddling a “social club” for men. “Like the lady’s quilting circle,” the women claim, unknowingly sewing uniforms for the men to use during their first outing.
But when they put those uniforms on and Grace, half of the show’s one Black couple, is cornered by three Klan members, the situation takes a disturbing turn. The Klansmen grab her in broad daylight and hold her down against one of her restaurant tables. At first it seems an act of rape is imminent. Yet, somehow, when they rip her hair down from the carefully constructed bun she wears and begin to slowly carve it away with a barbershop razor while she screams, it seems almost worse–more intimate–than what could have been.
That episode, “The First Circle,” aired during a season where the show averaged 13.46 million viewers per episode for CBS–an incredibly strong showing for a family-oriented show that aired at 8:00 on Saturday nights. As the 49th most watched show in America, it was up against the 104th and 113th most watched shows from ABC, NBC, and FOX, and was outperformed only by another CBS Saturday-night show, Walker, Texas Ranger.Dr. Quinn, which starred British actress Jane Seymour, had a relatively family-friendly facade and–since “family-friendly” often goes hand-in-hand with a sugarcoating of American history–the topics it chose to handle are always a welcome surprise.
Episodes like “The First Circle” were an indication of not only how good Dr. Quinn could be, but how much television has changed and what our current period television dramas often fail to do and acknowledge. In its own way, the show regularly dealt with issues like racism, immigration, and gender equality, but often touched on more nuanced subjects as well. The white encroachment on Cheyenne lands, mob lynchings of African-Americans, marital rape, and domestic abuse were only a few themes explored throughout the series. Unlike many period dramas, Dr. Quinn never shied away from dealing with the difficult realities of its setting laid out. Read the Post Dr. Quinn Medicine Woman And The State Of Period Dramas
Here’s the thing about Elementary: whether or not you like it isn’t going to have everything to do with Lucy Liu’s playing Dr. Watson.
It would be a disservice to Liu to rave about the show just because she’s in it. So let’s keep it real: when it comes down to it this show is nothing more than your average CBS procedural. That said, I like CBS procedurals, and I also happen to like Sherlock Holmes adaptations, so I can easily give you a few reasons why the pilot of Elementary is worth checking out on CBS.com. Read the Post Four Reasons Why Lucy Liu Won’t Sink Elementary
When I first skimmed Joanna Robinson’s Pajiba post on the casting of Lucy Liu as Watson in Elementary, CBS’ upcoming remake of Sherlock Holmes, and her call to have Liu play the titular protagonist instead, I thought, “Right on.” Though mainly staffed by white writers, I’ve always considered Pajiba to have a fairly critical sense of race and gender in their film and television reviews for a site that’s … mainly staffed by white writers.
But then I really read Robinson’s piece.
Robinson’s main rationale for Liu taking the lead in the modern reboot is that she’s too sexy to play Watson. While I understand her angle that traditionally Watson is the more amiable, less aesthetically pleasing counterpart to a more fly-yet-caustic and emotionally detached Holmes, perhaps there was a cultural competency oversight or two in her analysis of Liu’s sexiness:
Hell, I’m all for Asian women getting prominent roles. Lord knows Grace Park, Sandra Oh and that fake Hot Topic punk on “Glee” could use some company. But this is the most ill-fitting casting news since they announced Jonny Lee Miller as their Holmes. Listen, you TV executards, we all know sex sells, but Holmes is supposed to be the icy, removed sociopath. Not Watson.
Liu is a sexy, charming performer, but sweet she ain’t. Anyone who watched her try to Manic Pixie Dream grind her way through “Watching The Detectives” will understand. You know what Liu does well? Chilly. She’s like sexy ice water in your veins. Seriously, cast her as Holmes, make the doughy-featured Miller your Watson and I am fully on board.
During my four months of funemployment after grad school I became hooked on a list of TV shows. A couple of my queer desi friends had been raving about The Chicago Code a while back and when I finally watched it I enjoyed it. So of course when the same friends started tweeting about The Good Wife, and specifically about one character, Kalinda Sharma, I decided to take the hint and marathon it.
The same things drew me to both shows: aside from the suspense and drama, they’re both set in Chicago. As a girl from the Midwest, I enjoy watching a show whose city politics I can relate to.
There is a difference between the two shows though: Chicago Code was mostly special for me because Jennifer Beals was in it and, for an L Word fan, she will always be Bette Porter. Yes, even if she is playing a superintendent of a police department. On the other hand, I will gladly embrace Archie Panjabi as Sharma, a queer, desi, private investigator on The Good Wife.