By Guest Contributor Aymar Jean Christian, cross-posted from Televisual
Note: To see Part 1, which featured a breakdown of several of the box-office performances of several leading black actresses, go here.
III. The State Of The Black Leading Lady
It’s hard to be a woman in Hollywood. It’s hard to be black in Hollywood. So, obviously, it stands to reason it’s hard to be a black woman. It can be boring to hear — “black women have it tough, huh, what else is new?” — but it’s true!
One good place to start is New York‘s new “Star Market,” which is a great resource for people wanting to know more about how stars are made and unmade by the throngs of publicists, casting directors, producers and studio execs in Hollywood. One theme from the feature rings clear: it’s much tougher for women. The 2000s haven’t been bad to black actors and actresses: stars like Will Smith and Queen Latifah rose in power; 22 actors and actresses were nominated for and 7 won Academy Awards — in the previous 70 years, only 36 had been nominated and 6 had won. But the overall picture for black women is less rosy than for their male counterparts: most black-led independent and mainstream films are centered on men.
It’s hard to assign blame. Surely, the industry’s partially at fault: too few black/women directors, screenwriters, people above/below the line. But the industry also responds to what America wants, and year after year, movies led by white/men top the box office. Every once in awhile, something shakes the conventional wisdom — Sex and the City, or films by Sandra Bullock , Tyler Perry and Will Smith — but the conventional wisdom more or less remains because Hollywood is congenitally cautious. Once again, who’s to blame? Most films fail, and job security is hard to come by, so how much can we blame industry workers for not taking risks? I don’t know. Let’s talk about it.