Tag: Canada

October 15, 2011 / / activism

By Guest Contributor Harsha Walia

I wish I could start with the ritualistic “I love you” for the Occupy Movement. To be honest, it has been a space of turmoil for me. But also one of virulent optimism. What I outline below are not criticisms. I am inspired that the dynamic of the movement thus far has been organic, so that all those who choose to participate are collectively responsible for its evolution. To everyone – I offer my deepest respect.

I am writing today with Grace Lee Boggs in mind:

The coming struggle is a political struggle to take political power out of the hands of the few and put it into the hands of the many. But in order to get this power into the hands of the many, it will be necessary for the many not only to fight the powerful few but to fight and clash among themselves as well.

This may sound counter-productive, but I find it a poignant reminder that, in our state of elation, we cannot under-estimate the difficult terrain ahead. I look forward to the processes that will further these conversations.
Read the Post A Letter To The Occupy Together Movement

May 19, 2011 / / activism

By Guest Contributor Harsha Walia, cross-posted from Rabble.ca

“When we speak we are afraid our words will not be heard or welcomed. But when we are silent, we are still afraid. So it is better to speak.”
— Audre Lorde

Since April, when thousands marched in a Slutwalk in Toronto in response to a police officer telling students that the best way to avoid getting raped was to avoid dressing like a ‘slut’, Slutwalks have spread across cities in Canada and the US to the UK and Australia. Accompanying this global surge has been a myriad of controversies about the term ‘slut’ as well as questions about who was being left out from this new movement.

I share many of these concerns.
Read the Post Slutwalk – To March or Not to March

April 22, 2011 / / Culturelicious

By Guest Contributor Jorge Antonio Vallejos, cross-posted from Black Coffee Poet

We all have a noise in our mind at some point.  That thing we are thinking about, contemplating, frustrated over.  It buzzes in your ear and on your brain.  Rudyard Fearon’s Noise in my Mind is a collection of the thoughts that have the Jamaican poet up at night writing after a lot of thinking.  In his minimalist style the talented scribe says a lot with very few words.

Working at a library by day Fearon puts pen to pad at night.  He stays at work after his shift ends to read, write, re-write, and better himself at his chosen craft.  And you can see it in his short poems made up of five or so lines that leave you thinking for five hours.

In The Better Way, Fearon explores a reality that many hope never to witness: suicide on the subway.  You always hear rumors about daily jumpers; the codes spoken over the loud speaker get people thinking that every “emergency” at another station means death; and a couple of times a year the cover of the newspaper has a story about someone deciding their end, or worse, the end of another.

Read the Post Noise In My Mind [Culturelicious Review]

February 24, 2011 / / art

By Guest Contributor Jorge Antonio Vallejos, cross-posted from Black Coffee Poet

Dub poet Lillian Allen continues to define the form and explore its leading innovative edge. She has performed her work in many major venues in North America taking poetry to larger and larger audiences. She has produced Juno award winning recordings, critical acclaimed publications, and she has performed her work for television, film, radio, and print media across the world. Lillian is also a professor of creative writing at the Ontario College of Art and Design, inspiring students to claim space for their dreams in the world and to use their creativity to make revolution.

BCP: Why poetry?

LA: You ask why poetry? To that I would say, why not poetry? Poetry is the deprogramming faculty we have as humans that they would like us to believe is, or should be the purview of only a few. With poetry we can create our own textures and our own picture of life, we can create community, name the nameless and put out a point of view, a way of seeing that says we are unique and we can think for ourselves. Poetry is the answer to the roll call those in control have forgotten to do. Poetry is the “present” to this imaginary roll call.

Read the Post An Interview With Lillian Allen

By Guest Contributor Jorge Antonio Vallejos, cross-posted from Black Coffee Poet

Four white boys. One Cree girl.

Four cowards. One warrior.

Two white boys given immunity, one acquitted, one handed a life (?) sentence. A stolen and erased Aboriginal sister joins her ancestors. An Aboriginal community saddened and silenced:

This is the Helen Betty Osborne murder, court case, and disgrace.

Journalist Lisa Priest starts her sympathetic and problematic book Conspiracy of Silence by saying, “November 13, 1971 was cold and miserable.”

The cold and misery continued for sixteen-years until the four white boys were finally taken to trial; and November 13, 2011 makes it 40 years since Osborne was killed. Really, the cold and misery started hundreds of years ago when white settlers from Britain and France invaded Turtle Island (now known as Canada).

Read the Post Conspiracy of Silence: The Riveting, Real-Life Account of The [Helen Betty Osborne] Pas Murder and Cover-up that Rocked the Nation

February 8, 2011 / / Quoted
January 14, 2011 / / Culturelicious

By Guest Contributor Jorge Antonio Vallejos, cross-posted from Black Coffee Poet

Odel Johnson is a multidisciplinary roots reggae artist.  Known as one of the North America’s best drummers, Odel has performed with many bands all over the globe including Juno Award-winning Messenjah.

The creator of two albums, Body, Mind, and Sold, and the new album Redemption, Odel has proven to be a great songwriter as well as percussionist.

Read the Post Culturelicious: Interview with Roots Reggae Artist Odel Johnson

November 29, 2010 / / asian

By Guest Contributor Restructure!, cross-posted from Restructure!

“‘Too Asian’?” was not the first racist Maclean’s article lamenting the quantity of racialized people displacing white people and white power.

In 2006, Maclean’s published “The future belongs to Islam” by Mark Steyn, who assumed that Muslims all over the world were primarily focused on a shared goal of imposing Islamic law globally, and tried to bring to everyone’s attention that the birth rates of Muslim-majority countries were higher than the birth rates of European countries. Steyn also pointed out that although “Africa” has a high birth rate, it is “riddled with AIDS” and “as we saw in Rwanda, [Africans’] primary identity is tribal”. Steyn then invoked a white colonialist narrative by describing Muslim-majority areas as “Indian territory”, “lawless fringes of the map”, and “badlands” that needed to be “brought within the bounds of the ordered world.”

Read the Post Canada’s Maclean’s has a whiteness problem