by Guest Contributor Angry Asian Man, originally published at Angry Asian Man Some intriguing news…
by Guest Contributor Angry Asian Man, originally published at Angry Asian Man
There was a lot of uproar last month when it was announced that M. Night Shyamalan’s movie adaptation Avatar: The Last Airbender would star a lot of pretty white people, with no Asians in sight. The animated Nickelodeon show takes place in an Asian-inspired fantasy realm. Hollywood, of course, is a Caucasian-inspired fantasy realm.
The controversy hasn’t really died down. Avatar fans are still angry. And one of the movie’s actors, Jackson Rathbone, who will play Sokka, seems to think he can easily pull off playing Asian with just a new hairstyle and a tan: ‘Twilight’ Star Jackson Rathbone Hopes To ‘Show His Range’ In ‘Last Airbender’.
Due in theaters in summer 2010, “Airbender” has already begun to face a bit of controversy over the casting of white actors like Rathbone, Ringer and McCartney to play Asian characters – a concern the actor was quick to dismiss. “I think it’s one of those things where I pull my hair up, shave the sides, and I definitely need a tan,” he said of the transformation he’ll go through to look more like Sokka. “It’s one of those things where, hopefully, the audience will suspend disbelief a little bit.”
by Guest Contributor Restructure, originally published at Restructure!
Finally, somebody summarized the myths that non-Chinese Americans have about Chinese food. Most of what White Americans consider “Chinese food” is mostly eaten by white people, and would be more accurately described as “American food” (and perhaps even “white people food”).
Jennifer 8. Lee has a great video on TED Talks titled, Who was General Tso? and other mysteries of American Chinese food.
Here are some important points from the video:
- General Tso’s chicken is unrecognizable to people in China. It is the quintessential American dish, because it is sweet, it is fried, and it is chicken.
- Beef with broccoli is of American origin. Broccoli is not a Chinese vegetable; it is of Italian origin.
- Chop suey was introduced at the turn of the 20th century (1900). It took thirty years for non-Chinese Americans to figure out that chop suey is not known in China. “Back then”, non-Chinese Americans showed that they were sophisticated and cosmopolitan by eating chop suey.
by Guest Contributor Joanna Eng
In Gran Torino, Clint Eastwood plays a bitter old man who’s basically the only white person left in a run-down neighborhood somewhere in the Midwest. He (reluctantly, at first) gets to know his Hmong neighbors, and ends up getting intricately involved in their lives, as they deal with issues caused by a local Hmong gang that some of their relatives are a part of.
There are plenty of things about the movie that might make for great posts on Racialicious:
1. Like most Hollywood movies that are about a community of people of color, Gran Torino features a white protagonist who not only saves the day, but also has the most layers of complexity to his personality.
2. As the first major Hollywood film about Hmong Americans, how did it do at depicting this community? Does the exposure of Hmong culture and the opportunity for Hmong actors outweigh the possible inaccuracies and negative representations? (See some of the commentary about this on AsianWeek.)
3. Clint Eastwood’s character’s constant racist remarks serve as a running joke in the movie. Just because he uses outdated and blatantly un-P.C. language with an “equal-opportunity discrimination” approach, is it OK to use this deeply offensive language as comic relief?
But I don’t really want to write about those things. I want to write about another reaction I had. Read the Post Gran Torino and Hmong Gangs in the Midwest
by Guest Contributor Lisa Leong, originally published on the AZN Television blog
“That’s colonialism all over your face!”
The quote is from one of my favorite Asian American Studies professors on eyelid surgery, nose bridge implants, and any other kind of cosmetic surgery that transforms Asians physical features into more Caucasian ones. She meant that there is one standard of beauty—the Western one—that gets imprinted on our faces, our bodies, and our senses of self.
It’s easy to see that the Western ideal of blond-haired, blue-eyed, All-American (or Ayran, if you’re more sinister) beauty is the dominant standard. Look no further than the all-present world of popular media. Advertisements, TV, and movies glorify beautiful faces, but these beautiful faces don’t look anything like me—or you, probably. Every billboard says, “This is Beauty, and you are not quite it. Envy my bag, my hair, my look and my, uh, eyelids.”
Racialized plastic surgery is a popular topic on talk shows like Tyra and Montel. They raise the question: does eyelid surgery erase or enhance race? The audience nods along in agreement that eyelid surgery is a way for Asians to conform to white prettiness. The plastic surgeon and his patients say that they are just enhancing Asian looks. I may not have big, round eyes, but I can see perfectly well what’s going on here. Read the Post Assimilated Beauty
by Guest Contributor Angry Asian Man, originally published at Angry Asian Man
In November, the University of Maryland’s Asian American Studies Program, with support from OCA, released a major new study on Chinese Americans in the United States. Based on extensive U.S. Census data and independent interviews, A Portrait of Chinese Americans offers the most comprehensive and current portrait of the country’s diverse Chinese American population: Major Study of Chinese Americans Debunks ‘Model Minority’ Myth.
According to the study, Chinese Americans, one of the most highly educated groups in the nation, are confronted by a “glass ceiling,” unable to realize full occupational stature and success to match their efforts. The returns on Chinese Americans’ investment in education and “sweat equity” are “generally lower than those in the general and non-Hispanic White population.”
by Guest Contributor Neesha Meminger
Young Adult (YA) literature has exploded in recent years with the phenomenal success of the Harry Potter books, the Chronicles of Narnia, Tuck Everlasting, Lord of the Rings, the Gossip Girl series, The Princess Diaries, and the more recent Twilight series to name a few right off the top of my head. There are some who look down their noses at YA lit and don’t consider it real literature. But, given the success of the aforementioned novels and series, I blow a big, fat raspberry in those people’s general direction.
Kidding. But, seriously. My guess is that the reason all those titles, and many, many others in the YA or MG (middle grade) categories have been so successful is that they reach across age barriers. If you look at the audiences for Harry Potter, Gossip Girl, Lord of the Rings and Twilight – books and movies – you’ll find fans ranging from nine-year-olds all the way through to the middle-aged, paunch set. The same cannot be said for high literary novels, or children’s books. YA and upper MG novels are right smack in the middle and appeal to that vast swath of almost-adult to inching-out-of-adulthood readers. There are often subtle, mature themes, and usually no gratuitous violence or sex.
I write YA because that is a time that ideals were still strong and fresh.
When I write, it is as if I was on the cusp of adulthood where things were still simple: good and bad were easy to define, as were right and wrong. It was a time when my inner life was more vivid than my outer and there were constant, brutal clashes between the two. It was a time where creativity was wild, unencumbered by the expectations and restrictions of adulthood. Anger, pain, joy – all were raw, enormous forces. It is still the place I go when I am seeking unrefined, unfiltered Truth.
My first novel, a YA release, comes out in March, 2009, and the road to getting it published has been full of surprises. I belong to a group of first time authors with Young Adult (YA) and Middle Grade (MG) novels coming out in 2009. We are all working together to promote our first novels. We share resources, commiserate about bumps and bruises along the way, and rejoice in one another’s accomplishments. It is completely voluntary, and no one is obligated to do anything they don’t want to, except participate in whatever capacity they can. The group is a wonderful social and networking space with some amazingly talented authors and many future stars.
And yet, something about the group caught my notice.
I don’t have any hard data or statistics in front of me, but several weeks ago as I was answering questions for my first online author interview, I was startled to realize that I was one of three YA authors of Color debuting in 2009. Read the Post On Race and YA Lit
by Latoya Peterson
I’ve been checking for the game Mirror’s Edge for a while, since the first stills dropped a few months ago. There are a lot of things that excite me about the game: tapping into the parkour experience, rolling through a first person landscape without it being a shooter, a provocative plot.
However, I would be lying if I didn’t say I was geeked about a woman of color protagonist – and one who has a character design which reflects the environment she works within.
However, I haven’t yet played Mirror’s Edge because of what I am calling the If You Give a Gamer a
Cookie New Console conundrum.* So, I’ve been keeping my gaming excitement on a low simmer. Well, I was, until I clicked over to Feministe.
And as always, Hollyhas got the gaming goods.
Mirror’s Edge is at its heart a game about parkour, the athletic art of moving between two points as rapidly as possible, using nothing but your body and features of the environment. The game’s protagonist is Faith, an Asian-American courier with a knack for hurling herself into harm’s way. Like a lot of parkour enthusiasts, she spends a lot of time on rooftops, and Mirror’s Edge is largely about jumping, vaulting, climbing, pushing off of walls, rolling as Faith falls from great heights, and other almost-impossible seeming feats of gravity defiance.
I swear, I have to bite my finger from screaming at this gameplay. But Holly’s post also sheds some interesting light on a racial nuance in the conversation surrounding Mirror’s Edge:
Even when you do see her in ads, mirrors, and cutscenes, Faith has a wiry, androgynous form suited to someone who runs and climbs for a living. Her clothing is utilitarian, not decorative, and her style of movement is closer to the efficiency of parkour than the aesthetics of free running. Tom Farrer, the producer of the game, was recently quoted about her character design:
We’ve spent time in developing Faith. And the important thing for us was that she was human, that she was more real.
We really wanted to get away from the typical portrayal of women in games, that they’re all just kind of tits and ass in a steel bikini. We wanted her to look athletic and fit and strong [enough] that she could do the things that she’s doing.
We wanted her to be attractive, but we didn’t want her to be a supermodel. We wanted her to be approachable and far more real. It was just kind of depressing that someone thinks it would be better if Faith was a 12-year-old with a boob job. That was kind of what that image looked to me. […] To be honest, I found it kind of sad.