by Guest Contributor HighJive, originally published at MultiCultClassics Change has come to America. But it…
by Guest Contributor HighJive, originally published at MultiCultClassics
Change has come to America. But it took a detour around Madison Avenue. While citizens have adopted phrases like “post-racial,” the advertising industry operates in a pre-Civil Rights time warp. Whenever the topics of diversity and inclusion appear, ad executives consistently display stunning ignorance. MultiCultClassics has sought to address the issues in the past. However, the matters have evolved along with society, despite Madison Avenue’s retarded development. As a public service, this blog will answer a series of Frequently Asked Questions to enlighten the asses… er, masses.
Question: Why do all the diversity discussions focus on Blacks—what about Latinos, Asians, Native Americans, People With Disabilities, Gays, Lesbians, Women, Veterans, Older Employees, Pit Bull Lovers, Mutants and The Rest Of Us?
Answer: Get in line. Unfortunately, the deeper you dig into Madison Avenue’s corporate closet, the more skeletons you’ll find. Recent years have seen work and deeds demeaning everyone listed above, including a Jewish creative director allegedly sexually harassed by a neo-Japanese warlord. Read the Post Culturally Clueless FAQs—Number 1
by Guest Contributor Highjive, originally published at MultiCultClassics
Hadn’t planned to examine the L’Oréal/Beyoncé drama, as others have already addressed it with better perspective, better emotion and better boycotting. Besides, it’s always best to avoid touching a Black woman’s hair—even as a blog topic—unless you really know what you’re doing. Hey, this subject is so combustible, it managed to draw comments at the typically ignored Agency Spy. Anyway, here are a few thoughts from a primarily advertising-related viewpoint.
Contrary to popular protests, it’s unlikely that L’Oréal deliberately lightened Beyoncé’s skin or messed with her nose and other items. The company officially insisted, “It is categorically untrue that L’Oréal Paris altered Ms. Knowles’ features or skin tone in the campaign for Féria hair color.” The company is probably right. However, they’re still probably wrong. Bear with us for a bit.
Technically, it’s a safe bet L’Oréal did not covertly tamper with the superstar. Anyone who has ever produced fashion advertising or fashion photography will attest that lighting plays a key role. When filming hair, incredibly strong lamps are used to make each strand visible and shiny. For example, commercials for Pantene and Clairol often show the backs of women’s heads for two reasons: 1) to display every glistening follicle and; 2) to avoid having the person’s face completely “blown out” (or whitewashed) by the spotlights. Given that L’Oréal is selling a haircolor and highlights product, they undoubtedly employed a ton of lights. Think supernova.
This is not a case of L’Oréal manipulating Beyoncé via Photoshop (at least not beyond the normal ultra-retouching done for fashion shots). Quite the opposite. L’Oréal should have used Photoshop—to restore the natural skin tone removed by the lighting. Read the Post L’Oréal, Beyoncé And Cultural Cluéléssnéss
by Latoya Peterson Deesha sent in these two ads for the skin-lightening product Fair and…