By Andrea Plaid
Everyday Feminism’s contributing writer Jarune Uwujaren wrote a post (which is excerpted on the R’s Tumblr) that resonated with a lot of Racializens about casual racism in LBGTQ communities–and ways for white queer and trans* folks to work on making the communities more inclusive:
So if you see casual racism, remember it. And talk about it.
Notice if you’re ever guilty of it and, if you are, take responsibility for it.
I would say explain it to other white LGBTQ people, but it’s frustrating when it takes a white person saying the same thing people of color have been saying for ages to convince other white people to change their actions.
Instead, tell them to take the race related concerns of LGBTQ people of color seriously–as in listen to us.
As LGBTQ people, we get silenced all the time, told we’re too sensitive, told not to flaunt our sexuality.
Sexual minorities of color can find themselves silenced further when their concerns about race are dismissed by the predominantly white, mainstream LGBTQ community.
Let’s keep working to change that.
By Guest Contributor Spectra
Wait a minute, not all lesbians in movies are white, rich or middle-class with no bills to pay? You mean “life” doesn’t get put on pause so that all gay people can experience the thrill of coming out at summer camp? And, there are other LGBT issues worth talking about besides marriage? Gasp! And Hallelujah for Spike Lee protégé Dee Rees’ Pariah, a film women of color (and other marginalized groups) can truly relate to.
On the surface, Pariah is a coming of age story about an African-American lesbian, Alike (pronounced “Ah-LEE-kay”) in Brooklyn. But dig deeper, and you’ll see a smart and layered tackling of gender, sexuality, religion, and even class — an essential layer of complexity needed to accurately portray the diverse experiences of queer people of color, long been absent from mainstream LGBT films. Rather than depicting homophobia as the only kind of oppression experienced by the LGBT community, Pariah’s world is a varied socio-cultural landscape in motion featuring an all-POC cast, led by Nigerian actress Adepero Oduye’s performance as 17-year old Alike.
Pariah’s urban setting almost eliminates the need to discuss race at all (or, as in popular case of experiencing race through white characters, explain it). The audience is plopped, un-apologetically, right in the middle of a story filled with black characters, making way for intersectional observations about class and gender roles within the story’s cultural context.
SPOILERS UNDER THE CUT