Tag Archives: actors

Kramer drops the n-bomb repeatedly in racist tirade

by Carmen Van Kerckhove

kramer racist tirade n-bombApparently Michael Richards, who played Kramer on Seinfeld, went on a racist tirade on Friday at Los Angeles’s Laugh Factory after a black audience member heckled him.You can check out a really grainy video (must’ve been on a cell phone or something) here, but below is the gist of the tirade. From TMZ.com:

The camera started rolling just as Richards began his attack, screaming at one of the men, “Fifty years ago we’d have you upside down with a f***ing fork up your ass.”

Richards continued, “You can talk, you can talk, you’re brave now motherf**ker. Throw his ass out. He’s a nigger! He’s a nigger! He’s a nigger! A nigger, look, there’s a nigger!”

The crowd is visibly and audibly confused and upset. Richards responds by saying, “They’re going to arrest me for calling a black man a nigger.”

Ah yes, the good ole days when we could casually assault or kill blacks without fear of punishment or social ostracization.

But hey, I’m sure Richards didn’t really mean it. He was probably just drunk or something.

Update: Check out what other bloggers are saying about the tirade.

“Kramer” Launches into Racial Tirade During Comedy Set – Jack and Jill Politics
“Kramer” drops the N-word – Reappropriate
Ku Klux Kramer – The Assimilated Negro
Seinfeld Will Never Be The Same – TheThink

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Hey Hollywood, Black, Asian, and Latino Men Do Fall In Love!

by guest contributor Rachel Sullivan, originally posted at Rachel’s Tavern

empty bedI saw this great post on the All Things Considered Blog about love scenes in the top grossing movies. The author, Steven Barnes, reviewed love scenes in the 350 films that have earned more than $100 million dollars. Barnes found that 50 of these movies had loves scenes, which he operationalizes as scenes that insinuate sex, but not one of those scenes included a male actor who was not white.

From PG through R, from Bond through Basic Instinct, you’ll find such scenes in about 15 percent of the most popular films ever made. And every single one features a white guy.

If you scan the same list for American films with non-white leads (again, there are about 50), you’ll find love scenes in zero percent. That’s right, zero. No blacks. No Latinos. No Asians. Hollywood makes such films; you can find them further down on the list. But America won’t watch them.

Barnes goes on to make an argument that I don’t agree with. He says that the problem is about “male territorial behavior,”

I’m convinced that the problem is not just “Hollywood executives.” They’re no better or worse than the rest of us. They simply try to keep track of what the audience wants and rejects, as measured by box office receipts.

And I don’t believe there’s something especially twisted or limited about the white majority. I think this little statistical blip has to do with human perception itself — and most specifically, male territorial behavior.

When confronted with this statistic, some people ask why I don’t count movies such as Will Smith’s delightful Hitch. Simple: There are no love scenes. Hugs and kisses don’t make babies. I suspect that it’s the depiction of specific reproductive behavior, even at a genteel When Harry Met Sally level, that triggers the most powerful negative response, especially in male alpha-warrior types.

This is where he and I part ways. This can’t just be reduced to male on male competition, and better analysis would incorporate the structures of race, gender, and sexuality.

I think one of the primary ways that groups are marginalized is through control of their sexuality. The control can be exercised directly through sexual violence (i.e. rape), forced breeding, and coercion. It can been done indirectly through stereotyping and erasure. I think one of the primary ways that Black, Asian, Latino, and American Indian sexuality is controlled today is through what Patricia Hill Collins calls controlling images. Popular movies, TV programs, music, and almost every other major form of popular culture contribute these controlling images when they avoid showing African Americans in intimate, loving relationships. Not only are people of color not shown in loving relationships, we also rarely see intimate family relationships. Continue reading

Halle Berry to star in movie based on white woman’s life

by Carmen Van Kerckhove

colorblind? not so much“Color-blind” casting somehow always seems to benefit white actors. Think of the new CBS sitcom The Class, for example. Although it’s set in the rather diverse city of Philadelphia, the show features an all-white cast. Just like Friends did. The producer David Crane responded to critics by saying this: “When we wrote the script, we wrote it color-blind…and then we auditioned. For six months we saw just a huge range and diversity of actors and at the end of the day these were absolutely the eight actors who were absolutely right for the parts.” Uh-huh.

That’s why it was so refreshing to read this news story about Halle Berry’s upcoming project. It’s based on the true story of a teacher who accepted a challenge from her sixth grade class to run for Congress. But get this: the original woman was white. For once, “color-blind” casting done right! From EURweb.com:

Halle Berry’s next movie role will center on the true story of Tierney Cahill, a teacher from Reno, Nev. who accepted a challenge from her sixth grade class to run for Congress in 2000.

The actress will portray Cahill in the DreamWorks drama, titled “Class Act.” The filmmakers have taken a rare turn in casting an African American actress to portray a woman who is white in real life. Sources close to the production tell Variety that it was more important to find the right actress for the role rather than the right white actress.

In 2000, Cahill decided to grant the wishes of her students and run for Congress on the condition that they would help with her campaign. The single mother ultimately lost her bid to an incumbent, but she ended up winning 35% of the popular vote.