By Arturo R. García
It’s telling that, within minutes of ABC quelling weeks of suspense and announcing that Marvel’s Agent Carter was getting a second season, many of the well-wishes were mixed with a call for the show to introduce more characters who weren’t cis-white hetero, a campaign that quickly gained traction under the tag #DiversifyAgentCarter.
It’s also telling that “fans” of Marvel Entertainment and/or the show quickly rolled out the same tired, insidious arguments against it becoming more diverse: that it would be “diversity for diversity’s sake;” or even worse, that it would be “historically inaccurate.”
We say “fans” because, even if you don’t question their enthusiasm for the show or for star Hayley Atwell, you have to wonder what kind of fandom they inhabit when they insist that people of color would be “unrealistic” in what Anna Cabe rightfully described last week as a show that was originated by the fight between a chemically-enhanced US serviceman and a German antagonist with his own altered skull exposed to the world.
You also have to wonder about their particular worldview when they argue that seeing of people of color would be “unrealistic” in New York City at any point in recorded history — let alone the period following post-World War II.