Tag Archives: ABC

I literally could not find an official cast photo featuring the one recurring Black girl on this show.

I’m The Last Black Person In America Watching Nashville (And I Think The Writers Know It)

By Kendra James

 

Okay, maybe not the last Black person, but I do love Nashville. I think Hayden Panettiere should have gotten an Emmy for her work as Juliette Barnes in Season 1 and will fight anyone who says otherwise. I started paying for Spotify when I realised that I couldn’t live without the soundtrack on my morning commute. I could listen to Connie Britton say “y’all” all day, every day for the rest of my life and be a happy person.

 

Hi, I'm Kendra on Twitter   ACTING LIKE I DON'T EXIST. MT @racialicious  Someone stick around for Nashville and let us know if a PoC is in it...

 

I will always stick around for Nashville, but that doesn’t mean Latoya was wrong when she joked after the Blackish premiere a few weeks back.

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Funeral For A Gladiator: The Racialicious Review of Scandal 4.1

By Arturo R. García

Aside from addressing many of the questions posed in last year’s finale, Scandal‘s season premiere focused on two more: Who is Olivia Pope without her Associates? And does she even want to be Olivia Pope anymore?

SPOILERS under the cut
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The Disney Triple Crown: Why Ming-Na Wen Needs To Be In Star Wars

By Guest Contributor Keith Chow, cross-posted from The Nerds Of Color

Earlier this week, Lucasfilm announced the addition of two more actors to the cast of Star Wars Episode VII. We do not yet know who the two relatively unknown actors — Pip Anderson, who’s British, and Crystal Clarke, who’s African American — will play in the movie, but I’m guessing their roles must be substantial enough to warrant a press release about their casting. If their characters are indeed prominent, Clarke will join John Boyega and Lupita Nyong’o in making this “the blackest Star Wars ever.”

Still, every time breaking Star Wars casting news comes across my feed, there’s always one name that I hope to see in the headlines:Ming-Na Wen.

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Dropping Anchor: The Racialicious Review of The Fresh off the Boat Pilot

By Guest Contributor Kevin Wong

Hudson Yang (center) and the cast of ABC’s “Fresh Off The Boat.”

The plot for Fresh off the Boat is a classic “fish out of water” scenario. Eddie (Hudson Yang) is a 12-year-old Taiwanese-American, who moves from a diverse, city neighborhood in Washington, D.C. to a mostly white, suburban neighborhood in Orlando, Florida. His family consists of two younger brothers, a grandmother, stressed out mother Jessica (Constance Wu), and flustered father Louis (Randall Park), who wants to open a successful, Western-themed barbecue restaurant. Primarily, everyone’s just trying to fit in.

Jessica, for instance, takes up rollerblading with the neighborhood Stepford wives. This has great comedic potential- how does an Asian American woman clash with the expectations of privileged, suburban society? The Stepfords, to their credit, do not view Jessica as an intruder or an undesirable in their neighborhood – more so, they view her as a curiosity to be poked and prodded. It’s a nod to a more subtle type of racism that exists in the modern world. The term “racist” does not only encompass name calling and hate crimes — it encompasses passive discrimination, positive stereotypes, and microaggressions that, accumulated over time, can be comparably damaging.

The most interesting aspect of Fresh off the Boat is how it deals with Asian American masculinity. Each Asian male character has his own way of exploring it, and they each tend to do so through the lens of another ethnic identity, rather than their own. Louis, pursues the “cowboy” archetype, in an effort to bring more white folks into his restaurant. Eddie co-opts hip hop, black culture — he’s listening to Dre’s beats, quoting Biggie’s rhymes, and repping Nas’ Illmatic on his clothes. It’s illuminating.
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ABC’s “Fresh off the Boat” could be a disaster for Asian Americans

By Kevin Wong, cross-posted from Salon

I can’t speak for all Asian Americans, but personally, whenever I see a new Asian face on television, I panic. My blood pressure goes through the roof. There’s a vague unease and anxiety, even before the character opens his or her mouth. Because I’m ready to see yet another shticky Asian stereotype.

Some of the questions running through my mind: Is this Asian a main character? Does this Asian character have an arc? If the Asian character is a woman, does she have an Asian significant other? If the Asian character is a man, does he even have a significant other? Does this Asian man have sex, in a non-comedic fashion?

Or I worry that the Asian character is “too good” – an overcorrection for political correctness. There’s an ironic flaw to perfection – it doesn’t allow for the quirks that make a character compelling. Every American minority group has this stock, “perfect” caricature: for Asian Americans, it’s the Model Minority – the hardworking, emasculated genius. He’s the support for the protagonist, but never the protagonist himself.
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Recap: The 2014-2015 Network Upfronts

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by Kendra James

There was one clear winner at the network Upfronts this year: DC Comics.

Yes, DC Comics a company that hasn’t managed to do much this year except piss off their fans, came from behind, hurdled over the teen barrier that is the CW network, and dominated the fall 2014 pilot season. Thanks to pickups on NBC, FOX, and the CW, DC (in part with Marvel’s presence on ABC) has managed to leave CBS as the only network without a show centered around superheroes.

Of course, with a demographic needle pointed exclusively at the 45 and older column and two more NCIS and CSI spinoffs headed our way, it’s possible CBS just doesn’t care. Not that CBS was the only network with a line of uninspired pickups for the fall season– there’s plenty more of that (and the full details of DC’s television takeover) under the cut.

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Table For Three: Scandal 3.18, ‘The Price Of Free And Fair Election’

By Tope Fadiran Charlton, Arturo R. García and Kendra James

Olivia (Kerry Washington) and Rowan (Joe Morton) reconcile — for now?

After threatening to go out by blowing the president up, Scandal ended its third season by making him whimper, in an oddly melancholy episode that actually did seem to change everything for Olivia Pope and her associates — if not end them altogether.

Remember, the series has not been confirmed for renewal, even if signs suggest we’ll see a new season announced soon.

But do we even want to see the show return after a third season that was inconsistent at best? For this special edition, Arturo and Kendra were joined by friend of the blog Tope Fadiran Charlton, whose work can also be found at Are Women Human?

SPOILERS under the cut
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Open Thread: Scandal 3.17, “Flesh and Blood”

By Arturo R. García

We now pause to honor Eli’s (Joe Morton) BOSS entrance.

Finally, the chickens came home to roost on Scandal‘s penultimate episode of the season.

Unfortunately, they came for the writers.
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