By Jeannie Chan
Previously on TWD, we’re reminded of why the Governor hates Michonne with such a fiery passion. We begin the mid-season finale with the Governor holding court in his new camp. He’s giving his new family his Braveheart speech and tells them that he has leverage and will use them to get access to the prison. No one will have to die if his plan goes well. Yeah, right.
Hosted by Jeannie Chan
This week, we complete the Governor’s story arc and find out exactly what he’s been up to before catching up with Team Prison in real time. Rob Errera joins me, Carly Mitchell, Nicole Norkin, and Ken Hywnn to discuss his shenanigans.
By Arturo R. García
Since we didn’t have a first-run episode of Scandal last week — something about a holiday? — this is a good time to stop and cast our best guesses for this coming Thursday’s mid-season finale. A few questions to get us started, based on our last visit with our group of antiheroes and villains:
- We got the first glimpse of the reunion between Olivia and Mrs. Pope. Will we finally get to hear what she could have done to “merit” being thrown in a secret underground prison — by her husband?
- Cyrus’ plan to offer up James as bait for a scandal seems to have worked too well. Even if James didn’t fall into the arms of Daniel Langston, what’s the fallout likely to be? And how much does Sally know about her husband’s activities?
- Quinn earned her burn notice less than a week after becoming a spy. Worst of all, now she’s apparently going to be on the wrong end of a Huck interrogation. What’s the odds Charlie intercedes and sets up a fight for the soul of “Robin”?
- To the chagrin of most of America, Fitz made his biggest pitch yet for keeping Olivia — her own White Hat House out in the boonies. Problem for him is, Mellie knows (if not about the house, then about their latest tryst). How willing is Mellie to upend his re-election bid by arranging for Olivia to join the team?
- Who’s the clubhouse favorite for the death pool this season? My money’s still on Harrison, given the sudden amount of attention he’s been getting, with Jake a close second; somebody will have to “pay a price” for all this B613 business.
Racializens, the floor is yours. How do you see this show taking us into the winter break?
Every year, Thanksgiving rolls around, and every year, we wonder exactly what to say. Enjoy the holiday? Reflect on colonization? Boycott some kind of whitewashing? This year, we’re going to share one of our favorite mashups – Once Tongue Tied, which we shared in 2010 when we spotted it on the Sociological Images blog.
Once Tongue Tied was created by Samantha Figueroa who takes Adriel Luis’s amazing spoken word piece “Slip of the Tongue” and combines it with scenes from Pocahontas, transforming both works into new commentary.
Here’s the video.
If you are interested in the text of Luis’s poem, click here.
However, you choose to spend this holiday (with family, in reflection, or if it’s just another day) enjoy!
by Guest Contributor Danielle Small
I always thought relationships would get easier as I got older.
Back when I was in high school, I lived in a small Wisconsin town where white people were 95% of the population. Obviously, my high school boyfriend was white. Every time we went out in public we grew accustomed to the stares, the pointed fingers, the gasps, and the whispers. And that was the every day racism. There were also the not so subtle instances, like when a boy in his high school (we went to different high schools) went out of his way to get Taco Bell’s special Halloween black taco shells and put it in my boyfriend’s locker with a note that said, “Eat this, bitch.”
Needless to say, when I moved to New York for college, I was hopeful at the opportunity to somewhat escape the prominent role of racism in any future relationships.
But life is never that simple.
I’ve been with my current boyfriend for three years. He is mixed race, specifically German and Haitian and has light brown skin and wavy black hair. He identifies as black. I never really thought much of his physiognomy until I saw how other people perceived our relationship. Some of the troubling instances were all too familiar.
The first differences I noticed happened when I would hang out with any dark-skinned black male friend of mine. I noticed that most of the time my friends and I were together in public, someone would come up to us and say, “You’re such a cute couple” or “I can tell you’re in love.” They assumed we were together because we looked like we belonged together.
But when I’m out with my light-skinned wavy-haired man who I’m very much in love with, most people don’t assume we are together (unless we are engaging in hardcore PDA), let alone comment on how in love we are with each other. Unlike the times I was in the company of my dark-skinned male friends, people seemed to think there was a disconnect between our hues. My boyfriend and I did not look like we belonged together.
The most extreme example of people refusing to acknowledge our relationship took place when I lived in my school’s dorms one summer. My boyfriend slept most nights in my room for three straight months and my black suite mates still assumed he was just a friend. I mean, what else could we have done to hint at the contrary? Have sex in the communal kitchen?!
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Politico’s magazine has a cover piece on Michelle Obama called “>”Leaning Out: How Michelle Obama Became a Feminist Nightmare.” Or, it could have been titled “random feminists are disappointed.” As per usual, the piece is long on other people’s opinions about how Michelle Obama is single handedly failing the cause and short on actual analysis and historical context.
The piece opens by sharing a story about a new political initiative that Michelle Obama is involved with, with writer Michelle Cottle implying that Obama’s focus on people and not policy is not enough:
Speaking last week at Bell Multicultural High School, a couple of miles north of the White House, the first lady touted the importance of a college degree, citing her own journey from a one-bedroom apartment on Chicago’s South Side to Princeton as evidence of how far hard work and good schooling can take you. “I’m here today because I want you to know that my story can be your story,” she told the predominantly low-income, heavily minority student body.
Cottle goes on to explain that Obama’s visit to Bell Multicultural is part of a push for a campaign to encourage college completion. Cottle then complains that Obamas efforts with youth outreach are distressingly focused on actually talking to the youth, instead of digging deep and hitting hard at policy from the White House Garden.
This example is an interesting one to criticize, to say the least. Nothing is mentioned about DC’s unique space in public education debates, now forgotten after the heyday of high profile reformers. Not much is said about why there may be a focus on minority graduation rates from college, or why Bell Multicultural might be the perfect kind of place to launch an initiative focusing on low income students and college enrollment. No, no, Cottle would like us to understand that Michelle Obama is failing feminism because she insists on being motherly.
In Cottle’s own words:
Turns out, she was serious about that whole “mom-in-chief” business—it wasn’t merely a political strategy but also a personal choice.
Oh, the horror.
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At Hyphen, writer Sharline Chiang tackles the stigma of post-partum depression and how her race influenced her experience with the condition.
Four years ago I had three miscarriages. “You’re not careful enough,” my mother said. “You’re too active.” While I was pregnant with Anza, I learned I had balanced translocation, a genetic condition. We needed to get lucky. Even after explaining this to her, my mother would insist: “Go on bed rest so it doesn’t fall out.”
I couldn’t risk hearing words that sounded like blame. I already felt it was my fault: I was too soft.
My grandmothers combined had birthed and raised 15 children while fleeing the Japanese, the Communists, and poverty. What right did I have to fall apart?
So I took selfies of me and Anza smiling and sent them to my parents every day.
I lied because even though depression is so common in Asian American communities, we rarely talked about it. The message I grew up with: your mental struggles are our own; it’s up to you to find the inner strength to “ren,” to endure.
The character for “ren” 忍 is the character for “knife” over the “heart.” Endure even when there’s a knife in your heart.
In my thirties I discovered talk therapy, tried to get my parents to go. Their response was basically: “That’s for white people.” “They hook you in,” my mother said. “You can never be cured.”
I wish mental illness didn’t come with stigmas. I wish I could have told my parents that my mind had broken just as easily as if I had to tell them my arm had broken.
Whenever my husband would say, “You really should tell them,” I felt that chasm again (he’s white, son of hippies). To him it was unimaginable to suffer the darkest period of your life and not tell your parents. Meanwhile, everyone in his immediate family knew. His mother and brother moved down from Canada to help take care of me.
The fact that I could get PPD never crossed my mind. I had no history of depression.
Two years ago while pregnant with Anza, I had spent thousands of hours reading about pregnancy and birth and exactly five minutes reading about postpartum depression.
On the cover of the brochure was a white woman with long brown hair. She was staring into space under the words: “Feeling Blue?” I took one look and said to myself: white woman, sad woman, that’s not me and that’s not going to be me.
By Guest Contributor Kimberly Bernita Ross
The prison comedy-drama, Orange is The New Black (OITNB), is projected to trump House of Cards in viewership by the end of the year, giving it the distinction of being Netflix’s most-watched original series. The show is an adaptation of Piper Kerman’s memoir by the same name, which recounts her time in prison after being convicted for drug smuggling and money laundering a decade after the offense. Actress Taylor Schilling plays Piper in the series, depicting the sometimes-comical angst that the White upper-middle class, 30-something feels, upon entering what in real life was Danbury Federal Prison in Connecticut.
OITNB joins the ranks of other popular women in prison TV and film productions like Bad Girls, Stranger Inside and Prisoner: Cell Block H. All of these shows and films touch upon relevant issues facing real women in prison, such as a lack of physical and mental healthcare, sexual assault and separation from children; yet they also draw on some of the more sensationalized themes of an earlier generation of women-in-prison (WIP) exploitation films first popularized in the late 1960s and 70s. While OITNB is a significant departure from the B- Movie, WIP film subgenre, the show still relies on subjects of female subjugation, violence, and lesbian sex, themes heavily prevalent in WIP films. And just as WIP movies often cross into revolutionary plots and sometimes Blaxploitation motifs, OITNB delves into the stories of Black and Afro-Latina women in prison. Comparing the women-in-prison film genre with OITNB is a ripe opportunity to analyze changing representations of sexual orientation, gender and race on screen.
There is a dearth of critical examination within portrayals of race and the criminal justice system. Black and Latina women’s plot lines predictably include criminal women from the “menacing urban underclass” without much nuance or context. Writers rarely, if ever, analyze the racialized society that has created the prison industrial complex in which these women find themselves entangled. Jenji Kohen, creator of the show, has been quoted as saying she used the WASP character, fashioned after Piper Kerman, as a ploy to pitch the series to different networks—a sort of subterfuge to tell other stories that the industry is reluctant to touch. The White woman lens as a means of telling the stories of women of color has been a scheme in Hollywood for a long time, and is an oft-criticized element of OITNB. At the same time, much of the show’s appeal rests on this juxtaposition of race and class and the laughable observations of an ignorant Piper. While the stories of real women of color are still held hostage by Hollywood stratagem, OITNB has developed Black and Latino characters that differ from the static, underdeveloped roles of the WIP film subgenre. But how much has really changed?
About This BlogRacialicious is a blog about the intersection of race and pop culture. Check out our daily updates on the latest celebrity gaffes, our no-holds-barred critique of questionable media representations, and of course, the inevitable
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Latoya Peterson (DC) is the Owner and Editor (not the Founder!) of Racialicious, Arturo García (San Diego) is the Managing Editor, Andrea Plaid (NYC) is the Associate Editor. You can email us at firstname.lastname@example.org.
The founders of Racialicious are Carmen Sognonvi and Jen Chau. They are no longer with the blog. Carmen now runs Urban Martial Arts with her husband and blogs about local business. Jen can still be found at Swirl or on her personal blog. Please do not send them emails here, they are no longer affiliated with this blog.
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