December 7, 2015 / / links

A Photographer Turns Her Lens On Men Who Catcall [Codeswitch]

Price’s process went like this: Someone — a man — would catcall her, and she would either snap their photo at that instant or she would ask to make their portrait.

Price says that taking photographs of the catcallers was a way to address and confront the people who catcalled her. “I’m in the photograph, but I’m not. Just turning the photograph on them kind of gives them a feel of what it’s like to be in a vulnerable position — it’s just a different dynamic,” Price says. “But it’s just another way of dealing with the experience, of trying to understand it.”

2.7 Million Kids Have Parents in Prison. They’re Losing Their Right to Visit. [The Nation]

Going to prison is often an isolating event. It is assumed that once a person is incarcerated, their former life will simply vanish. But for the kids they leave behind, it doesn’t work that way: That prisoner remains a parent. Among the many collateral consequences of mass incarceration is its impact on children, and the number who are affected is staggering. According to a 2010 study (the most recent data available), 54 percent of the people serving time in US prisons were the parents of children, including more than 120,000 mothers and 1.1 million fathers. Over 2.7 million children in the United States had an incarcerated parent. That’s one in 28 kids, compared with one in 125 about 30 years ago. For black children, the odds were much worse: While one out of every 57 white children had an incarcerated parent, one out of every nine black children had a parent behind bars.

Misogyny on the Mag Mile: A Turning Point [Radical Faggot]

As organizers began to address the crowd, several well-known Black elders forced their way to the front, pushed youth organizers back from the mic, and one man actually began elbowing a young, Black, queer woman in the face. Minutes later, when one of the heads of BYP confronted the elder, he swung on a second Black woman, shouting sexist and homophobic slurs, and a small scuffle ensued. Read the Post Link Love – 12/7/2015 – #YouAintNoMuslimBruv, Parental Prison Visits, H-2 Visa Fraud

November 20, 2015 / / Culturelicious
November 18, 2015 / / Quoted
November 16, 2015 / / Culturelicious

If you or any POC fan you know are looking to go to Science fiction/fantasy (SFF) conventions in 2016, you should know that Con Or Bust has opened up its request process until Nov. 25.

The organization is devoted to helping POC fans attend more SFF events. Requests are confidential and can be made through the form located here.

To give you an idea of how the project’s scope has expanded since it began in 2009, here’s an excerpt from its website:

From April 2013 through March 2014, Con or Bust helped 30 different people attend cons 32 times. People attended seventeen different cons. The monetary portion of Con or Bust’s awards again ranged from $0 (membership transfers only) to $1,000. Eleven awards were in the range of $200-450, and seven were from $500-700. At the end of this period, Con or Bust carried forward a balance of approximately $7,700.

The 2014 auction and associated matching challenge raised $16,476. These funds, together with the balance from the prior year, funded assistance for March 2014 through early May 2015. In addition, starting from April 2014, Con or Bust permitted people to request monetary assistance for any upcoming SFF con, not merely cons in the next quarter.

From March 2014 through early May 2015, Con or Bust provided assistance 95 times to help 85 different people attend 25 different cons. Of those 95 times, 41 did not include monetary assistance, only donated memberships (or, in one case, a hotel room donated by a convention). Monetary assistance was provided 54 times, sometimes in conjunction with donated memberships. The awards ranged from $25 to $2,300; 34 of the 54 awards were $500 or less. At the close of this period, Con or Bust carried forward a balance of $67.42.

The 2015 auction was held later in the calendar year than previously, ending in early May; bids and donations raised $12,726 to support Con or Bust for the next twelve months.

In August 2015, a donation drive by John Scalzi raised a total of $11,840.92.

Check under the cut for a listing of 2016 conventions that are covered in this assistance period, along with the number of open membership slots for each as of 11 p.m. PST on Nov. 15.
Read the Post Con Or Bust Assistance Program For POC Sci-Fi Fans Open Until Nov. 25

November 10, 2015 / / Racialicious Reads

I’ve been a fan of Marjorie M. Liu’s work for years. From her work on the Hunter Kiss novels to The Astonishing X-Men, Liu’s masterful and inventive storytelling creates deep, expansive worlds that consume the reader.

Liu’s latest work is no different. Teaming up with Japanese artist Sana Takeda, Monstress is a lush, art deco influenced exploration of war and power. In her own words:

MONSTRESS is the story I’ve wanted to tell for years, a dark epic fantasy about a young girl who has suffered tremendous loss and who isn’t quite certain how to put herself back together — if that’s even possible. To make matters worse, she fears something else is living inside her: a monster. And she’s right to be afraid.

My other motivation for telling this story is that powerful women are always imagined as monstrous.  Bringing women, monsters, and power together — setting this in a world that never was, and could be — is something that speaks to my heart.  Every single girl in the world has had to fight to have herself heard, to have space and a self in societies that try their best to deny them all three.  Every single girl, whether we want to recognize it or not, is a warrior.  And me writing about a young warrior woman is less a fantasy than a reflection of what it means to grow up a woman in societies like ours.

From Marjorie M. Liu's Monstress.
From Marjorie M. Liu’s Monstress.

Set against the backdrop of an alternate 1900s Asia, Monstress blends steampunk and kaiju to tell deeply personal story about loss, war, and jihad.  In an interview with The Hollywood Reporter, she explains the core questions underlying the work:

“What does it take to hold on to one’s humanity when you’re forced to suffer the long, continuous, dehumanizing experience of war? Is it just strength? Is it something in your character? Is it the kinds of friends you surround yourself with?” — which is one of the key themes to the series. “Other questions I’ve wrestled with, both in this book and others [are] what it means to be of mixed race, what it means to straddle the borderlands of two cultures,” she added.

“The world of Monstress is one that has been torn apart by racism, slavery, by the commodification of mixed race bodies that produce a valuable substance that humans require like a drug. Even if you look human, you might not be safe. It’s a familiar story to people of color in this country, and in the last four or five years I’ve found myself deeply immersed in the study of identity and race, especially in the Asian American context.”

Check out the whole interview, it’s well worth the read.   

If you haven’t picked up a copy, there are 500 signed editions at Midtown comics in NYC. (Not the Grand Central location, as I found out the hard way yesterday. They will get them in a few weeks.)

From Marjorie M. Liu's Monstress
From Marjorie M. Liu’s Monstress

If you have read the comic, after the jump, I’ll talk a bit about female characters and darkness, particularly around one particular scene in Monstress. There are light spoilers from Monstress.

HERE THERE BE SPOILERS, CLICK WITH CAUTION.

Read the Post Marjorie M. Liu’s Monstress Explores Our Inner Darkness

November 6, 2015 / / activism