by Guest Contributor Sara M. Erdmann, MFA, PhD
The image of the American adoptive mother has emerged gradually since adoption’s inception in 1851, but it has always existed within a racialized and heteronormative context (“Massachusetts Adoption of Children Act, 1851”).
According to the American adoption narrative, adoptive mothers are white, heterosexual women; their decision to adopt a child is an act of goodwill, and, in cases of transracial adoption, even a badge of racial acceptance.
This particular adoptive mother has become an accepted, albeit marginalized, part of mothering culture and is the one for whom books are written, organizations formed, and resources developed. This adoptive mother has defined the adoptive mother identity in modern America and become one of many voices within the larger motherhood narrative.
Yet, research confirms that white, heterosexual women are not the only ones adopting children: many Black and queer (*) non-biological children, but, save for mentions in a few isolated academic texts, their experiences are almost entirely absent from the larger adoption narrative. Continue reading
I’m on the road still – currently in Houston at the Grantmakers in the Arts 2014 Conference in Houston, Texas. This year’s conference will focus on grantmaking, race, and social justice, so I will be blogging from the conference for the next few days about issues pertinent to artists of color.
I’m speaking at the Monday morning plenary, on how the future of journalism is looking more and more like public art. Here’s a cleaned up version of my talk. – LDP
What is the future of journalism? The increasingly terrifying answer is that no one truly knows – in a time of budget cuts and a shifting media environment, it would be all too simple to despair. But in times of great turmoil we see some of the greatest forms of inspiration. In the media world, we are beginning to redefine what journalism is and what journalism can be. What is journalism, but a way of informing the public? What is art, but the expression of ideas made public? And what happens when the walls between the two start to fall?
Early experiments show a need for journalism to leap off the page, phone, and tablet and into other types of spaces. The “Reveal” project from the New York Times R & D lab, placed news, weather, and biometric data like a users weight and heart rate into a tricked out mirror.
The team started this project to “to explore how the relationship between information and the self is evolving.” So information moved from pages to personalized surfaces. But where else? Continue reading
By Arturo R. García
Top row, L-R: Moderator Shawn Alexander Allen, TJ Thomas, Racialicious owner Latoya Peterson. Bottom row, L-R: Catt Small, Ashley Alicea, Fatima Zenine Villanueva.
This past weekend saw our owner and publisher Latoya Peterson speak on a panel at IndieCade, a festival and conference celebrating independent game development.
Moderator Shawn Alexander Allen (Treachery in Beatdown City) said that the discussion, “Let’s Do Something About It,” grew from a talk about race and gaming he gave at last year’s event. Joining them on the panel:
A Storify of the panel is under the cut.
One of my favorite talks given this year at TED was by Sarah Jones. The self-described “polymorphic playwright” inhabits her characters, often inspired by people on the streets of New York. Check it out:
Full transcript at the TED Site.
It’s NYCC weekend, and as in past years I’ll be attending on behalf of Racialicious. It’s been a long week leading up to the con, and it still feels like I’m recovering from SDCC, but we still need to highlight some Friends of the Blog doing great stuff at this year’s con. Below you’ll find a quick and dirty of the diverse panel offerings Friday through Sunday. There’s not much more offered this year than in the past, but Diana Pho is participating in two great discussions this year!
Tonight (Thursday) Diana moderates Geeks of Colour Go Pro where she and other professionals in the comics, gaming, and publishing industries will offer advice and tips for POCs who want to become successful in their desired fields. On Saturday at 3pm in room 1A21 she’ll moderate #YesAllGeeks: Let’s Talk About Harassment in Fandom. This massively important panel comes on the heels of several instances of harassment at conventions and very public attacks against women via social media outlets like Twitter. Joining Pho on the panel to discuss how we can make fandom and online spaces safer are Mikki Kendal (@Karnythia), Marlene Bonnelly (@ilikecomicstoo), Kaye M (Writer & Founder of #YesAllWomen), Emily Asher-Perrin, and Robert Anders.
Diana also hosted last year’s wildly successful Geeks of Colour panel (which we covered here). I’ll be at her Friday panel and will otherwise be wandering around the Javits Center for the next 72 hours, so please don’t hesitate to say hello!
The rest of Friday, Saturday, and Sunday are under the cut.
Sometimes Art, Latoya, and I have to admit defeat when it comes to singlehandedly watching every show on network television and basic cable. When that happens and some shows fall through the cracks we’re extremely thankful to be able to depend on a wide pool of fabulous readers to jump in and take the bullet for us. That said, we’re pleased to welcome Diana, Jacqueline, Lizzy, Nassim, and Corrine and the debut of the Racialicious How To Get Away With Murder roundtable.
The three of us might jump in from time to time, but for now, take it away ladies!
By Arturo R. García
It was perhaps inevitable that Sebastian del Amo’s Cantinflas would fit Charlie Chaplin into the proceedings. Much like Richard Attenborough before him, del Amo finds himself needing to make room for not just a performer, but a singular persona.
And there are moments when it feels like a more introspective film wants to burst through amid the usual hagiography. But a few choices do make this take on Mario Moreno and his life’s work more interesting than the trailer would have you believe.
SPOILERS under the cut
By Arturo R. García
Aside from addressing many of the questions posed in last year’s finale, Scandal‘s season premiere focused on two more: Who is Olivia Pope without her Associates? And does she even want to be Olivia Pope anymore?
SPOILERS under the cut