Category Archives: women of color

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After Sterling: Why the U.S. And The NBA Won’t Enter A Post-Racist Era Anytime Soon

By Arturo R. García

They might be loathe to admit it, but good cheer likely wasn’t the only reason so many people connected to the NBA were so quick to declare Tuesday morning the final chapter in Los Angeles Clippers owner Donald Sterling’s relationship with the league. The problem is, the league’s own mechanics all but ensure that won’t be the case. And that’s just on paper.

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Voices: RIP Karyn Washington, Founder of For Brown Girls (1992-2014)

By Arturo R. García

For Brown Girls founder Karyn Washington.

The online social justice community suffered a sobering loss with the death of Karyn Washington, who created For Brown Girls and the #DarkSkinRedLip Project, Clutch Magazine reported late last week.

Adding to the shock was that Washington, whose work helped uplift her fans and readers and raise necessary conversations about the unfair beauty standards pushed on communities of color, reportedly took her own life at just 22 years of age, after struggling with depression following her mother’s death last year. Her passing has not only inspired conversation about her work, but about the struggle facing many of our communities and mental health.

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Quoted: “Black Girls’ Zero-Sum Struggle”

Sasha and Malia Obama, image via Salon.com

Black women remain caught between the Scylla and Charybdis of hyperinvisibility and invisibility. Everyone thinks that they know everything there is to know about us, but based on facts alone, very little is actually known. And what we don’t know can hurt us – is hurting us. What we fail to acknowledge is that images of black and brown women drive a startlingly large amount of social policy. Disdain toward supposedly irresponsible black and brown women – welfare queens as those on the right derisively call them – is at the heart of the right’s continued unfeeling push toward austerity. This same disdain toward disproportionately black and brown female wage laborers undoubtedly informs the national resistance to raising the minimum wage. Images of “dastardly” brown women crossing our borders illegally in order to drop anchor babies drives immigration policy.

And the exceptionalism of Michelle Obama and her daughters frankly doesn’t help matters. Black women themselves become complicit in this pushing of ourselves to the background, marshaled there by our mythic belief in our own strength, our unresolved traumas over fathers who failed to meet expectations, our self-sacrificial love for black men, and our deep desires to respectably conform to the American nuclear ideal. Michelle Obama makes many black women long for this return to tradition.

There are no easy answers here. Black and brown men’s needs and lives matter. And I’m glad we have a president sensitive to those needs. But as Mychal Denzel Smith argued, “The path to equality for Black and Brown people [cannot be] to uphold patriarchy.” And as Dani McClainargues, it seems that women and girls simply have no place in this new set of initiatives.  Beyond the problems of using personal responsibility and philanthropy as models to solve a deeply systemic set of social problems, the failure to imagine the struggles of men and women of color as linked together is perhaps the most short-sighted aspect of the My Brother’s Keeper initiative.

“Black girls’ zero-sum struggle: Why we lose when black boys dominate the discourse” by Brittney Cooper via Salon.com; March 6, 2014

 

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A Storm Brews Around Lupita Nyong’o

By Arturo R. García

Academy Award winner Lupita Nyong’o. Image via her official Facebook page.

As Oscar winner Lupita Nyong’o’s career prospects seemingly expand by the day, so, too, do the discussions surrounding her, with some fans imagining the sight of her stepping into some iconic franchises, and others side-eyeing the increased attention she’s been getting.
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Always Foreign, Always Brown: Crown Heights-based activist DJ Ushka on growing up in Thailand, gentrification, global bass, and Edward Said

By Guest Contributor Rishi Nath, cross-posted from Open City Magazine

Crown Heights-based activist DJ Ushka. All images by Nabil Rahman.

[Editor's Note: This is Open City's second installment of "Lyrics To Go," a collaboration between writer Rishi Nath and multimedia journalist Nabil Rahman . The series features conversations with contemporary musicians whose life and work intersects both Asian-American communities and New York City neighborhoods. Click here for DJ Ushka's special mix for Open City readers.]

These days, DJ Ushka seems to be everywhere at once. She is all over Brooklyn, whether opening for Sundanese vocalist Alsarah in Stuyvesant Heights, deejaying and booking the monthly iBomba party in Williamsburg, or swooping in to save the AAWW PageTurner Festival party after a booked act canceled last minute. She also zig-zags the country, appearing at gigs in Boston, Philadelphia and Oakland. And that’s just weekends. During the day, she is a full-time staff member at the New York Immigration Coalition , where she handles communications and youth development.

Born Thanu Yakupitiyage, in Colombo, Sri Lanka, Ushka grew up in Bangkok, Thailand. She attended college in western Massachusetts, where she was turned on to post-colonial theory. From her spacious, dimly lit living room in Crown Heights, she described how that experience, a decade ago, changed her.

“It was the first time that I really started to understand concepts such as Orientalism, through Edward Said,” she said. Her laptop, attached to speakers and headphones, was open and glowing on the coffee table in front of her as she spoke. A poster proclaiming “Stop Racial Profiling,” hung on the wall behind her.
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White Feminists And Michelle Obama [The Throwback]

By Special Correspondent Nadra Kareem

Editor’s Note: In this feature, we’re bringing back some of our favorite stories from Racialicious history. This week, in honor of the First Lady’s 50th Birthday, a 2008 piece defending her as she entered the national spotlight

Should white feminists be taken to task if they don’t defend Michelle Obama from the misogynistic attacks sure to continue coming her way as the presidential campaign unfolds? Not necessarily, say Corinne Douglas and Jacquelyn Gray, who wrote an editorial called “The Cost of Silence” at the Root.com.

In the article, Douglas and Gray argue that black women remained silent when Hillary Clinton suffered a litany of misogynistic attacks. Therefore, white women can’t be held accountable if they refuse to defend Michelle Obama from the evils of sexism. Douglas and Gray write:

The misogynistic savaging of Hillary Clinton was one of the most inexcusable elements of the primary campaign, and the silence from black women in the face of those attacks, because they supported Obama, was, at least, a tactical mistake. It is entirely unacceptable to go along with unfair attacks against women simply because you disagree with the particular woman under attack.

But here the authors make a number of assumptions. For one, not all black women supported Sen. Obama. High profile black women such as California Congresswoman Maxine Waters and author Maya Angelou supported Hillary Clinton. There were also black women, such as writer Rebecca Walker, who backed Sen. Obama while exposing the sexism targeted at Hillary Clinton. Walker, the goddaughter of feminist icon Gloria Steinem, even pointed out the ways in which Obama himself exhibited sexist behavior. Political commentator Donna Brazile is another example, as she was adamant about being a representative for both women and blacks during the primaries and did not publicly back either Clinton or Obama during that time. As for those black women who were not vocal about the sexism Sen. Clinton experienced, the assumption can’t be made that they did not speak out simply because she was Obama’s opponent.
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Open Thread: Sasheer Zamata & Drake on SNL

By Arturo R. García

Expectations were high surrounding this past weekend’s episode of Saturday Night Live, as it unveiled a more diverse lineup both in front of and behind the camera.

While the ostensible lead was guest star Drake, pulling double-duty as the show’s musical guest, the show also marked the debut of Sasheer Zamata, the first woman of color in the ensemble since Maya Rudolph’s — who is of multi-racial heritage — departure. Zamata’s hire was precipitated at least in part by the furor over Kenan Thompson’s infamous “they never find ones who are ready” remark in November. But, perhaps even more crucially, the show also added two women of color to the writing team in Leslie Jones and LaKendra Tookes.

So far, the results appear to be positive: the show scored decently enough ratings-wise, and Drake’s performance has been well-received enough to suggest he should get the Justin Timberlake open-door policy.

But how do you feel the episode did? Did Zamata get enough opportunities to spotlight herself? Do the new additions make you more optimistic about the show? And is anybody else stuck seeing Rick Ross as a Red Teletubby now? Here’s a couple more videos for those of you who didn’t catch the show.

Searching for Our Decolonized Image: Nicki Minaj Puts the Other in The Other Woman

By Guest Contributor Rajul Punjabi

The trailer for The Other Woman, a flick about the unlikely blossoming friendship of three women (Cameron Diaz, Leslie Mann, and Kate Upton) while they conspire against their mutually shared cheating man (Nikolaj Coster-Waldau), was released last week. Nicki Minaj is in it too, and a plethora of entertainment outlets are ablaze with blurbs about her non-animated silver screen debut.

One of my favorite headlines reads, “Nicki Minaj Stars in The Other Woman.” Fun, right Barbz? Finally, her formal theatrical training and the scintillating possibilities of Minaj channeling one of her alter egos on the silver screen. But, as the preview reveals, she’s hardly the star of the movie. She plays a “sassy, outspoken, legal assistant” to Cameron Diaz’s power lawyer. She’s not even the side chick. She is the side chick’s sidekick.
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