Category Archives: violence against women

Racialicious Crush Of The Week: Tamura Lomax

By Andrea Plaid

Tamura Lomax. Photo: courtesy of the interviewee.

You may have seen the R’s cross-postings from The Feminist Wire (TFW), that brilliant collective of mostly writers of color doing their intersectional thang on topics like Black women’s self-care in academia, forums on World AIDS Day 2012 and voting, and–in full disclosure–an interview with one of the R’s staffers. (I’m telling you–it’s a treat of a lifetime to be interviewed by one of your heroes.)

So, mutual admiration is fair play.

I got to interview the great brain behind TFW, Tamura Lomax. Her bona fides: she’s the Assistant Chair and an assistant professor of African American Studies at Virginia Commonwealth University. Her work has been featured at, among other spaces, Religion Dispatches. She’s working on a co-authored book about the Black feminist/womanist reponses to Tyler Perry’s work and a book on Black feminism and Black cultural production. And she’s just hella fun to clown around with online, which, of course, has led to some hush-hush plans for a future academic conference.

I’ve said too much already about the event. Here’s Tamura…

The Feminist Wire is a heck of a collective of some of the best minds thinking about the intersections of race, gender. sexuality, bodies, politics, etc. How did you gather such a great group of people and, more interestingly, why and how did you start the blog?  

The Feminist Wire began as a concept in 2010.  Hortense Spillers and I were working on my dissertation and we thought it would be neat to write something together—two black feminists working across generations.  At this time, she even referred to me as a younger version of herself.  We were definitely similar in terms complexion and hairstyles and–as we learned later–personalities.  Her work and writing style definitely informs my own.  Our initial idea was to write some sort of peer-review essay for academia.  However, when the Shirley Sherrod incident occurred, we knew it was our time to put pen to paper–or, in my case, fingers to keyboard.

We wrote the essay, “Shirley Sherrod: Open Letters Between Two Frustrated Feminists, Hortense Spillers and Tamura Lomax,” which was a critical call-and-response about Sherrod, of course, but also black women and media.  We shopped the essay, hoping to get it published at theroot.com.  However, no one responded.  Frustrated, we decided to “create our own damn site” so that we could publish what we wanted when we wanted.  Due to timing, we published the essay on my now defunct webpage, tamuralomax.com, and began charting our path toward The Feminist Wire.

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La Diva De La Gente: Remembering Jenni Rivera

By Arturo R. García

It’s hard not to think of Jenni Rivera’s death Sunday without thinking of Selena Quintanilla and Ritchie Valens. Three Mexican-Americans dead, on the cusp of making more headway into the country’s overall pop-culture consciousness.

But the loss of Rivera’s voice doesn’t just affect her loved ones, her fans or the musical realm–social justice lost an increasingly important Latina as well.
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Kasandra Michelle Perkins: We Must Say Her Name

By Guest Contributor David J. Leonard, cross-posted from The Feminist Wire

In the aftermath of the tragic murder of Kasandra Michelle Perkins, and the subsequent suicide of Jovan Belcher, much of the media and social media chatter have focused on Belcher.  Indeed, Kasandra Michelle Perkins has been an afterthought in public conversations focused on questions regarding the Chiefs’ ability to play, concussions, masculinity, guns, and the culture of football in the aftermath of this tragedy. Over at the always brilliant Crunk Feminist Collective website, one member described the situation in sobering terms:

Headlines and news stories have focused on the tragedy from the lens of the perpetrator (including speculation of potential brain trauma, his involvement, as an undergraduate, in a Male Athletes Against Violence initiative, and his standing as an allstar athlete), in some ways dismissing or overshadowing the lens of the victim, who in headlines is simply referred to as “(his) girlfriend.”

Mike Lupica, at the NY Daily News, offered a similar criticism about our focus and misplaced priorities:

That is why the real tragedy here — the real victim — is a young woman named Kasandra Michelle Perkins, whom Belcher shot and killed before he ever parked his car at the Chiefs’ practice facility and put that gun to his head.

She was 22 and the mother of Belcher’s child, a child who is 3 months old, a child who will grow up in a world without parents. At about 10 minutes to 8, according to Kansas City police, Jovan Belcher put a gun on the mother of his child in a house on the 5400 block of Chrysler Ave. in Kansas City and started shooting and kept shooting. You want to mourn somebody? Start with her.

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Voices: Tragedy in Kansas City

Kasandra Perkins, 22, was killed by her boyfriend, football player Jovan Belcher, Saturday.

Of course Belcher is the headliner in this tragedy, because he apparently thanked the people trying to talk him out of killing himself for all they had done for him. Then he was gone, day before a game, outside Arrowhead Stadium, dead at 25.

But Jovan Belcher had a chance for it all to end differently, at least for him, no matter what brought him to this moment outside Arrowhead Stadium. That is why the real tragedy here — the real victim — is a young woman named Kasandra Michelle Perkins, whom Belcher shot and killed before he ever parked his car at the Chiefs’ practice facility and put that gun to his head.

She was 22 and the mother of Belcher’s child, a child who is 3 months old, a child who will grow up in a world without parents. At about 10 minutes to 8, according to Kansas City police, Jovan Belcher put a gun on the mother of his child in a house on the 5400 block of Chrysler Ave. in Kansas City and started shooting and kept shooting. You want to mourn somebody? Start with her.

“Welcome to our world,” a former New York City police detective I know said on Saturday about the shootings in Kansas City. “This time it just happened to be the National Football League.”
- Mike Lupica, New York Daily News

KCTV5

It should come as no surprise that Crennel, Chiefs players, Pioli, owner Clark Hunt and NFL commissioner Roger Goodell quickly agreed not to delay Sunday’s football congregation at Arrowhead Stadium.

Football is our God. Its exaggerated value in our society has never been more evident than Saturday morning in my adopted hometown. There’s just no way this game should be played.

Twenty-eight hours after witnessing one of his starting linebackers take his life, Crennel will stand on the sideline as young men play a violent game. Twenty-eight hours after one of their best friends killed the mother of his child and himself, Chiefs players will take the field and play a violent game.

Football is a game of emotion. Football is a game in which the coaches and players preach about treating each other as family.

How can they play Sunday? Why should they?
- Jason Whitlock, Fox News

“I definitely agree with the decision to play today,” wide receiver Dexter McCluster said. “This is the game we love. This is the game Jovan loved. This is the game fans love, so why not go out here and do something that we love to do?”

For others, the alternative was worse.

“The least-worst option was to play the game,” center Ryan Lilja said. “Suffering a tragedy like that, maybe the best thing was to be together and do what we do — and that’s what we do, we play football.”

In light of a 27-21 win and perhaps the Chiefs’ finest performance of the season, it’s hard to argue against going ahead with the game, which several players hoped might speed up the healing process.

- Tod Palmer, The Kansas City Star

According to medical studies, around 600 murder-suicide events take place each year in the United States, resulting in 1,000 to 1,500 deaths. Most of those don’t generate this much attention. As far as anyone can remember, this is the first such incident involving an athlete in America’s most popular sport.

Three months ago, a man shot a woman and then killed himself in the Kauffman Stadium parking lot a few hours before a Royals game. The victim in that shooting had two children, a school-aged son and a grown daughter. She spent weeks in a hospital; her spleen was removed, among other operations, but she has survived.

That story came and went faster than this one will, and if we’re smart we’ll gain some understanding about the problem. Maybe we’ll remember that domestic abuse is still a major problem in America.
- Sam Mellinger, The Kansas City Star

Super-Predators, ‘Wilding,’ And The Central Park Five

By Guest Contributor MK, cross-posted from Prison Culture

On April 19, 1989, a young woman who was jogging through Central Park in New York City was found badly beaten. She had also been raped.

I have written briefly about the case before in comparing it to Scottsboro. However, I want to return to it today because I just saw the trailer for Ken Burns’ upcoming documentary about the case and it brings back terrible memories for me.

I was living in New York City at the time of this incident. I was 17 years old, a senior in high school. My school was across the street from Central Park and I was terrified. Just a few months before, I had been sexually assaulted (not in the park) and now I was certain that I would be targeted again.
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Racialicious Crush Of The Week: Rosario Dawson

by Andrea Plaid

Rosario Dawson. Courtesy: nopapersnofear.org

 

Actor Rosario Dawson doubtlessly brings the fierceness into her roles. Whether she plays an HIV+ stripper, a sex worker, a railway yardmaster, or the beneficiary of Will Smith’ literal and figurative heart, Dawson is not a ride-or-die chick–she’s a roll-deep woman.

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Racialicious Crush Of The Week: Kerry Washington

By Andrea Plaid

Kerry Washington. Photo: Ernie Stewart/Retna Ltd. Courtesy: s2smagazine.com.

The R’s Managing Editor Arturo García and I confabbed last week about his adventures at the Democratic National Convention. He regaled me with some blogger star-gazing and gossip, meeting Dr. Melissa Harris-Perry, the voting implications of The Tumblr Generation and the Occupy Movement, and the panties-throwing during former POTUS Bill Clinton’s speech. And Kerry Washington.

“Did you get to meet her?” I asked.

“No, but she looks good on the big screen,” he said.

I have to agree: in my big-screen movie, I’d cast Washington as Helen of Troy or Cleopatra, not only because she looks good (a vital attribute of you’re going to cast someone as two legends of human pulchritude, just as you’d cast a beautiful someone as Adonis) but also because she is good–and her work on Scandal and in real-life politics are why.

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Fashion As Resistance: The Case Of Mali

by Guest Contributor Eren, originally published at Muslimah Media Watch

Two weeks ago, I wrote a post discussing the attempt among Muslim leaders in Russia to prove that Russian Muslim women are modern and fashionable, unlike Muslims elsewhere. Soon after, fashion made headlines again, this time in the case of Mali, with Yahoo! News reporting on Dakar Fashion Week 2012.

Design by Alphadi. Image via Mirage A Trois.

The event, which takes place in Senegal, has been attracting designers from all over Africa for the past ten years. The event has been reported to attempt to bring Africa forward in the fashion world, and to counter Western fashion houses stealing African aesthetics and motifs.

Nonetheless, the Yahoo! News article focuses on Malian designers and the fact that fashion seems to be too colorful and perhaps too showy for the Islamists. Mali, a country that is rarely featured in the fashion section of the news, went through a coup d’état earlier this year, and now the northern region is under the control of Ansar Dine, a group commonly identify in the Western media as Islamist rebels, who have also recently attacked Timbuktu.

The article suggests that fashion is too “cool” for these Islamists, as they have taken the conservative approach in endorsing hijab and banning trousers for women. To some degree, the article portrays angry Islamists getting back at fashion designers and perhaps even women. Nonetheless, the issue may be a bit more complex than Yahoo! News analysis. The issue with fashion may be not its colors and uncovered arms, but what it represents. In an interview, designer Sidahmed Seidnaly, aka Alphadi and also known as the Magician of the Desert, expresses his discomfort with the situation in Mali and the push for Shari’ah law in the northern region. Similarly, designer Mariah Bocoum made her five-piece collection to represent the struggle of Malian people and as a way to resist the restrictions now imposed in Mali’s north.

Designs by Mariah Bocoum. Via Tumblr.

Fashion in this setting has become a symbol of resistance, and it is a powerful one because fashion these days is quite mobile. It travels from east to west and from north to south and it is easily picked up by the media, as previous MMW posts have shown. In addition, this fashion is mainly guided towards a female market, and as scholars like Nira Yuval-Davis and Jasbir Puarhave theorized, in nationalist struggles women’s bodies are the first ones to be controlled, secluded and excluded. In situations of conflict, women become a source of either pride or defamation as they also become symbols of the nation.

Thus, the current situation in Mali is perhaps following the path that many nationalist struggles follow in terms of gender (more in Gender and Nation): women become symbols, and the resistance that fashion brings along may be threatening for an Islamist movement that just gained power. Although perhaps ironic, because fashion in the Western world and in other places like Latin America may just do the opposite, Mali’s designers seem to bring a new proposal for countering the situation.
Unlike the Russian and the Chechen cases, where fashion is being adopted by religious institutions and governments (who then engage in the fashion world in order to put forward an image of the “appropriate” ways for Muslim women to dress), the situation in Mali is following a different route. Fashion as resistance is something what we do not get to see very often, but perhaps it will be a successful way to engage the international community with the situation in Mali, especially the Western world, which can be oblivious to other types of resistance, but seems to respond well to the runways.