Candlelight vigil for the victims of the shooting and stabbing attacks in Isla Vista, California. Image via The Associated Press.
Today, UC Santa Barbara will cancel classes to mourn George Chen, Katie Cooper, Cheng Yuan Hong, Chris Martinez, Weihan Wang, and Veronika Weiss, the six people whose deaths at the hands of a young biracial man — we will not print his full name in this space if we can help it — over the weekend brought sudden, needed attention to several particularly toxic strains of performative cis-masculinity.
But, while debates continue over the causes of the fatal attacks and the killer’s motivations, what cannot be argued anymore is that this is an outlier.
Driving that conversation were tags like #YesAllWomen and #YesAllWhiteWomen, and When Women Refuse, a tumblr created by activist Deanna Zandt to highlight other stories of men who felt so entitled to womens’ bodies and spaces that they responded with violence to their privilege being rebuffed.
Under the cut, we’ve compiled portions of some of the most informative analyses of the situation.
Coming on the heels of the seemingly unfathomable not guilty verdict for Kenneth Dunn on murder charges for shooting and killing Jordan Davis, the news that another young person of color, 15-year-old Adrian Broadway, was shot and killed — seemingly for egging a car — was a gut punch on top of another to start the week.
But this time, the suspect is also a person of color: 48-year-old Willie Noble, who allegedly ran out of his house as Broadway and her friends were driving away, after smearing the vehicle as part of what was described as an ongoing prank battle, and shot into their car. She died shortly afterwards at a local hospital.
Noble has already been taken into custody and is being held on $1 million bond. He is charged with first-degree murder, one count of terroristic acts, and five counts of aggravated assault.
As KARK-TV reported, Broadway’s school, McClellan High School, prepared to resume classes this morning with the benefit of extra counseling staff for her classmates. Some of them have begun making other preparations in her honor:
Broadway was a freshman cheerleader. The squad gathered Monday night for dinner and to talk as they grieve through this process together.
While the school plans on welcoming students back Tuesday, Friday is Homecoming. Adrian was on the freshman homecoming court. The school plans on setting out one empty chair with a black sash and rose in honor of Adrian.
[Trigger Warning: Discussion of transphobic joke, real-life experiences of transphobia.]
Like many graduate students, I was still finishing up last week’s work at 6 PM on a Saturday. I put on Spike TV’s annual Video Game Awards (re-branded this year as VGX) to have some background noise while I put the finishing touches on a paper.
I expected the usual: some Michael Bay-esque graphics packages, some puerile pandering to their core demographic of adolescent boys, some Mountain Dew, some Doritos, some trailers. I can stomach that, even laugh at it. Less than five minutes into the program, however, co-host Joel McHale jokingly put the rumors to rest that Wario had “undergone sex reassignment surgery.”
If you’re reading this, you might know that a joke like that is politically ill-advised. It violates the comedic wisdom that one should punch up rather than punch down. It not only repeats the exoticizing focus on transgender people’s genitals, it also casts transgender identity itself as something scandalous and laughable. Continue reading →
“Scandal” attempted to give Mellie (Bellamy Young) a backstory this week, to unpleasant results.
SPOILERS AND TRIGGER WARNING FOR THIS POST
It’s possible Shonda Rhimes, writer Peter Nowalk and the Scandal creative team intended for Mellie to dominate the water-cooler talk after this episode, and explicitly set out to “out-do” not just Quinn’s descent into B613’s clutches, but the confirmation that Olivia’s mother is still alive and Fitz’s realization that Olivia’s father is the man atop B613.
It’s also apparent that they succeeded. But not without going to a highly questionable place.
By Guest Contributor Sayantani DasGupta; originally published at Feminist Wire
The Abused Goddesses of India. The advertisements, created by Mumbai-based ad firm Taproot India, have been making the rounds – not only of my Facebook friends’ walls, but of many a feminist and progressive site including Bust, Ultraviolet, V-Day and MediaWatch, usually along with reactions like “powerful” and “heartbreaking.”
The images are unusual in their aesthetic appeal. After all, it’s not every day that you see the Hindu Goddesses Laxshmi, Saraswati or Durga made to appear as if they have been subject to gender-based violence – with tear stained faces, open cuts and battered cheekbones. But even despite (or because of?) the bruising around those divine eyes, the images are breathtaking – recreations of ancient Hindu paintings accurate to their last bejeweled crown and luscious lotus leaf.
I’ll admit it, I too was entranced by these ads when I first saw them. Having grown up in the heart of the American Midwest at a time when no one in the media looked even remotely like brown-skinned and dark haired me, I have a particular soft spot for images of glamorous Indian women. After childhood and teenage years believing that no one who wasn’t a blonde, blue-eyed Christie Brinkley look-alike could be deemed ‘beautiful,’ I’m still a complete sucker for images of traditional Indian beauty.
Yet, no matter how appealing, these ads are also deeply problematic. The reasons are multiple:
As both Kat Chow at Code Switch and Slate’s Aisha Harris have pointed out, it did not take long for Charles Harris to join Antoine Dodson and Sweet Brown as the latest figure to be posted on many of our friends’ Facebook pages with notes like “Best. Interview. EVER.” or some variant of “HILAR.”
Like Dodson, what got Ramsey into this spotlight was being the right person at the right time and helping three women escape from a Cleveland home where they had allegedly been held captive for ten years. Three people have since been charged in connection to the crime. But what got peoples’ attention was his interview with a local station in which he described how he ran into one of the women, Amanda Berry:
There’s a lot to unpack in not just his account of not just his interactions with the suspect, but his statement that, “I knew something was wrong when a little pretty white girl ran into a black man’s arms.” (Not to mention the reporter’s cutting the interview at precisely that point.)
But that’s not what’s coming across in many people’s reactions to the story. Take, for instance, this comment I found on a friend’s thread:
I found this funny and I don’t think he’s a joke. It’s just cool the way he told the story. He was funny…not a joke.
And even as people are (justly) applauding Ramsey’s actions, authorities are already seeking to minimize his involvement. And the story of at least one of the kidnapping victims, Michelle Knight, is also getting far less attention than the other two.
So, this story is only just beginning to be told. But for now, let’s get your take on how Ramsey has been represented.
As a survivor of campus sexual assault, and as someone who became a feminist and an activist after my own experience of institutional apathy towards my attacks, I feel conflicted. I am so glad that this serious issue is getting more attention, but I am increasingly frustrated and almost scared by the lack of diversity that I see in the survivors receiving national media attention. As I look at photos and watch the media appearances of these resilient, brave survivors I can’t help to feel invisible. I browse a network of campus rape survivors who are working to combat institutional apathy towards rape victims and struggle to find other women of color who are like me.