Category Archives: violence against women of colour & indigenous women

On Her 100th Birthday, Rosa Parks’ Legacy Is Reexamined

By Arturo R. García

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That segment, originally aired in 2010, holds to what MSNBC’s Melissa Harris-Perry calls “civil rights lore” regarding Rosa Parks.

But last week, just days before what would have been her 100th birthday–today, to be exact–a new book was released that has gained acclaim for painting a more vivid picture of her life, on top of the story of her refusing to yield that seat on that bus in Montgomery, AL.
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The Vagina Monologues In Hindi

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Cast from a Mumbai performance of “The Vagina Monologues.” Image Credit: Times of India.

**TRIGGER WARNING**

By Guest Contributor Hannah Green

In India these days, it’s hard to go for very long without thinking about gang rape. Since the horrific and well-publicized rape and death of a young woman in Delhi last month, more rapes have been appearing in the headlines every day. More politicians’ and public figures’ opinions about why violence against women occurs are getting thrown around as well, each more ludicrous than the next.  (But the press isn’t tolerating the nonsense this time, nor are the women of Delhi.) It’s a confusing time to be female and living in India. The constant discussion of rape makes it difficult to forget bad experiences. And it’s hard to know whether to be dominated by anger or fear. It’s easy to forget that India’s–and the world’s–reactions to this will shape what the next stage in the women’s rights movement will look like.

It was a Monday afternoon at the theater in Lucknow, a small city not far from Delhi, somewhat old-fashioned by reputation. We–the women in the audience–were wearing the loose, concealing clothing that women usually wear in Lucknow. The three women on stage were dressed similarly, but in striking combinations of black and pink. The audience was excited, maybe a little tense. During the introductory remarks, the Delhi rape case had been brought up again. About ten minutes into the play, the atmosphere changed when she walked on stage. Black hair, black top, short black skirt, long brown legs. She looked good, but she wasn’t trying to titillate anyone. She spoke with a kind of serene authority “Meri short skirt ka aap se koi lena dena nahin hai.” My short skirt has nothing to do with you.

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Idle No More 101

By Guest Contributor Gyasi Ross

Illustration by Steven Paul Judd.

Lately, Native people have taken to the streets malls in demonstrations of Public Indian-ness (“PI”) that surpasses the sheer volume of activism of even Alcatraz and the Longest Walk. There’s a heapum big amount of PI going on right now! Many people, non-Native and Native alike, are wondering what the heck is going with their local Native population and how this so-called #IdleNoMore Movement managed to get the usually muffled Natives restless enough to be Indian in public. I mean, like Chris Rock said, he hasn’t ever even met two Indians at the same time. He’s seen “polar bears riding a tricycle” but he’s “never seen an Indian family just chillin’ out at Red Lobster.”

Now, people can’t seem to get away from us.

And that’s cool, but isn’t that what pow-wows and November is for? People (non-Native and Native alike) can only take so much PI, right? Is that what the Idle No More movement is? An extended Native American Heritage Month, where non-Natives have to act like they’re fascinated by Native culture?

In a word, no. It is much more. Please consider this a fairly exhaustive explanation of the Movement, what it is not and what it is. If for some reason you cannot read the next 1000 or so brilliant words, I can be summed up thusly: Idle No More is not new. Instead, it is the latest incarnation of the sustained Indigenous Resistance to the rape, pillage, and exploitation of this continent and its women that has existed since 1492. It is not the Occupy Movement, although there are some similarities. It is not only about Canada and it is not only about Native people. Finally, and probably most importantly, it (and we) are not going away anytime soon. So get used to it (and us).

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[**TRIGGER WARNING**] Rape, American Style

By Guest Contributor Sikivu Hutchinson; originally published at Feminist Wire

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Image Credit: AFP

When I was five years old I was sexually assaulted by neighbors. Ours was a tranquil post-white flight neighborhood of beautiful single family homes, obsessively tended lawns, and keeping-up-with-the-Joneses home improvement.  It was the mid-seventies, before black women’s experiences with rape had come into broader public consciousness through works like The Color Purple and I Know Why the Caged Bird Sings.

The term “sexual assault” was largely unknown. The language that rape-prevention activists now use to validate the everyday terrorism girls and women deal with was not a part of our vocabulary or classroom curriculum. In my critically conscious upbringing I was raised to clearly understand the racist police who abused and murdered us, the racist criminal justice system that jailed us, and the racist cultural history that rendered us invisible. I was taught to revere the black warriors who crusaded against the holocaust of slavery and its aftermath. But I was not taught to know, understand, or identify the casual predators that moved in and out of our lives without detection or censure; the parasites who posed as strong, upstanding black men in the light of day and terrorized with impunity behind closed doors buttressed by violent silence.

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Video: Franchesca Ramsey’s Powerful ‘How Slut Shaming Becomes Victim Blaming’

By Arturo R. García

Screenshot from Franchesca Ramsey’s video “How Slut Shaming Becomes Victim Blaming.”

Late last week, Franchesca Ramsey shared her immensely intimate and painful story regarding sexual assault as part of a critique of a video by comedian Jenna Marbles. The video and a transcript are under the cut, but be advised that it carries a heavy TRIGGER WARNING due to the subject matter.
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Racialicious Crush Of The Week: Tamura Lomax

By Andrea Plaid

Tamura Lomax. Photo: courtesy of the interviewee.

You may have seen the R’s cross-postings from The Feminist Wire (TFW), that brilliant collective of mostly writers of color doing their intersectional thang on topics like Black women’s self-care in academia, forums on World AIDS Day 2012 and voting, and–in full disclosure–an interview with one of the R’s staffers. (I’m telling you–it’s a treat of a lifetime to be interviewed by one of your heroes.)

So, mutual admiration is fair play.

I got to interview the great brain behind TFW, Tamura Lomax. Her bona fides: she’s the Assistant Chair and an assistant professor of African American Studies at Virginia Commonwealth University. Her work has been featured at, among other spaces, Religion Dispatches. She’s working on a co-authored book about the Black feminist/womanist reponses to Tyler Perry’s work and a book on Black feminism and Black cultural production. And she’s just hella fun to clown around with online, which, of course, has led to some hush-hush plans for a future academic conference.

I’ve said too much already about the event. Here’s Tamura…

The Feminist Wire is a heck of a collective of some of the best minds thinking about the intersections of race, gender. sexuality, bodies, politics, etc. How did you gather such a great group of people and, more interestingly, why and how did you start the blog?  

The Feminist Wire began as a concept in 2010.  Hortense Spillers and I were working on my dissertation and we thought it would be neat to write something together—two black feminists working across generations.  At this time, she even referred to me as a younger version of herself.  We were definitely similar in terms complexion and hairstyles and–as we learned later–personalities.  Her work and writing style definitely informs my own.  Our initial idea was to write some sort of peer-review essay for academia.  However, when the Shirley Sherrod incident occurred, we knew it was our time to put pen to paper–or, in my case, fingers to keyboard.

We wrote the essay, “Shirley Sherrod: Open Letters Between Two Frustrated Feminists, Hortense Spillers and Tamura Lomax,” which was a critical call-and-response about Sherrod, of course, but also black women and media.  We shopped the essay, hoping to get it published at theroot.com.  However, no one responded.  Frustrated, we decided to “create our own damn site” so that we could publish what we wanted when we wanted.  Due to timing, we published the essay on my now defunct webpage, tamuralomax.com, and began charting our path toward The Feminist Wire.

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La Diva De La Gente: Remembering Jenni Rivera

By Arturo R. García

It’s hard not to think of Jenni Rivera’s death Sunday without thinking of Selena Quintanilla and Ritchie Valens. Three Mexican-Americans dead, on the cusp of making more headway into the country’s overall pop-culture consciousness.

But the loss of Rivera’s voice doesn’t just affect her loved ones, her fans or the musical realm–social justice lost an increasingly important Latina as well.
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Kasandra Michelle Perkins: We Must Say Her Name

By Guest Contributor David J. Leonard, cross-posted from The Feminist Wire

In the aftermath of the tragic murder of Kasandra Michelle Perkins, and the subsequent suicide of Jovan Belcher, much of the media and social media chatter have focused on Belcher.  Indeed, Kasandra Michelle Perkins has been an afterthought in public conversations focused on questions regarding the Chiefs’ ability to play, concussions, masculinity, guns, and the culture of football in the aftermath of this tragedy. Over at the always brilliant Crunk Feminist Collective website, one member described the situation in sobering terms:

Headlines and news stories have focused on the tragedy from the lens of the perpetrator (including speculation of potential brain trauma, his involvement, as an undergraduate, in a Male Athletes Against Violence initiative, and his standing as an allstar athlete), in some ways dismissing or overshadowing the lens of the victim, who in headlines is simply referred to as “(his) girlfriend.”

Mike Lupica, at the NY Daily News, offered a similar criticism about our focus and misplaced priorities:

That is why the real tragedy here — the real victim — is a young woman named Kasandra Michelle Perkins, whom Belcher shot and killed before he ever parked his car at the Chiefs’ practice facility and put that gun to his head.

She was 22 and the mother of Belcher’s child, a child who is 3 months old, a child who will grow up in a world without parents. At about 10 minutes to 8, according to Kansas City police, Jovan Belcher put a gun on the mother of his child in a house on the 5400 block of Chrysler Ave. in Kansas City and started shooting and kept shooting. You want to mourn somebody? Start with her.

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