Category Archives: violence against women of colour & indigenous women

ICE1

Report: Customs officials held 40 ‘low-priority’ pregnant immigrants in one facility

By Arturo R. García

Despite designating pregnant undocumented immigrants as “low-priority” targets for incarceration, officials with U.S. Immigration and Customs Enforcement (ICE) imprisoned 40 pregnant women at a detention facility in Texas while claiming not to keep “specific records” on detainees’ pregnancy status, Fusion reported on Tuesday.

Records obtained via a Freedom of Information Act (FOIA) request showed the women were held at the El Paso Processing Center last year, following a January 2014 report that 13 pregnant women were being detained at the facility during a four-month period, despite ICE officially stating that they should not be placed in detention centers “absent extraordinary circumstances.”
Continue reading

KlumA

Heidi Klum’s Redface Photo Shoot

By Guest Contributor Ruth Hopkins, cross-posted from Last Real Indians

All images via Facebook.

Heidi Klum, I’m so disgusted with you. I can’t even look at you right now.

I’ve been a fan of Heidi Klum’s show Project Runway since episode one. I’ve seen every single season. As a Native woman who loves fashion, I was elated when Taos Pueblo fashion designer Patricia Michaels was selected for the show, especially considering how Native appropriation has run rampant in the fashion industry over the past several years. Patricia made it to the series finale and finished as the season’s runner-up. Heidi was supportive of Patricia too. She complimented Patricia’s designs and showed what appeared to be sincere appreciation for Native culture.

As a result, I never could have imagined that Heidi Klum would promote redface. Nay, I was sorely mistaken.
Continue reading

Adrian Broadway

Open Thread: Adrian Broadway

By Arturo R. García

Coming on the heels of the seemingly unfathomable not guilty verdict for Kenneth Dunn on murder charges for shooting and killing Jordan Davis, the news that another young person of color, 15-year-old Adrian Broadway, was shot and killed — seemingly for egging a car — was a gut punch on top of another to start the week.

But this time, the suspect is also a person of color: 48-year-old Willie Noble, who allegedly ran out of his house as Broadway and her friends were driving away, after smearing the vehicle as part of what was described as an ongoing prank battle, and shot into their car. She died shortly afterwards at a local hospital.

Noble has already been taken into custody and is being held on $1 million bond. He is charged with first-degree murder, one count of terroristic acts, and five counts of aggravated assault.

As KARK-TV reported, Broadway’s school, McClellan High School, prepared to resume classes this morning with the benefit of extra counseling staff for her classmates. Some of them have begun making other preparations in her honor:

Broadway was a freshman cheerleader. The squad gathered Monday night for dinner and to talk as they grieve through this process together.

While the school plans on welcoming students back Tuesday, Friday is Homecoming. Adrian was on the freshman homecoming court. The school plans on setting out one empty chair with a black sash and rose in honor of Adrian.

Abused Goddesses, Orientalism and the Glamorization of Gender-Based Violence

goddesses1

 

By Guest Contributor Sayantani DasGupta; originally published at Feminist Wire

The Abused Goddesses of India. The advertisements, created by Mumbai-based ad firm Taproot India, have been making the rounds – not only of my Facebook friends’ walls, but of many a feminist and progressive site including Bust, Ultraviolet, V-Day and MediaWatch, usually along with reactions like “powerful” and “heartbreaking.”

The images are unusual in their aesthetic appeal. After all, it’s not every day that you see the Hindu Goddesses Laxshmi, Saraswati or Durga made to appear as if they have been subject to gender-based violence – with tear stained faces, open cuts and battered cheekbones. But even despite (or because of?) the bruising around those divine eyes, the images are breathtaking – recreations of ancient Hindu paintings accurate to their last bejeweled crown and luscious lotus leaf.

I’ll admit it, I too was entranced by these ads when I first saw them. Having grown up in the heart of the American Midwest at a time when no one in the media looked even remotely like brown-skinned and dark haired me, I have a particular soft spot for images of glamorous Indian women. After childhood and teenage years believing that no one who wasn’t a blonde, blue-eyed Christie Brinkley look-alike could be deemed ‘beautiful,’ I’m still a complete sucker for images of traditional Indian beauty.

Yet, no matter how appealing, these ads are also deeply problematic. The reasons are multiple:

Continue reading

Announcements: A Mural Goes Up In Harlem And A Goddess Walk

Photo courtesy of Picture the Homeless.

Photo courtesy of Picture the Homeless.

Just got this last-minute invite to a really great event going on in Harlem, if you’re in town later today.

Picture The Homeless (PTH), a grassroots social-justice organization founded and led by homeless people advocating around the issues of housing, police violence, and the shelter system, reveals their new mural based on those themes today at 4pm at 138t Street and Adam Clayton Powell. The mural is on the side of Epiphany Bar. (More details here.

According to Shaun Lin, one of PTH’s community organizers, the mural was a 6-month collaborative effort of people of all ages living in the community.

“This mural itself is actually the conclusion of a 6-month collaborative process between Picture The Homeless, Peoples Justice, and artist Sophia Dawson. We started with a few study sessions–of “Broken Windows” theory, “quality-of-life” policing, and resistance/organizing around these policing practices–which guided a collective visioning process in which particular images drawn directly from study and conversation. And finally concluded in the painting of the mural, which included 2 community painting days and over 80 volunteers [sic]. The mural itself is beautiful in itself, but the process of creating and painting the mural has been one of the most engaging, collaborative, and community-oriented projects I’ve personally worked on.”

Continue reading

Meanwhile, On TumblR: Media’s Racefail Regarding Sexual Violence Survivors Of Color

By Andrea Plaid

**TRIGGER WARNING**

April was Sexual Assault Awareness Month, and this excerpt from Wagatwe Wajuki this past week touched a lot of Tumblizens:

Image via cdc.gov.

Image via cdc.gov.

As a survivor of campus sexual assault, and as someone who became a feminist and an activist after my own experience of institutional apathy towards my attacks, I feel conflicted. I am so glad that this serious issue is getting more attention, but I am increasingly frustrated and almost scared by the lack of diversity that I see in the survivors receiving national media attention. As I look at photos and watch the media appearances of these resilient, brave survivors I can’t help to feel invisible. I browse a network of campus rape survivors who are working to combat institutional apathy towards rape victims and struggle to find other women of color who are like me.

Continue reading

Quoted: For Harriet on Talib Kweli’s Response To The Crunk Feminist Collective

Rapper Talib Kweli. Image via soundexchange.com

Brittney Cooper deserved better. All women deserve better. Women should not be afraid to voice their opinions for fear they’ll be called a “ratchet hoe” or “bitch” as I was by Kweli defenders during our exchange.

Kweli ducked and dodged challenges all week abruptly ending discussions with women he deemed too angry or vulgar.

A woman I follow on Twitter acknowledged she tweeted him abrasively because the ongoing discussion of rape triggered her. Kweli struck back just as I’d witnessed during his exchange with dream hampton a few days earlier. The woman admitted fault, but her apologies, though appreciated, made me uncomfortable. As the overwhelming victims of sexual assault and primary targets of rape culture, women shouldn’t constantly be asked to stretch ourselves across gaps in knowledge. Women need freedom to express our feelings without admonishment. Those who call themselves allies are responsible for understanding the contexts in which they speak; they are responsible for recognizing the structures of power from which they derive their privileges. And if this all sounds like too much to ask, then, perhaps, they should reconsider their claims to social justice work.
- From “The Problem With Our So-Called Allies,” by Kimberly Foster

*TRIGGER WARNING* How To Love? Thoughts On Lil Wayne’s Emmett Till Lyrics And More

By Guest Contributors Moya and Whitney; originally published at Crunk Feminist Collective

*TRIGGER WARNING: Expletives, misogyny, and violent lyrics*

Side by side image of Emmett Till and Lil Wayne with the words

Courtesy of FAAN Mail.

In the remix to Future’s Karate Chop, Lil Wayne sings the “very unfortunate” (really, Fader?) lyric that compares sex to the beating of Emmett Till.

Pop a lot of pain pill’

‘bout to put rims on my skateboard wheel’

beat that pussy up like Emmett Till

“I just couldn’t understand how he could compare the gateway to life to the brutality and punishment of death,” said Aricka Gordon Taylor, spokesperson from the Till Family. We can, though. It’s happened before, from Wayne and friends.

People are mad. Real mad. They’re even talking about it on the radio here in Atlanta, while simultaneously continuing to play the song with Emmett Till bleeped out. Folks are calling for a boycott of Clear Channel and the removal of the song from the airwaves. There’s Twitter activism in motion as well from Dream Hampton to shame LA Reid (who should be shamed, for this and more) because he should know better. Epic, Future’s label not Wayne’s, has apologized saying that this lyric won’t appear on the final version of the song and the family has written an open letter to Wayne.

We understand why folks are mad and in no way want to diminish this important call to action. One of the things Moya hated about other media activism she’s been involved in is the question, “why you mad about this and why now?” We want to think about these lyrics in the context of calls by feminists of color to interrogate the problems of violent sex metaphors before the name of a slain civil rights icon was invoked. With this in mind, we want to add some thoughts to the growing conversation.

1. We need intergenerational conversations–“beating the pussy up” is a hip-hop metaphor for sex that’s not new. We need and have been trying to have a conversation about the violence this metaphor (and others) conjures, but folks using it don’t understand themselves to be talking about intimate-partner violence when they use it. It is used by men and women to describe sexual prowess, not violence, despite its employment of the violence of “beating.” In reading the framing of the outrage we see elders taking issue with Till being compared to the “anatomy of a woman” and “domestic violence.” That’s not quite what’s happening, and we wonder if intergenerational strategies can help alleviate some of these misreadings. Rather than domestic violence, perhaps we can shift our frame to think about sexualized violence and violent sexualities more broadly, which, to be clear, are not always practiced in the context of traditional understandings of intimate partner violence or under duress or coercion.  Patricia Hill-Collins already hipped us to the violence that undergirds many discussions of black sexual prowess in her incisive reading of black colloquial usage of the term “booty” and its dual meaning/invocation as both the spoils of war and conquest (i.e. violence) and as the long-standing icon of black women’s sexual desirability.  Too much connection to be coincidental, no?  This framework might allow us to see how violent sexual prowess acted out on the bodies of women of color is a staple of hip-hop and popular culture more generally.  The issue is not just the ill-informed invocation of Till’s brutal murder but the normalization of brutality acted on women’s bodies.

Additionally, what does bleeping out words on the radio do? Particularly when it’s part of a rhyme scheme? The absurdity of radio editing is just more than we can fathom sometimes. You want to protect children from hearing the words “Emmett Till” and “pussy” but not the “beating up” they are used in conjunction with?  Not to mention any other songs that have other violent metaphors that don’t have curse words in them that are perfectly fine for radio play. Can we talk to children as opposed to shielding them from certain words? Why are words bleepable but problematic concepts aren’t under review?

Continue reading