This month’s issue of Uncanny Avengers served as the most explicit follow-up to the much-maligned “we are all humans” speech written by Rick Remender in an apparent stab at “colorblindness.”
Instead of taking to heart the critiques directed toward him, though, Remender seemed intent to “prove his point” via a debate between two of the book’s mutant characters, Rogue and the Scarlet Witch (Wanda Maximoff). But don’t let the cover fool you. This may have been intended to read like a battle of wits, but Remender neglected to arm either combatant.
D. Channsin Berry and Bill Duke’s much-anticipated documentary Dark Girls premiered on the Oprah Winfrey Network Sunday night, so let’s open the floor up for your opinions.
Following the discussion on Twitter, there seemed to be concern over the documentary touching on white men who entered relationships with black women, yet refusing to touch on issues related to white privilege very heavily.
White Men Discuss Their Attraction to African-American Women
In Dark Girls, hip-hop author and journalist Soren Baker, a white man who's married to an African-American woman, describes his early attraction to women of all races—and shares his father's reaction. Plus, another man in an interracial relationship discusses his wife's skin tone.
Henry Cavill as Superman in “Man of Steel.” Image via filmofilia.com
It’s not that surprising that the latest Superman movie, Man of Steel, had a, well, super opening weekend. With the hopes of fans of not just this franchise but an eventual Justice League movie for DC Entertainment to assemble, the collaboration between Batman producer Christopher Nolan, writer David Goyer and director Zack Snyder had to deliver, and well.
And it did, financially. Critically? That’s another matter entirely. When outlets like Newsarama, which are usually DC-friendly, give the film a 3 out of 10, that points to how split the opinions have been on this movie.
Racialicious is no different, as our panelists came out of their respective screenings feeling differently about it. Heavy spoilers under the cut.
Changez (Riz Ahmed) falls under the tutelage of Jim (Kiether Sutherland) in “The Reluctant Fundamentalist.” Image via IFC Films.
When Mira Nair set out to make a film about post-9/11 New York City, her aim was simple, though her approach was not. The India-born director already had several noteworthy titles under her belt, including 1991’s Mississippi Masala, 2001’s Monsoon Wedding, and 2006’s epic coming-of-age story starring Kal Penn, The Namesake — and yet, she was still finding trouble getting the industry behind her latest project.
“When I approached people with my idea, I was told that I would have to make the film at most for $2 million because I had a Muslim protagonist, and I should just shoot it in Rockaway [Queens],” she told the audience at a Tribeca Talks event opposite Bryce Dallas Howard at last month’s Tribeca Film Festival. “[So] I didn’t go to the studios. And the trouble is, we only think there’s one way. But there isn’t. There are many other ways. But they’re damned difficult.”
“I have this weird thing with rejection,” Nair continued with a laugh. “I just want to prove them wrong.”
Promotional poster for “Doctor Who.” Image via crimsontear.com
Calling this past season of Doctor Who uneven might be doing it a favor. Presented as two separate seasons marked by a change in companions for the Eleventh Doctor and capped by the prelude to the show’s 50th anniversary special in November, critiques of the show under Steven Moffat’s watch got louder than ever. That discussion, we hope, will only get louder when Doctor Who and Raceis released in August.
Edited by Dr. Lindy Orthia — who has published several academic works dealing with the shows including one on Who’s “inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination” — the anthology will feature more than 20 essays explicitly tackling several aspects of the show’s presentation (and, one presumes, lack thereof) regarding issues regarding racial issues.
Naturally, some people are out to silence her efforts before the book’s even released. Warning: Misogynist language just under the cut. Continue reading →
With today being the Memorial Day holiday in the U.S., I wanted to direct your attention to For Love of Liberty: The Story of America’s Black Patriots, a 2010 documentary that traced the journey of this country’s black veterans from the Revolutionary War up until President Barack Obama’s election in 2008.
In the nearly 8-minute clip above, co-writer and director Frank Martin offers some of the insight he gleaned during the making of the documentary:
One of the most shocking things I learned in this film was how the soldiers were treated when they came home,” Martin says. “We talk about Vietnam and how terrible it was when those of us who served in that war — not that I was in Vietnam, but was in the Navy at that time — when we were out of the service, we were told, “Don’t wear your uniform,” when you left the base. “Don’t put your uniform on. You’re not supposed to talk about your service.” You were not greeted as a hero. And we, to this day, continue to talk about how terrible it was, and it was terrible. But that’s how — that’s what happened to every single black soldier that returned from every single war that this country ever fought up and through Korea.
Hosted by Halle Berry and narrated by Avery Brooks, the film has been screened for the National World War II Museum, the Smithsonian and the NAACP, among others. Though originally aired as two 2-hour episodes, a special 9-hour edition is available that includes 3.5 hours of un-aired footage, along with a guide for using it for educational purposes. Below the cut, though, are two segments from the film, each featuring special guests reading service members’ accounts of the situation on the ground.
“It’s electric. It’s like March Madness. It’s that time of year where everyone’s just in it, talking about movies.
“I don’t want to be that ignorant American who comes over here and expects everyone to love it: ‘Oh, you got to love it because it’s hot over there. I want people to be excited about it because it really affects them.”
The trailer above offers a glimpse into not just the events leading up to Grant’s death, but the world he was trying to rebuild with himself, his mother (Octavia Spencer), his partner Sophina (Melonie Diaz) and their daughter Tatiana (Ariana Neal). One thing that did strike me from the footage so far: we’re going to get at least some interpretation of how the shooting was captured on video by witnesses, and the police response.
Fruitvale opens on July 26, which places it in a relatively slow week in the middle of summer blockbuster season. The only “major” film opening that week appears to be Hugh Jackman’s The Wolverine.According to Movie Insider, the other films of note debuting are the Cate Blanchett/Alec Baldwin/Louis C.K. project Blue Jasmine and Blackfish, a documentary that uses the story of a killer whale responsible for the deaths of three trainers to shed light on how orcas are treated in captivity.
CNN correspondents report live from Boston during the search for suspects in the Boston Marathon bombings. Photo by Chris Faraone.
It’s been nearly a full day since the marathon was bombed. A few dozen reporters from various news outlets mill around the Park Plaza Castle–a grandiose stone reception hall on the edge of Boston’s theater district that’s connected to a Smith & Wollensky steakhouse. Inside, race organizers and emergency workers have styled an impromptu relief center; runners and their families are dashing in and out, retrieving items they lost track of after two explosions ripped through Copley Square, just blocks from here. Others are collecting their medals, while a few people are discussing housing for the night with volunteers.
Outside, a cameraman from a local television station is waiting, patiently, for someone to come out wearing a race jacket or some other cue to signify the tragic dynamic. From what I can tell, the plan is for him to shoot video while his colleague–a female broadcaster dressed in business casual for street reporting–ambushes the subject at a vulnerable exiting moment. It’s wholly inappropriate, but this duo is determined. Their chance for a dramatic interview presents itself. A petite woman wielding a shiny marathon medallion exits the castle sobbing, with family members in tow. Her husband, an incredulous gaze over his face, intervenes: “Please–not now!?!” Continue reading →
Race, Culture, and Identity in a Colorstruck World