By Guest Contributor Alton Pitre, cross-posted from Juvenile Justice Information Exchange
Photo of the author.
I never chose to be raised by my grandmother in a South Central Los Angeles neighborhood filled with injustice, gang violence and police cruelty. This was my home and the kids on the block were my friends, many of whom eventually joined gangs. Being a native of this environment, I have seen many crazy things and have always felt like I was in the midst of a world war. I have countless friends who are either dead, in jail or doing nothing with their lives. Eventually, I became a victim of this society.
My first encounter with the police happened during my sophomore year in high school. I was leaving a childhood friend’s apartment with another friend when suddenly two Community Reform Against Street Hoodlums (CRASH) Officers trespassed and entered. Unfortunately, the friend leaving with me was already on their file as a gang member. Due to my personal photos on Myspace they knew who I was before meeting me face-to-face. I was arrested immediately. As far as I could tell, my crime was being with a friend in the vicinity of where we both grew up.
We were taken to Southwest Police Station and charged with a status offense, in this case trespassing. The police were able to do this because of a gang injunction law placed in my community of L.A. known as the Jungles. Gang injunctions are court-issued restraining orders against a gang that restricts one documented gang member from being with another within a defined geographic area. This allowed the police to summarily arrest any documented gang members who were together in a gang area. We were visiting, not trespassing. After that day gang unit cops harassed me wherever I went.
By Guest Contributor Ruth Hopkins, cross-posted from Last Real Indians
Heidi Klum, I’m so disgusted with you. I can’t even look at you right now.
I’ve been a fan of Heidi Klum’s show Project Runway since episode one. I’ve seen every single season. As a Native woman who loves fashion, I was elated when Taos Pueblo fashion designer Patricia Michaels was selected for the show, especially considering how Native appropriation has run rampant in the fashion industry over the past several years. Patricia made it to the series finale and finished as the season’s runner-up. Heidi was supportive of Patricia too. She complimented Patricia’s designs and showed what appeared to be sincere appreciation for Native culture.
As a result, I never could have imagined that Heidi Klum would promote redface. Nay, I was sorely mistaken.
By Arturo R. García
The campaign against derogatory team names “honoring” Native American communities saw another flashpoint over the weekend, as a group of protesters in Cleveland encountered one local baseball fan who saw fit to paint his face red and wear a “headdress” before the hometown team’s 2014 home opener.
As Indian Country Today Media Network reported, the protest was led by Robert Roche, a member of the Cleveland Native American Movement. At one point, he was approached by the other man, who identified himself as “Rodriguez” and insisted his attire was not racist.
Instead, he reportedly claimed it was “Cleveland pride.”
“My children are not mascots,” Roche told WEWS-TV. “Why is it okay to be racist, derogatory or stereotyping us as a race of people here?”
However, CleveScene reported that fans attending the game took the low road:
It’s actually a shame for the civil Wahoo supporters that their comrades put on such an embarrassing and primitive display this afternoon. Only twice in three hours did Pro-Wahoo folks talk politely with the protesters about the root of their opposition and try to explain their own difficulties with the dehumanizing logo. (One man turned his Wahoo hat around as a little peace offering).
For the most part, though, passers-by hurled insults. A handful of boozy risk-takers sporting “Keep the Chief” tees walked directly in front of those holding signs, to taunt. Others distributed individual middle-fingers to each protester while inviting them to fuck themselves. Others launched the familiar hate speech — “Go back to the reservation,” etc.
By Arturo R. García
This week, Comedian Pia Glenn’s Black Weekend Update webseries took aim at the new Nick Cannon album, White People Party Music, and Cannon’s attempts to both explain that he was “p*ssing people off” while it was “all in fun.”
“You want to p*ss people off? Congratulations.” Glenn says. “But when it comes to issues of race in America, some of us are trying to make change, not just urinate. And we can’t make change if your shenanigans pop up like an arcade token in my roll of quarters when I’m trying to do laundry and not here to play games.”
Thankfully, Glenn rounds up Cannon’s many misfires — and keep an eye out for Cookie Carter, as well.
By Arturo R. García
One of the arguments surrounding the #CancelColbert campaign has been that it has effectively given some white people “passes,” among them the target of the Stephen Colbert “Foundation” bit that inspired the tag in the first place, NFL owner Dan Snyder.
And that’s a fair point. But it’s also inaccurate to suggest that the campaign did not deal with “real racism.” Because, as we’ve seen over the past few days, a quite verifiable strain of hatred — at times veering into racism and misogyny toward activist Suey Park, as well as others discussing the issue — on the part of people who claim they’re not just defending Colbert, but comedy itself.
(Note: This post is image-heavy, with coarse and NSFW language under the cut.)
By Guest Contributor refresh_daemon, cross-posted from Init_
While writing my piece on the damaging effect of the #CancelColbert campaign, I have to admit that, like hashtag originator Suey Park, Jenn at Reappropriate andAngryAsianMan, I too felt that something was wrong with the actual satire made by The Colbert Report in the segment, especially when you consider, like Jenn and AngryAsianMan noted, that the Stephen Colbert persona has a history of going to anti-Asian racist satire. Then I realized that while the structure of the satire is mechanically correct, the satire from The Colbert Report in the piece doesn’t work because it doesn’t realize that the audience won’t find it wrong or offensive. (Trigger warning: Ethnic slurs quoted or used demonstratively below)
By Guest Contributor Keith Chow, cross-posted from The Nerds of Color
Yes, I am proposing that a major comic book institution change the race of one of its popular characters as it transitions to a new form of media. In this case, I want Marvel Studios to cast an Asian American actor to play the lead in the upcoming Iron Fist show it is developing for Netflix. It seems logical enough to me, though as always, there are fans who are urging Marvel to resist changing his race.
Now, I know the topic of cross-racial casting has come up time andtime again here at The Nerds of Color. And while there are a contingent of fans who don’t think such things matter — or worse, arevehemently opposed to such casting choices — I can’t help thinking that Iron Fist gives Marvel a chance to add even more diversity to its interconnected cinematic universe. Not to mention that this is a case where changing the race of the character has the potential to actually add layers of depth to the story of said character.