Top image from Transposes, by Dylan Edwards
In honor — or disbelief — of the fact that apparently people still watched “24″ this year, let’s remember Arturo’s struggle to grasp how this show can still have any fans after the turgid intercalary chapter in 2008 that saw Jack Bauer go to Africa.
By Special Correspondent Arturo R. García
… No, really, people watch this show every week? No wonder the Bush presidency lasted two terms.
24: Redemption is both set-up and appetizer for the show’s
incomprehensible fanbase, setting the table three years after the surely cataclysmic sixth season, which left Super Agent Jack Bauer (Kiefer Sutherland) on the lam and out of a job, what with his beloved Counter Terrorism Unit being disbanded.
As we begin this two-hour slice of Jack’s traumatic life, the former Republican role model is moonlighting in the fictional African country of Singala, helping out an old special ops buddy (Robert Carlyle) building a school/living shelter somewhere near the country’s border. Where these kids’ parents are, why this school is not co-ed, or staffed by anybody who’s not white, is never explained. The only other person at the camp is a slimy, United Nations worker. Of course the UN guy is French, and verbally fahrts in Jack’s general direction.
But never mind the kids or their harsh socio-political realities, Jack is emotional, man!
By Arturo R. García
In the midst of not only the fight to change the Washington D.C. pro football team’s name but the San Francisco Giants’ embarrassing display during “Native American Heritage Night,” This is a Stereotype couldn’t come along at a better time.
Billing itself as “a free and alternative narrative to addressing possible causes and effects of Native American stereotypes,” the project was inspired by Stereotype: Misconceptions of the Native American, an exhibition at the Museum of Contemporary Native Arts (MoCNA) in New Mexico last year by artist Cannupa Hanska Luger and furthered through the work of filmmakers Dylan McLaughlin and Ginger Dunnill. The film successfully raised just over $10,000 on Kickstarter this past August.
“It’s all about getting our voices and getting our faces and our images and our designs out there to challenge those stereotypes,” Native Appropriations’ Adrienne Keene says in the teaser above. “We’ve been so invisible for so long, and now we have a new opportunity through social media.”
Last month, the creative team posted that, in addition to conducting interviews for the feature, it had reviewed footage from communities including the “Nambé, White Mountain Apache, Ojibwa, Inupiaq, Shoalwater Bay, Yakima, Kiowa, Ohkay Owingeh, Coeur D’Alene, Lower Sioux,” among many others.
MoCNA is scheduled to host the film’s first screenings on Aug. 23 and 24. Two more teasers can be seen below.
[Top image via "This is a Stereotype" Facebook page]
[h/t Native Appropriations]
By Guest Contributor Kevin Wong, cross-posted from Complex
This week Bruce Lee made his HD debut on EA Sports UFC as a pre-order bonus — or, if you beat the game on Professional Difficulty, as an unlockable. The results, thankfully, are impressive. The developers have Bruce’s face and body structure down, but more importantly, they’ve captured his little mannerisms—the nervous tic where he rubs his nose, the stance when he lets loose with a signature punch or kick, and the scowl on his face when he approaches the Octagon.
UFC fighters, in their promotions of the game, have fallen over themselves to praise Bruce Lee. They speak reverently of him—he’s a childhood hero, an inspiration for how to lead one’s life, a warrior that all other fighters should aspire to. Dana White refers to him as the founder of mixed martial arts, and although this claim smacks of hyperbole, it has some merit. Bruce was someone who valued practicality over form—he disliked the traditional arts’ reliance on stances, believing that these things were too stiff, and thus, predictable. Instead, Bruce believed in Jeet Kune Do — the “Way of the Intercepting Fist.” It was a philosophy that encouraged formlessness — what was flexible and applicable in a “real life’”situation.
By Guest Contributor Lisa Hix, adapted from Collectors Weekly
Nichelle Gainer knows a thing or two about glamour: She spent most of her career working for magazines like Woman’s Day, GQ, Us Weekly, and InStyle, with a focus on celebrity, fashion, and grooming. But her true passion is fiction, so she decided to write a novel about black beauty pageants in the 1950s, partially inspired by one of her two glamorous aunts, who was a model in the 1950s—the other was an opera singer who rubbed shoulders with the biggest celebrities of her day.
Looking for newspaper articles on her aunt, she discovered a whole world of history that hardly ever bubbles to the surface: stunning, well-dressed African American stars celebrated in the black community, and sometimes even in the mainstream. Gainer put her fiction work aside to focus on these real-life stories.
Eventually, Gainer started a Tumblr and Facebook fan page, both called Vintage Black Glamour, full of gorgeous images that rarely make it into the public consciousness. While her novel went onto the back burner, her web sites drew the attention of a London publisher, Rocket 88. Gainer’s first book, a nonfiction coffee-table tome about women celebrities, Vintage Black Glamour, which will come out this September, can be preordered now.
We spoke with Gainer over the phone, and she explained to us the stories behind the photos she’s found, why glamour is important, and why Vintage Black Glamour will be more than just a collection of pretty pictures.
By Arturo R. García
The advocacy group Eradicating Offensive Native Mascotry (EONM), which has been involved in the ongoing campaign against the Washington, D.C. football team’s name, posted some disturbing footage last week of two Native Americans being accosted and forcibly restrained by members of the San Francisco Police Department?
Their apparent crime? Asking a baseball fan to show some sensitivity.
Since we took a look at Jenny Yang’s “If Asians Said The Stuff White People Say” yesterday, let’s revisit January 2012, when Latoya examined a similar vein of internet-based comedy that took on stereotypes from various communities.
By Latoya Peterson
So all this started with “Shit Girls Say,” which now has over 11 million views:
Created by Graydon Sheppard and Kyle Humphrey (and boosted by the star power of Juliette Lewis), “Shit Girls Say” went viral by taking a male perspective on common things “women” do and presenting it as humor. Internet forums filled with comments like “Omigod, all my friends do that” or “that is so me.” The sketch proved to be so popular, there are now three episodes, probably with more in the pipeline.
However, everyone wasn’t laughing at “Shit Girls Say.” Quite a few people noticed that the “girls” referred to in the top video were a certain type of woman, an experience that was not shared by all. Others noted that the humor that made the video funny was actually rooted in sexist stereotypes. Over at Feministing, Samhita explains:
While, I usually applaud men in drag, I can’t help but be critical of these characterizations of women. Are some of these stereotypes uncannily true? I’m sure they can be. But that’s the problem with stereotypes, it’s not about whether they are true or not, it’s that they are used to disempower people or deny them certain privileges. And I get that it is comedy, but it’s like the most boring and lazy comedy possible. You know, let’s make fun of girls cuz we already know everyone thinks they are dumb and annoying tee hee. These videos might as well be beer ads.
And Lynn Crosbie, writing for the Globe and Mail, notes:
Girls, or young women, who already speak largely in the interrogative and treat the world of men as another, completely inscrutable species, have enough on their minds already. They are already sexualized to the maximum. Must their every word be a potential joke?
Girls speak casually about inane things. Girls speak, too, about sexual violence and quantum physics. They talk about fear and art, children, murder and opera; philosophy, blood, sex and mathematics.
The Golden Notebook by Doris Lessing is also some stuff a girl said.