By Arturo R. García
Yesterday, Colorline’s publishers, Race Forward — formerly known as the Applied Research Center — released a two-part report covering both the common media mistakes when it comes to approaching race and the impact of racial justice initiatives looking to set the record right.
We’ll have a more in-depth look at Race Forward’s findings in a few days, but for now, here’s the great Jay Smooth with a video preview discussing one of the failings discussed in the report: media outlets’ tendency to talk about race in an individualistic fashion, rather than addressing the systems that enable it to thrive.
By Guest Contributor refresh_daemon, cross-posted from Init_Scenes
There Is a Problem
Every year, without fail, a report will show that the American entertainment industry has consistently underrepresented people of color on screen, both in character and by actor. Even when studies show that it is actually in the best interest of Hollywood to have more equitable representation, we do not see equitable representation on screen. This is true for film, network television, and cable television and not only in front of the camera at all levels, from leading roles to background actors, but also behind the camera, from the writers, to the directors, the producers, and all over the corporate structures that run the studios and networks to even the big money interests that fund them.
And it is not only a product of racism, but the inequitable representation of people of color, women, and other marginalized groups, actually contributes to and reinforces deep underlying systemic racism and other injustices not only in the United States, but also to any place where our entertainment products have reach.
And this is a problem.
By Guest Contributor Rajul Punjabi
The trailer for The Other Woman, a flick about the unlikely blossoming friendship of three women (Cameron Diaz, Leslie Mann, and Kate Upton) while they conspire against their mutually shared cheating man (Nikolaj Coster-Waldau), was released last week. Nicki Minaj is in it too, and a plethora of entertainment outlets are ablaze with blurbs about her non-animated silver screen debut.
One of my favorite headlines reads, “Nicki Minaj Stars in The Other Woman.“ Fun, right Barbz? Finally, her formal theatrical training and the scintillating possibilities of Minaj channeling one of her alter egos on the silver screen. But, as the preview reveals, she’s hardly the star of the movie. She plays a “sassy, outspoken, legal assistant” to Cameron Diaz’s power lawyer. She’s not even the side chick. She is the side chick’s sidekick.
By Arturo R. García
Phil Robertson of “Duck Dynasty.” Image via Facebook.
By now you’ve no doubt heard that reality “star” Phil Robertson of Duck Dynasty “fame” was suspended from the show — or, in snake-oil TV-speak, placed on “indefinite hiatus” — after glibly engaging in some concern-trolling homophobia in a GQ interview while painting his show and his family’s public embrace of its Christian faith as some sort of antidote for whatever it believes ails America.
But what hasn’t been reported nearly as widely is the amount of outright racially prejudiced statements Robertson also lets fly in the piece, which points to a bigger problem for A&E. The network has been all too happy to trade on Robertson and his family’s “good ol’ boy” brand. Now it has to deal with the consequences.
By Guest Contributor Aliyya Swaby
Residents of Colón, Panama, have been fighting to get the government to renovate their dilapidated colonial-era buildings, with little success. Images by the author.
In late September, I moved from New York City to Panama City to start a freelance journalism project. For two college summers, I had traveled in Latin American countries and did not see many people who looked like me.
In Ecuador, a friend told me I seemed more “French” than “Ecuadorean” black, because I wasn’t too aggressive. As I walked around Peru’s inland cities, men called out “Chincha,” the name of the predominately black coastal city.
I thought I would feel more comfortable in Panama, where the skin color gradient includes darker shades of brown. After all, my West Indian immigrant parents belong to the same diaspora as many Panamanian black people, whose ancestors were imported by the U.S. government as laborers on the Panama Canal.
But the reality is more complex. I recently found blogger BlackinAsia’s posts on being a black Westerner abroad, and immediately zeroed in on this quotation: “We inhabit a liminal space which is difficult to dissect, but that’s why a more nuanced analysis is necessary — with “Westernness” bestowing on us some privileges abroad (e.g. diplomatic immunity) rooted in the global power of our countries or origin, but our “blackness” leading to our oppression due to anti-black sentiments. We encounter and live both while abroad as black Westerners.”
By Arturo R. García
Just about three months after leading a discussion on #POC4CulturalEnrichment, activist Suey Park hosted another critical Twitter talk on Sunday with #NotYourAsianSidekick.
But this time, the impact spread beyond social activism circles. NYAS was covered not only on sites like Race Files and Angry Asian Man, but the tag trended so highly that Buzzfeed, the Washington Post and the BBC, among others, covered it. Park was also contacted for an interview with CNN anchor Don Lemon.
It also led to this image being circulated around Twitter and Tumblr:
“Even if the representation of women is changing in mainstream America, it’s not changing for Asian-American women,” Park told BBC News on Tuesday, and the segment as a whole is worth viewing. We’ll post Park’s CNN interview as soon as we can.
By Guest Contributor Marly Pierre-Louis
Photos courtesy of the author.
I was warned before moving to Amsterdam that there’s a term Dutch people use for kids which translates to “monkey.” They use it with all kids and it’s supposed to be a term of endearment. They literally have no context for why you can’t call a Black kid that. The thing is my son is exceptionally cute (just sayin’) and people are constantly cooing at him, especially older people. Sure, they’re all smiles and sweet sounds but are they in fact calling my son a monkey?! And if they are, what do I do about it? Curse them out in English? Memorize Dutch insults to sling at all offending grandmothers?
We were also warned that we should make sure to be vocal about our two-year-old not being involved with any Zwarte Piet celebrations at his daycare. Most schools not only have kids coloring in pictures of him but they may even consider having Sekani dress up as a Piet! Excuse my Dutch but WHAT THE F*CK!?
The Dutch are so adamant about their love for Piet that the indoctrination begins as early as daycare. When parents have tried to have their kids abstain from the festivities at school, it seems unfathomable to teachers who do everything from guilt tripping the parents, “Why do you want your child to be left out?” to turning the kid against their parents, “your mommy doesn’t want you to have fun.” I heard from a friend that a Black mother she knew went to pick up her daughter from school one day only to find her face painted Black. This is all problematic for so many reasons.
When Sinterklaas season began, I was fully preparing to go to war.
By Guest Contributor Marly Pierre-Louis
I’m an activist and, one way or another, wherever I am, I always find my way to movement work, or it finds me. So when my partner and I uprooted our lives in Brooklyn for him to pursue a job opportunity in Amsterdam, I was excited to get involved. I figured since we’d be living here for the indefinite future, might as well jump in the mix. What were the issues? Who were the oppressed? And what were they fighting for? I met with organizers and did my research. Initially, I was disappointed at what seemed like a lack of collective struggle and as a result a lack of movement work. I didn’t detect a culture of resistance. But surely there was conflict in a society that celebrated a figure like Zwarte Piet.
In fact, there’s been more activity than ever before concerning Zwarte Piet, particularly in the last couple of months. In the Dutch mythology, every year Sinterklaas, more of a religious figure than our Santa Claus, rolls through the Netherlands from his home in Spain. Accompanying him are his servants known as Zwarte Piets or Black Piets. These characters are white adult men and women with their faces painted Black, red lipstick, gold hoop earrings and a black curly wig. Zwarte Piet is clumsy, subservient and unintelligent; a regular coon. In October, Quinsy Gario, a prominent anti Zwarte Piet activist who was arrested in 2011 for protesting the Sinterklaas parade (Trigger Warning: Police violence) while wearing a T-shirt that read, “Zwarte Piet is Racisme (Black Piet is racism)”, publicly denounced Zwarte Piet on a popular Dutch talk show, as racist and hurtful. Dutch Twitter went MAD, and an ugly, racist underbelly of the worst kind was revealed:
(Trigger Warning for pictures under the cut)