Category: sexuality

May 31, 2013 / / announcements
May 21, 2013 / / arts & culture

By Arturo R. García

Charlie (Kim Ho) tries to find the words in “The Language of Love.”

If you’ve got a little less than 10 minutes to spare, the short film The Language of Love is worth your time, as 17-year-old writer and performer Kim Ho navigates young Charlie’s coming to terms with his own sexuality when asked to write an essay describing his best friend.

“What the f-ck is happening to me?” he gasps after confessing to the viewer how he really feels. “Like, my heart beats faster when he’s around. And I can’t think of anybody else. I don’t need that. Especially not in a French exam. But, I can’t help it. I can’t control it.”

The film was produced as part of The Voices Project, part of the Fresh Ink development initiative organized by Australian Theatre for Young People. Now in its’ third year, Voices began as a way with a stage show involving various monologues dealing with the subject of young love. Ho’s piece follows in that tradition; it began as a monologue and was adapted into film format after winning a competition.

The language in the film gets a little NSFW, but overall do give this a shot. The film, and a look at the making of it, are both under the cut.

Read the Post Short but Sweet: Kim Ho’s The Language Of Love

May 17, 2013 / / african-american

By Guest Contributor Janell Hobson; originally published at The Feminist Wire

Lauryn HillFifteen years ago, the stardom of then-23-year-old Lauryn Hill had peaked when she released what would become her defining musical legacy.  After rising to popularity as part of the hip-hop trio The Fugees, with fellow members Wyclef Jean and Pras, she later released her solo album, The Miseducation of Lauryn Hill, which went on to garner multiplatinum sales and five Grammy Awards for the recognizably brilliant singer-rapper.  Such accomplishments made her the first female artist to be nominated for and to win the most Grammys in a single night and her album the first hip-hop-themed work to win the Grammy’s top prize of Album of the Year.

Interestingly, the same year of Lauryn’s solo album debut, a 16-year-old who would later be known only by her first name – Beyoncé – also emerged on the pop scene when Destiny’s Child released their self-titled debut album.  And in a curious one-degree-of-separation of the two icons, Destiny’s Child’s collaboration with Wyclef on their song “No No No” led to the group’s first successfully released single, which topped R&B charts.

In retrospect, it seems easy to trace what would become a commingled narrative: one star rises while another one declines.  One star (Ms. Hill) presumably declined a starring role in the Hollywood faux-feminist blockbuster, Charlie’s Angels, while the other star (Beyoncé), along with fellow group members, provided the necessary “girl power” anthem – “Independent Women, Part I” – for the movie’s soundtrack.  One star virtually disappeared from the mainstream media while the other star appeared ubiquitously, covering every magazine from Sports Illustratedto Vogue to GQ to the feminist publication Ms.

One star proved a lyrical genius – rapping and crooning on politics, love, religion, and the resistance of corporate media – while the other preferred more superficial fanfare concerning clubbing, looking fabulous, and having her own money to spend as she fends off heartaches and trifling lovers, while occasionally championing women’s empowerment.  One star refused the pop-culture make-over, preferring instead to rock her natural hair and bask in her dark-skinned beauty, while the other has made a signature look out of blond weaves and other variations on white beauty standards that her light-skinned beauty can more easily appropriate.

Read the Post The Rise Of Beyoncé, The Fall Of Lauryn Hill: A Tale Of Two Icons

May 17, 2013 / / Retrolicious

Hosted by Tami Winfrey Harris and Andrea Plaid

Teyonah Parris walks in beauty like the night...which is probably why she wasn't on Mad Men this week.
Teyonah Parris walks in beauty like the night…which is probably why she wasn’t on Mad Men this week.

Since Tami, Womanist Musings’ and Fangs for the Fantasy’s Renee Martin, and I noticed the dearth of Black folks and other people of color in the episode, we had to compensate with the above photo of actor Teyonah Parris, who plays Dawn on Mad Men. In the meantime, we chat about Don’s continued dick-swinging and its bad aim. So y’all know how this goes: Spoilers and thangs.

Read the Post Retrolicious–Mad Men 6.7: “Man With A Plan”

May 10, 2013 / / Racialicious Roundtables

Hosted by Tami Winfrey Harris and Andrea Plaid

A Judas kiss, if we've ever seen one.
A Judas kiss, if we’ve ever seen one.

It’s a minute after Dr. King’s assassination, and the Sterling Cooper Draper Price gang are back to business as usual: Don does his usual dick-swinging; Pete fails in coming for folks far more grown than he; Roger Sterling goes after a woman young enough to be his daughter. And Joan and Peggy…well, check out what Tami and I, along with Renee Martin from Womanist Musings and Fangs For The Fantasy, said about those two, complete with spoilers.

Tami: Oh, Pete…naw! He was totally creeping on Joan. I think we all realize that Don Draper is a horribly broken human being, but what is it that makes Pete feel so much more objectionable? Is it just that he is soooo bad at being the alpha? Is it that his privileged disdain for most everyone seeps through in every interaction? You can just feel him feeling he is better than you. Is it that he rarely–save the occasional monologue on racial equality–shows a shred of human decency? The bank guy compliments Joan on being an effective CFO; Pete makes it about the man “wanting” her. Ugh.

Renee: For me part of it is that Pete is a rapist.  As bankrupt as Don is, he has never raped anyone.  Like Pete, Don has had his moments of basic human decency as well.  For me it comes down to how low each individual man is willing to sink.

Andrea: Renee, Don did use sexual coercion to make an ex-lover, Bobbie, get in line. So there’s that.

As for Pete…I think his leering is more along the lines of his always angling for a moment to lord something over someone than creeping on Joan specifically. Coming for Joan was his latest lording attempt. And, as you and I have discussed before, Tami, Vincent Kartheiser possesses that physical trait that creeps you the hell out: the baby head on a man’s body. (Cf: Leonardo DiCaprio.) So, Pete looks like a 12-year-old trying to get shitty with grown-ass Joan. As always, my reaction to Pete’s attempts is, “Really?”

An object lesson of what happens when you try to come for grown folks.
An object lesson of what happens when you try to come for grown folks.

Read the Post Retrolicious–Mad Men 6.7: “For Immediate Release”