By Arturo R. García
By Arturo R. García
Transcript courtesy http://www.washingtonpost.com/news/post-nation/wp/2015/06/26/transcript-obama-delivers-eulogy-for-charleston-pastor-the-rev-clementa-pinckney/
Giving all praise and honor to God.
The Bible calls us to hope, to persevere and have faith in things not seen. They were still living by faith when they died, the scripture tells us.
They did not receive the things promised. They only saw them and welcomed them from a distance, admitting that they were foreigners and strangers on earth.
We are here today to remember a man of God who lived by faith, a man who believed in things not seen, a man who believed there were better days ahead off in the distance, a man of service, who persevered knowing full-well he would not receive all those things he was promised, because he believed his efforts would deliver a better life for those who followed, to Jennifer, his beloved wife, Eliana and Malana, his beautiful, wonderful daughters, to the Mother Emanuel family and the people of Charleston, the people of South Carolina.
by Kendra James
There was a lot of good discussion on racial comedy at last night’s panel featuring Arun Venugopal, Desus Nice, Crissle West, Jeff Yang and Guy Branum and we’ve summed a good deal of that up in our Livetweet Storify below. The panel was broken up into sections with each new topic introduced by a different video or comedic soundbite, and everything was going along swimmingly with very thought provoking (and hilarious) banter tossed back and forth between the participants.
It was during the Q&A that things got, as one might say, quite real after a discussion about Sarah Silverman’s use of blackface on her Comedy Central show. A realness which made for the highlight of the evening as West was forced to keep it all the way 100 with an audience member who really did try it. The exchange can be found around 1hr 19min in in the livestream link, but also transcribed in part below:
Audience Member: My name is Alan Rich, I’m a discrimination lawyer … Crissle, one thing that you said about Sarah Silverman– I get the impression that you take her work at face value. And I think that so many comedians who are really funny — I don’t think that she’s making fun of black people in any way shape or form about black people when she does blackface. Because those of us who know the history of blackface is that not only white people did blackface, black entertainers had to do black face to get jobs.
Crissle: Wow, so you have to be really white to make that statement. That is just the whitest thing–
Audience Member: It’s a comment about how ridiculous we as a society can be.
Crissle: Can we not? I’m really not about to do this.
Audience Member: I’ve never walked out on Paul Mooney, so you have to give me a pass.
Crissle: And you’re a discrimination lawyer? Holy God. Sooo… I’m gonna go ahead and address that by saying first of all that I can absolutely say that you’re racist for being a white woman in 2014 or whenever it was that she did this to put in blackface and go on television. Yes I can absolutely call you racist for that. you know the history behind it and you did it anyway. That is racist. I can say that. I’m a black woman, I’m gonna just go ahead and take my word over yours on that. That’s racist. And I don’t like her for it.
Audience Member: [Sic] Tell her! But you don’t know her. You don’t know what’s in her mind.
Crissle: Where is my access to Sarah Silverman? I don’t have to know her– I don’t have to know what’s inside Sarah Silverman’s head. I’m looking at her actions because her actions are what she’s presented to me. She didn’t put put a book called Sarah Silverman’s Diary here read my innermost thoughts and see how I came to these fuck ass conclusions that I have here today. She got on TV in blackface and decided that that was funny and it was not. And you as a white man trying to tell me that my feelings are invalid because I don’t know her is a crock of shit … and that’s why I get on my show every week and say what I need to say because white people like you feel like you have a goddamn point.
Panel Q&A sessions can be difficult for anyone with Acute Second Hand Embarrassment Syndrome (ASHES, in my opinion the worst kind of ashiness a Black person can get), so I really appreciated how the situation was handled. Plus, having only just started listening to West’s podcast The Read (which she records alongside Kid Fury) about a week ago, I felt particularly privileged to be able to hear her give a Read live and in public.
It is a nonnegotiable fact in my life that white people in blackface constitutes a racist act. Context, intent, the word ‘subversive’, and the names Tina Fey and Sarah Silverman do nothing to change my mind in that regard. Context and intent don’t change the fact that there comes a time in every Black parent’s life where, for instance, they have to do something like sit down and explain to their children why there are radically different pictures of Black celebrities such as this,why one image is better and more appropriate to imitate and aspire to, and why such a beautiful woman was forced to allow herself to be treated as such.
I suppose things are funnier when you have the luxury of skipping conversations like that altogether.
Colour commentary aside, WNYC and The Greene Space hosted a great night for us and all in attendance for their continuing Micropolis series. Readers of The R can look forward to another livetweet from the space next week when we head back to cover a live recording of Tracy Clayton and Heben Nigatu’s podcast “Another Round,” which will also feature The Butter editor Roxane Gay.
By Tope Fadiran
It’s hard out there for white men on college campuses. At least, that’s what American media would have us believe, given its coverage of the current controversy swirling around Dr. Saida Grundy, a Black scholar recently hired (effective July 1, 2015) by Boston University as an assistant professor of Sociology and African American Studies.
In reality, the way in which Dr. Grundy has been unceremoniously shoved into the spotlight proves the exact opposite: Black women on our campuses, even those who have reached the highest levels of educational achievement, are political and cultural targets simply for existing. There is no other explanation for the fact that this all began with a white man whose response to Grundy’s hiring was to go in search of something he could use to undermine her intellectual and professional standing.
Rev. Dr. Jacqui Lewis: [Black pathology] has two causes: one is institutionalized racism, and we just have to admit that America was built on a fault line called race, and that thing is cracking wide open. So, all of these are symptoms of that. Some of them are that we internalize the narrative. And I think the other thing, you were pointing to a little while ago, is that somehow it makes us feel like we have more power, if it’s ‘our stuff’ — we’ve got more power to examine it, to fix it. But I think the bottom line is, this isn’t at all about Black pathology; it is about racism in America, which is in fact, pathological.
This story is best read with the appropriate musical accompanyment:
ONE YEAR BEFORE EPISODE SEVEN
It was a momentous occasion. The sight of John Boyega in the first moments of the teaser for “Star Wars Episode VII: The Force Awakens” was a victory — a much-needed statement after the parade of racist caricatures that haunted the series’ three prequels, and a sign that director J.J. Abrams could really be on the right track toward blunting the memory of Jar-Jar Binks from fans’ minds.
But Boyega’s appearance also caused an ugliness to stir from within the Internet’s own hives of scum and villainy — comments sections and the most basic of Twitter accounts — from people who are apparently ready to believe in 7-foot wooly smugglers, diminutive green mystics and swords made of light that are drawn from a person’s connection to an all-encompassing universal essence, while being aghast at the thought that a member of a galactic military brigade can be Black.
As The Mary Sue reported, just seeing Boyega was enough to scare people. Consider these no-doubt well-adjusted individuals:
These bros are apparently freaking out because Boyega appears wearing Stormtrooper armor. This ignores the fact that Jango Fett, the bounty hunter who provided the blueprint for the original troopers, was played by Temuera Morrison, who is of Maori, Irish and Scottish descent. These “fans” also forgot that the actor who played the young Boba Fett, Daniel Logan, is also Maori.
As The Atlantic points out, there’s also an in-canon reason for Boyega to play a Stormtrooper (that is, unless his character is just posing as one):
Even if Morrison and Fett (and all of his clones) choose to pass as white, by the time of the events of “Episode IV: A New Hope,” the Empire has been recruiting from general populations for years. That’s why it makes sense that a young Luke Skywalker, lured by a galaxy larger than the humble moisture farm he calls home on Tatooine, dreams of enlisting in the Imperial Navy.
Luckily, Boyega himself is handling things just fine, going by this Instagram post over the weekend:
On the plus side, we now have an idea of how comments section racists are going to react whenever Lupita Nyong’o appears in any of the Episode VII trailers: