By Guest Contributor Anoosh Jorjorian
When I was 13 years old, my best friend introduced me to Doctor Who. Growing up as a brown girl in a predominantly white neighborhood in Sacramento, people would ask me, “What are you?” When I explained that my family came from Armenia and the Philippines, I might as well have said they were, like the Doctor, from the planet Gallifrey in the constellation of Kasterborous. The show played perfectly to my fantasies of escape into wider possibilities. Yes, funny smart man with your English accent, please whisk me away in your blue box as far in space and time as I can get from 1980s Northern California.
Nearly two decades have passed since I first watched the show, but on the occasion of its 50th anniversary, to my eyes, the show looked a bit… like 1980s Northern California. “The Day of the Doctor,” the episode marking the special occasion, was simulcast globally in 94 countries, an official Guinness World Record. So why was so little of the world in it? I had expected the diversity of the audience to be reflected on the screen, but instead the episode seemed Anglo in every dimension.
I monitored #DoctorWho50th on Twitter but couldn’t find many people of color livetweeting the simulcast. The few that did seemed to have “the feels” like everyone else. No one mentioned race. With Matt Smith’s tenure in the title role ending on Wednesday, I turned to Facebook to find more Whovians: friends, friends-of-friends, and strangers, mostly Americans, mostly people of color. What did they think about the whitewashed “Day of the Doctor”?
By Guest Contributor Hana Riaz, cross-posted from Media Diversified
Participants in the upcoming exhibition, ‘A Different Mirror.’ Images and video by Martyna Przybysz.
Earlier this summer, my beautiful then five-year-old Nepali nieces sat with me in our garden enjoying the warm and easy sun. What started as a conversation about what happens to melanin when it finds home in all that glorious vitamin d, looking at our skin browner than it’s winter shade, turned into a difficult conversation about race, gender and diaspora.
One of them began to talk about wanting white skin and blonde hair, and what she would do if she had it. Whilst her twin sister disagreed, responding fervently that she actually liked her brown skin and her black hair, I needed to know what exactly had triggered the other’s denigrated thinking. Her answers, however, were unsurprising – a consequence of not only the (gendered) shadeism (and anti-blackness) that holds dominance in Asian communities but her experiences as a brown girl in a white supremacist society.
Upon my questioning, she responded with a resolute and yet strangely logical answer:
but everybody on TV is white and all the nice people are blonde. Nobody wants to be brown.
There was nowhere she could really see herself.
By Arturo R. García
Just about three months after leading a discussion on #POC4CulturalEnrichment, activist Suey Park hosted another critical Twitter talk on Sunday with #NotYourAsianSidekick.
But this time, the impact spread beyond social activism circles. NYAS was covered not only on sites like Race Files and Angry Asian Man, but the tag trended so highly that Buzzfeed, the Washington Post and the BBC, among others, covered it. Park was also contacted for an interview with CNN anchor Don Lemon.
It also led to this image being circulated around Twitter and Tumblr:
“Even if the representation of women is changing in mainstream America, it’s not changing for Asian-American women,” Park told BBC News on Tuesday, and the segment as a whole is worth viewing. We’ll post Park’s CNN interview as soon as we can.
By Arturo R. García
Fitz (Tony Goldwyn) and Rowan (Joe Morton) have a heart-to-heart, of sorts, in “A Door Marked Exit.”
Oh, there was another episode left?
Well, why wait ’til Monday, then?
SPOILERS UNDER THE CUT
By Guest Contributor Marly Pierre-Louis
I’m an activist and, one way or another, wherever I am, I always find my way to movement work, or it finds me. So when my partner and I uprooted our lives in Brooklyn for him to pursue a job opportunity in Amsterdam, I was excited to get involved. I figured since we’d be living here for the indefinite future, might as well jump in the mix. What were the issues? Who were the oppressed? And what were they fighting for? I met with organizers and did my research. Initially, I was disappointed at what seemed like a lack of collective struggle and as a result a lack of movement work. I didn’t detect a culture of resistance. But surely there was conflict in a society that celebrated a figure like Zwarte Piet.
In fact, there’s been more activity than ever before concerning Zwarte Piet, particularly in the last couple of months. In the Dutch mythology, every year Sinterklaas, more of a religious figure than our Santa Claus, rolls through the Netherlands from his home in Spain. Accompanying him are his servants known as Zwarte Piets or Black Piets. These characters are white adult men and women with their faces painted Black, red lipstick, gold hoop earrings and a black curly wig. Zwarte Piet is clumsy, subservient and unintelligent; a regular coon. In October, Quinsy Gario, a prominent anti Zwarte Piet activist who was arrested in 2011 for protesting the Sinterklaas parade (Trigger Warning: Police violence) while wearing a T-shirt that read, “Zwarte Piet is Racisme (Black Piet is racism)”, publicly denounced Zwarte Piet on a popular Dutch talk show, as racist and hurtful. Dutch Twitter went MAD, and an ugly, racist underbelly of the worst kind was revealed:
(Trigger Warning for pictures under the cut)
By Arturo R. García
There’s a lot to root for in Marvel’s new Ms. Marvel series, which is already garnering buzz for starring a Pakistani-American Muslim teenager in her own solo series.
But, the book won’t formally launch until February 2014, which opens it up to a recurring problem with Marvel: history shows that the company’s efforts stop at gathering that buzz when it comes to its young superheroes — particularly those of color.
By Guest Contributor Jenn, cross-posted from The Nerds of Color
I don’t mean the zombie survivors. I mean the zombies.
Ironically, The Walking Dead is pretty racially diverse compared to other zombie movies in the genre. Remember Zack Snyder’s Dawn of the Dead remake? There are, in that case, two sole surviving Black men, although one (Mekhi Phifer’s Andre) is singularly stupid. Meanwhile, there are no other notable characters of any other race or ethnicity among the survivors. And how about 28 Days Later ? Sure, the main female protagonist is a Black woman (Selena, played by Naomie Harris ), but why is she the main cast’s only character of colour despite the fact that London boasts a 20% Black and 20% Asian population . In fact, most zombie movies are typically populated by an almost all-White (with a token or two) surviving cast; against this backdrop, I’m relatively pleased by the racial diversity of The Walking Dead, One-Black-Man-At-a-Time rule notwithstanding (more on this later in the Walker Week).
But, here’s my gripe: where the heck are all the zombies of colour?