Category Archives: race & publishing

Why Being a POC Author Sucks Sometimes

By Guest Contributor Ellen Oh, cross-posted from Hello Ello

When I do my diversity presentation for high schools, I open with this chart:

It’s an immediate attention grabber. Why? Because this highlights the gap in diversity of caucasian and POC authors. This is an informal survey taken by author Roxanne Gay that breaks out authors reviewed by the NYT in 2011 by race. Nearly 90% are caucasian. This by no means shows a complete breakdown of publishing. But I would venture to say that a more accurate number of published books might even further compound the gap between caucasian authors and POC authors.

Continue reading

An Interview With The Creator Of Public Shaming

by Joseph Lamour

PS_blur2

I find it interesting what people think is completely normal to share publicly over the Internet.

I find it interesting what I think is completely normal to share publicly over the Internet. For some reason, in 2009, I thought it was completely fine to post several pictures of myself on Facebook rolling around a luxury hotel bed in a short, terry cloth robe.

The web is a hub for over-sharing nowadays, whether its racy pictures or racist statements. Lately, more and more people, famous or not, get called out for the things they say. This is where Public Shaming comes in.

Public shaming on the Internet is now more popular than ever. The boom in the usage of social media has heightened the way people express themselves, whether it’s asking their followers to help them choose a new pair of sunglasses, photographing what they ordered for dinner, or relating their thoughts on a current news story or hot-button issue. The unspoken etiquette of social media is loosening, and what results sometimes are some eye-opening statements; these statements  feed off of each other and have a tendency to escalate into unsavory situations. Twitter, Reddit, and Facebook have played a role in every big news story so far this year, but they also have aided in rampant misinformation.

In addition to the comments of the misinformed, the insensitive, rude, and racist things people say have been plucked from the Internet and spotlighted by sites like Buzzfeed, The Huffington Post, and even Time. But, is pointing out the bigotry of others in this way helpful, or is it harmful, town crier-esque entertainment?

With all of this in mind, I sat down for a chat with the creator of the aptly named Public Shaming, a blog whose sole purpose is to find problematic tweets and post them publicly for Internet posterity.

Screenshots of offensive tweets are under the cut. They all come with a **TRIGGER WARNING.**

Continue reading

Racist Things Steampunks Are Not Immune To: Looking For Other People’s Hurt To Be Offended By

5436985592_f057e4c25e

Image Credit: Zyllan Fotografia.

 

By Guest Contributor Jha; originally published as part of the series “Racist Things Steampunks Are Not Immune To” at Silver Goggles

So, this morning I woke up to two emails about the exact same thing: Some nonsense-filled thread talking about “how to not offend people” when it comes to multicultural steampunk. And a cursory glance through the emails proved to me once more how impossible it is to talk to white people who don’t want to change their minds about what offensiveness is and what not to do.

While I am certainly pleased that there are people who are aware of the racial implications of what they do–even in some fuzzy way that they can’t articulate–I am also aware that there are a ton of people, shall I say, “looking for offense,” or rather, the chance to be aghast by some perceived limitation of their actions and options. There are white fans of steampunk who will set up strawman arguments about how fans of color actively look for offense (e.g. racism and appropriation), so much so that other poor folks are walking on eggshells every time they move.

“I can’t wear a pith helmet,” they will whine, “because then it would be colonialist and thus offensive!”

“I can’t wear a kimono,” another set will whine, “because then it would offend Asian people!”

“I can’t incorporate gypsy styles,” some more will whine, “because then I’d be accused of appropriation!”

Can we even consider the absurdity of these statements?

The Racialicious Entertainment Roundup 1.12-18.13

By Arturo R. García, Kendra James, and Joseph Lamour

Samuel L. Jackson (l) and Quentin Tarantino. Photo via Film Buff Online.

Golden Globe Awards: I didn’t enjoy my Django Unchained viewing experience. Just putting that out there before I admit that, while I generally find Quentin Tarantino to be in extremely poor taste, I think he’s a great screenwriter. Reading his screenplays for Pulp Fiction and Jackie Brown (two movies I don’t actually enjoy watching) were a much-needed respite in the first film class I took in high school. While I haven’t read the screenplay for Django yet, I don’t doubt it’s any less well written than his others and, for that reason, I didn’t have any problem with him winning the Golden Globe for Best Original Screenplay last week …

… until he went backstage and pulled a Typical Tarantino, dropping the N-word 30 seconds into his press conference much to the discomfort of every other sensible person in the room.

Mr. Jackson, come get your boy.–KJ
Continue reading

Breaking The Barrier: On Race, Gender, And Junot Díaz

By Thea Lim, cross-posted from The Millions

Junot Díaz’s This Is How You Lose Her

A few weeks ago, in the The New York Observer, Nina Burleigh threw down the notion that the enormous success of Junot Díaz’s This Is How You Lose Her is undeserved. Díaz is beloved not because he is a great writer, Burleigh argues, but because Díaz is a man, and a man who delights us with tales about dashing players and their hapless women victims:

Is it the wars, the terrorism, the recession, driving the longing for a regenerated machismo that Mr. Díaz’s multi-culti cred makes acceptable again? Is it a feminist backlash?…Mr. Díaz’s wondrous bewitching of prize committees comes at a time when women writers remain wildly underrepresented in publishing, on both the reviewing and the reviewed side.

And on Twitter, multiple women writers I respect and admire, like Roxane Gay and Elliot Holt gave Díaz his due, but went on to say that Díaz’s style of confessional writings about love would not fly if written by a woman.

Normally, I’d be all over this kind of thing. I love talking about the lack of gender equity in publishing (in fact, I did for Bitch Magazine this summer). But I can’t agree that Díaz’s success is gender-based; because, yes, Díaz is a man, but he’s also a man of color. Critics who say that Díaz would not receive the same warmth if he was a woman are overlooking the factor of race.
Continue reading

Racialicious Crush Of The Week: James Earl Hardy

By Andrea Plaid

James Earl Hardy. Photo Credit: Sylvester Q. Courtesy of the interviewee.

Award-winning author James Earl Hardy mentioned that quite a few people may have seen his best-selling book, B-boy Blues, outside of college classrooms–where it’s required reading in African American/multiculti lit and queer lit courses–and bookshelves: actor Isaiah Washington, who plays one half of a same-gender loving (SGL) couple in Spike Lee’s 1996 flick, Get On The Bus, is a holding a copy of it.

Lit-checked in a Spike Lee movie? Such is Hardy’s swag.

After the jump is the interview, in which Hardy talks about the “One Superstar Person Of Color At A Time” mindset in publishing, Black masculinity in pop culture, and his writing a one-person play about a man of color who’s a porn star and entrepreneur. (You read that right.) Hardy also talks about Washington’s career-ending homophobic remark, made a decade after his role in Get On The Bus.

Jason Chu On The La Jolla Playhouse Controversy

Lyrics:
I hear “nothing’s more American than immigrating in
“Working hard is more important than the color of your skin”
But if that’s true, why are the faces that look like me
Always involved in takeout, kung fu, or exotic villainy?
I mean, we wear the same clothes and we do the same things
And we talk the same way – but it was never a real dream
For me to be Friends with Rachel, Joey, or Ross
And “Jason Chu” was not the answer to the question, “Who’s the Boss?”
Even on Cheers, where everybody was supposed to know my name
I never heard a Chu, Nguyen, Kim, Loke, or Chang
So I concluded that Asian faces are only right
If we’re talking about rice, or a high-tech device
I mean, I just saw the Dark Knight Rise
And I cheered every time that I saw an Asian face – twice
This is why we don’t win: the systems that we’re in
If we build separate communities, we’re viewed as aliens
But if we try to play along, we have no hope of blending in
They’ll never let John Wayne be played by John Kim
But The Airbender was Noah Ringer, and Goku was Justin Chatwin
And the whole cast of Akira was gonna be played by white men
But I have never seen a role with a European name
Be filled by an Asian with the excuse “we cast for talent, not for race”
So the La Jolla playhouse can say anything they want
In the end, I don’t see action, so I conclude it’s just a front
For the same attitude that I’ve always seen out there
Because “color-blind” is just a nicer way to say “we don’t care”

Background here and here.

Why The Pretty White Girl YA Book Cover Trend Needs To End

By Guest Contributor Ellen Oh, cross-posted from Hello Ello

Graphic courtesy jillianaudrey.blogspot.com. For illustration purposes only.

Recently, there have been more Asians on TV than usual. This makes me happy because it is such a rare event. Spotting an Asian on TV always feels like trying to find Waldo. And when I do spot an Asian on TV or in the movies, I jump up and down and get overly excited, like I’ve spotted some rare species or mythical creature, like a unicorn or Big Foot.

So you can imagine my exuberance over watching the Knicks and Jeremy Lin. What’s not been so cool has been the media response to him. Lots of people have lots of opinions on him and race plays a huge factor in it all. Why? Because, like Asians on television shows and movies, Asian pro athletes are few and far between. Jeremy Lin’s performance is irrevocably linked to his race. He is considered an Asian “anomaly.” Let’s focus on that word “anomaly.” Meaning, “to deviate from the expected”–an irregularity. It is in this way that the media lifts up one man and backhands an entire race.

Asians have long been the silent minority in this country. It’s gotten so bad that when someone makes a racist remark toward Asians, they just shrug it off and make it seem like you’re the one making a big deal about nothing. Or they think it’s funny. Like a couple of white guys who think they are being clever by opening up a restaurant called “Roundeye Noodle shop” in Philadelphia. And then they are surprised when people get offended? The roots of that racist remark stem from Asians being called slanty-eyed chinks.  If anyone thinks “Roundeye” is not racist, you should come explain that to my youngest daughter who had the singular pleasure of being told by two boys in her class that her “small Chinese eyes” were ugly compared to her friend’s “blue round-eyes.” She was in kindergarten and only 5 years old. She cried for days. Words can scar you for life.

Continue reading