By Guest Contributor Brooke Binkowski, cross-posted from BrookeBinkowski.com
A rally at the U.S.-Mexico’s Otay border crossing Monday morning aimed to reunite families pulled apart by deportations.
By Guest Contributor Lisa Chiu, cross-posted from Juvenile Justice Information Exchange
For more than 25 years, the U.S. Department of Justice has given hundreds of millions in grants to states to reduce the overrepresentation of minority youth in the juvenile justice system, yet youth of color still appear in disproportionate numbers in many areas of the system.
According to data from the Office of Juvenile Justice and Delinquency Prevention analyzed by JJIE, black youth between the ages of 10 and 17 made up 17 percent of all children in that age group in 2010, but comprised 31 percent of all juvenile arrests, 40 percent of detentions, 34 percent of adjudications (guilty determinations), and 45 percent of cases transferred to adult criminal court.
The percentage of black arrests and adjudications has actually increased in the last 20 years. In 1990, black youth were 15 percent of the entire youth population, but they made up 27 percent of juvenile arrests, 33 percent of adjudications and 40 percent of detentions. The only area that saw improvement by 2010 was in transfers to adult court, where black youth comprised 49 percent of transfers in 1990.
By Guest Contributor Rama Musa, cross-posted from Global Griot
The city of Houston is buzzing with conversations about the social role of art in neighborhood revitalization.
On Dec. 3, 2013, the Texan-French Alliance for the Arts (TFAA) co-organized “Think Thank: Arts, Identity and Urban Revitalization” at the Rothko Chapel. On Jan. 24 – 25, Project Row Houses organized “Social Practice, Social Justice,” a two-day symposium on art as an agent of social justice.
These discussions prompted John Guess Jr., CEO of the Houston Museum of African American Culture (HMAAC), to ask, “[In the onslaught of gentrification], how do community-based arts organizations transform the behavioral change of the people, provide a space for transcendence, and offer scholarship for the spirit?” Houston’s Project Row Houses and Rebuild Foundation in Chicago are two nonprofits whose radical social art projects have benefited from, and served as the last frontier against, rapid gentrification in African American neighborhoods.
By Guest Contributor Marly Pierre-Louis
I’m an activist and, one way or another, wherever I am, I always find my way to movement work, or it finds me. So when my partner and I uprooted our lives in Brooklyn for him to pursue a job opportunity in Amsterdam, I was excited to get involved. I figured since we’d be living here for the indefinite future, might as well jump in the mix. What were the issues? Who were the oppressed? And what were they fighting for? I met with organizers and did my research. Initially, I was disappointed at what seemed like a lack of collective struggle and as a result a lack of movement work. I didn’t detect a culture of resistance. But surely there was conflict in a society that celebrated a figure like Zwarte Piet.
In fact, there’s been more activity than ever before concerning Zwarte Piet, particularly in the last couple of months. In the Dutch mythology, every year Sinterklaas, more of a religious figure than our Santa Claus, rolls through the Netherlands from his home in Spain. Accompanying him are his servants known as Zwarte Piets or Black Piets. These characters are white adult men and women with their faces painted Black, red lipstick, gold hoop earrings and a black curly wig. Zwarte Piet is clumsy, subservient and unintelligent; a regular coon. In October, Quinsy Gario, a prominent anti Zwarte Piet activist who was arrested in 2011 for protesting the Sinterklaas parade (Trigger Warning: Police violence) while wearing a T-shirt that read, “Zwarte Piet is Racisme (Black Piet is racism)”, publicly denounced Zwarte Piet on a popular Dutch talk show, as racist and hurtful. Dutch Twitter went MAD, and an ugly, racist underbelly of the worst kind was revealed:
(Trigger Warning for pictures under the cut)
By Arturo R. García
(Note: Video contains NSFW language toward the end.)
Actually, Cenk Uygur is wrong about one thing: not only is CNN’s Don Lemon aware of the NYPD’s “stop and frisk” program (or, as he insists on calling it, “stop, question and frisk”), but he sued a Tower Records store in 2001 after a security guard allegedly attacked him, thinking he stole a CD player.
But Uygur is correct in noting the alarmist tone in Lemon’s commentary on The Tom Joyner Show on Tuesday. And, it turns out, social activists and the Twitter communities caught that, as well — and brought that to light throughout the day.
By Guest Contributor S. Nadia Hussain, cross-posted from Hyphen Magazine
On October 8, Gregory Cendana, the Executive Director of the Asian Pacific American Labor Alliance (APALA) was arrested, along with two hundred other activists and eight members of Congress in our nation’s capitol. In photos from that day, he is seen being led away in handcuffs with a pride flag tied around his neck like superhero cape and a handwritten t-shirt — with the words “Not your Model Minority” scrawled on the front. Cendana is Asian American and his actions that day stood as a testament to the diverse communities that are impacted by the lack of immigration reform.
Immigration is often framed as an issue impacting mostly Latino populations. According to the Pew Hispanic Center — though the modern immigration wave from Latin America has made up 50% of US immigration, migration from Asia makes up a substantial 27%. Outside of Mexico, the leading countries of origin of immigrants are India, the Philippines and China. Asians make up 13% of the US undocumented population. The US Office of Homeland security estimates that as of 2009, the largest undocumented Asian populations are 270,000 immigrants from the Philippines, 200,000 from India, 200,000 from Korea and 120,000 from China.
According to NPR, Portland-based band,The Slants describes themselves “as one of the first Asian-American rock bands. Their music caters to an Asian-American crowd, they’ve spoken at various Asian-American events, and they’re proud of all of it.” But the group’s four-year effort to trademark its name has been bound up in discussions of what constitutes a racial slur and how derogatory words can be reclaimed. Band member Simon Tam says of The Slants’ battle with the U.S. Patent and Trademark Office:
They said because of our ethnicity, people automatically think of the racial slur as opposed to any other definition of the term. In other words, if I was white, this wouldn’t be an issue at all.
The term ‘slant’ means a lot of different things. And [the lawyer from the PTO] even acknowledged that, so [we asked], ‘Why did you choose to apply the racial connotations to this application, but you’ve never done that before in the entire history of this country? Why this case?’ And they said it was because I was Asian-American.
By Arturo R. García
On Saturday, thousands of immigrants and immigration advocates took to the streets across the country for the national March for Immigrant Dignity and Respect, a renewed call for U.S. lawmakers to stop dragging their feet on heavily-promised immigration reform. In San Diego, the event drew at least 3,000 people by police estimates, a mix of religious, labor, education and nursing groups from multiple communities.