At a time when most Americans were uninformed, misinformed, or simply afraid of Islam, Thomas…
This New York Magazine feature about the Big Brother-esque eye on the NYC Muslim community…
By Andrea Plaid
Considering last week’s foolishness, no thanks to Day Above Ground’s “Asian Girlz,” we need some pop-culture interruptions around here–and our anti-racism-and-pop-culture compatriots at Racebending helped out.
By Guest Contributor Shireen, cross-posted from Muslimah Media Watch
Last year, I got a call from a young cousin who informed me, with sheer glee, that the new One Direction music video featured a young Muslim in hijab. Those few seconds in the video that highlighted a giddy, veiled teenager were a breakthrough for young identifiable Muslimahs in the world.
I think this meant that I was supposed to embrace the boy band that I had successfully been trying to avoid. I must admit I checked out the video. OK, I can’t lie. I watched it on repeat about ten times. (It’s a catchy song). And yes, from 1:20 to 1:23 in the video may seem like young eager Muslimah pop fans have been well represented. No inferences of weakness, oppression and need of immediate liberation. There isn’t race. There isn’t creed. There isn’t blatant stereotyping of women; there is just 1D fangirling – which unites us all.
Good post today over at Muslimah Media Watch: Ramadan Mubarak everyone! For many years now, Muslimah…
By Guest Contributor Joyce Chen, cross-posted from Hyphen Magazine
When Mira Nair set out to make a film about post-9/11 New York City, her aim was simple, though her approach was not. The India-born director already had several noteworthy titles under her belt, including 1991’s Mississippi Masala, 2001’s Monsoon Wedding, and 2006’s epic coming-of-age story starring Kal Penn, The Namesake — and yet, she was still finding trouble getting the industry behind her latest project.
“When I approached people with my idea, I was told that I would have to make the film at most for $2 million because I had a Muslim protagonist, and I should just shoot it in Rockaway [Queens],” she told the audience at a Tribeca Talks event opposite Bryce Dallas Howard at last month’s Tribeca Film Festival. “[So] I didn’t go to the studios. And the trouble is, we only think there’s one way. But there isn’t. There are many other ways. But they’re damned difficult.”
“I have this weird thing with rejection,” Nair continued with a laugh. “I just want to prove them wrong.”
By Guest Contributor Leigh Patel, cross-posted from Decolonizing Educational Research
I was on Mass Ave. and Boylston yesterday when the bombs exploded. You’ve heard more than enough to add the details of what it felt like to be there: panic, chaos, helping, screaming, running, falling, being helped up, mass confusion.
As I’ve been feeling the adrenaline pulse its half-life through my veins, I’ve been thinking steady on the need to grieve. How very important it is for us to stop and to share in moments of trauma and loss with each other. Many of us had the supreme luxury to do just that, and the grieving will continue. But I believe our collective need to grieve, to feel difficult feelings, may actually contain some answers to the questions roiling in our heads and bodies. The need to grieve and our lack of ability to grieve may have everything to do with the cycles of seemingly more frequent and deeper violence.
Muslims face prejudice, but Muslims from the Caucasus face a particular kind of prejudice –…