Category: magazines

A 1960s promo shot of The Supremes, featuring Diana Ross, Florence Ballard, and Mary Wilson.

By Guest Contributor Lisa Hix, adapted from Collectors Weekly

Nichelle Gainer knows a thing or two about glamour: She spent most of her career working for magazines like Woman’s Day, GQ, Us Weekly, and InStyle, with a focus on celebrity, fashion, and grooming. But her true passion is fiction, so she decided to write a novel about black beauty pageants in the 1950s, partially inspired by one of her two glamorous aunts, who was a model in the 1950s—the other was an opera singer who rubbed shoulders with the biggest celebrities of her day.

Looking for newspaper articles on her aunt, she discovered a whole world of history that hardly ever bubbles to the surface: stunning, well-dressed African American stars celebrated in the black community, and sometimes even in the mainstream. Gainer put her fiction work aside to focus on these real-life stories.

Eventually, Gainer started a Tumblr and Facebook fan page, both called Vintage Black Glamour, full of gorgeous images that rarely make it into the public consciousness. While her novel went onto the back burner, her web sites drew the attention of a London publisher, Rocket 88. Gainer’s first book, a nonfiction coffee-table tome about women celebrities, Vintage Black Glamour, which will come out this September, can be preordered now.

We spoke with Gainer over the phone, and she explained to us the stories behind the photos she’s found, why glamour is important, and why Vintage Black Glamour will be more than just a collection of pretty pictures.

Read the Post Black Glamour Power: The Stars Who Blazed a Trail for Beyoncé and Lupita Nyong’o

October 23, 2013 / / ethnocentrism

By Guest Contributors C. Richard King and David J. Leonard

Image by Keith Allison via Flickr Creative Commons.

One would hope sport media outlets might take their civic duty to foster critical thinking, public engagement, and informed debated seriously. Their approach to the representations in Native Americans in sport suggest otherwise. Under the veil of fairness and balance, they opt to speak for, to be silent and to silence as preferred pathways.

When ESPN columnist Rick Reilly offered a defense of Native American mascots because the American Indians he knew did not have a problem with them. Flouting his whiteness and playing his privilege with little regard, he spoke for Native Americas. His word – his whiteness, his platform – made their words meaningful. His editors neither batted an eye nor cleared a space for Native Americans to express themselves.

In fact, Reilly misrepresented his key source, his father-in-law, who wrote a lengthy retort in Indian Country Today that noted he found the name of Washington D.C.’s National Football League team to be objectionable. Reilly still stood by his piece and neither he nor his publisher have offered a correction or an apology.
Read the Post Silence and Spectacle: How the Sports Media Sanctions Racist Mascots

February 8, 2013 / / Racialicious Crush Of The Week

By Andrea Plaid

Beyonce Knowles-Carter. Via wallpapersbest.net
Beyonce Knowles-Carter. Via wallpapersbest.net

I find myself increasingly defending someone whom I otherwise wouldn’t look around at or wouldn’t listen to: Beyoncé.

I haven’t converted to listening to her discography: To me, she sounds like every other Black female soloist in a Black church choir, so her voice–her timbre and melisma–isn’t unicorn-unique to my ears. In fact, I find it gratingly common because I heard so many women with her voice every Sunday from the age of five to my late twenties; Beyoncé just has a better production team.

And, as I’ve said on the R, her female-empowerment messages aren’t my feminism:

[S]ome of folks who see Bey as “girl power” may have never heard of Valenti or may even want to be bothered with her writings or what they perceive to be “white feminism” that she embodies. Bey is their feminist text and their idea–and ideal. And whatnot…On the real though, Bey is not my sort of feminism–and that’s not blasphemous to say. Then again, neither were the Spice Girls…or the Riot Grrls, for that matter. And I remember folks tripped on each of those pop-cultural “generations” of feminist representations, too, trying to figure out their effects on younger people.

Feminism is rather malleable as each generation figures out what it means to them, even when we’re fighting the same old battles.  Or because of them.

And let’s not forget Beyoncé now-notorious photo layout in French Vogue, which she said was an homage to “African queens in the past” and “African rituals”:

Beyonce Blackface 5

And I was quite happy to leave Beyoncé to her ideas about race pride and “girl power” with a genuinely heartfelt “bless her heart”…until Harry Belafonte came along.

Read the Post Racialicious Crush Of The Week: Beyoncé (With Shout-Outs To Tina Turner)

October 11, 2012 / / Meanwhile On TumblR

By Andrea Plaid

I have to admit it: as much as I loved seeing Octavia Spencer giving some serious 60s retro sexiness on the cover of Elle,

I would’ve loved to see Elle give more women of color some love for their “Women In Hollywood” issue.

But then, from what I gather, Spencer isn’t getting total cover girl respect: this gorgeous cover is only available to subscribers. If you pick up the November Elle from your local supermarket or newsstands, you’ll see Sarah Jessica Parker, not Spencer.

Quite a few Tumblizens aren’t even having it.

Read the Post Meanwhile, On TumblR: Octavia Spencer Snubbed At The Newsstands

August 16, 2012 / / books
April 23, 2012 / / everyday racism

by Guest Contributor Chris Rabb

Essence CoverToday I learned that Michael Bullerdick, the latest managing editor of Essence Magazine–a highly influential publication whose first issue published in 1970–inadvertently outted himself on social media recently by expressing extreme right-wing beliefs that counter the history and long-standing values of the organization where he was hired last summer.

What’s notable about this story is that Mr. Bullerdick is a white man. While he is not the first white employee to make headlines–as Ellianna Placas did when she became the first white fashion director–he is the first white person and first man to be the managing editor of this publication geared to Black female readers.

According to Richard Prince at Journalisms, Bullerdick was asked to leave after his posting habits on Facebook came to light:

In one screen shot, an April 10 posting is headlined, “No Voter Fraud, Mr. Attorney General?” touting a video by James O’Keefe, the conservative activist who worked with right-wing trickster Andrew Breitbart. The same day, Bullerdick shared a photo illustration of Al Sharpton headlined, “MSNBC Race Pimp.” Bullerdick also recommends material from the conservative magazine Human Events and the right-wing website townhall.com, from which Bullerdick posted “the Frequent Bomber Program,” an article about 1960s radical Bill Ayers. Bullerdick wrote, “Obama’s mentor and friend.”

The mismatch in values not surprising to me–even though I know very little about Bullerdick, personally. What I do know, however, is that Essence was acquired in 2005 by Time, Inc.–the largest magazine publisher in the U.S.–a corporate conglomerate that well understood the cumulative spending power of Black women.

In 2000, the Black owners of Essence sold 49% of this iconic company to Time. Why just 49%, you ask? Because by retaining 51% ownership of the company, they could technically say that Essence was still Black-owned (insert air quotes here).

The owners no doubt predicted that many Black readers and non-readers alike would condemn this choice as nothing less than “selling out” at the expense of an institution that, in the field of media and journalism, has provided an important outlet for Black women to express themselves in ways that corporate media was loathe to do both before 1970–and arguably even today–in many mainstream circles, despite a few notable exceptions. Read the Post How Can Essence Move Forward?

August 31, 2011 / / We're So Post Racial