Category Archives: latin@

Voices: March For Immigrant Dignity And Respect

By Arturo R. García

About 3,000 people attended the March for Immigrant Dignity and Respect in San Diego, Calif. All pictures by Arturo R. García.

On Saturday, thousands of immigrants and immigration advocates took to the streets across the country for the national March for Immigrant Dignity and Respect, a renewed call for U.S. lawmakers to stop dragging their feet on heavily-promised immigration reform. In San Diego, the event drew at least 3,000 people by police estimates, a mix of religious, labor, education and nursing groups from multiple communities.

In English: “Obama, where is the reform?”

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Meanwhile, On TumblR: Junot Diaz Goes Graphic Novel

"Nilda," from the upcoming deluxe edition of Junot Diaz's "This Is How You Lose Her." Image Credit: Jamie Hernandez via Entertainment Weekly.

“Nilda,” from the upcoming deluxe edition of Junot Diaz’s “This Is How You Lose Her.” Image Credit: Jamie Hernandez via Entertainment Weekly.

Y’all know we crush hard on author Junot Diaz around these parts. Well, this bit of news from Entertainment Weekly’s Tumblr makes us crush even harder: comics legend Jamie Hernandez (of Love and Rockets fame”) is reworking Diaz’s This Is How You Lose Her as illustrations for the upcoming deluxe edition.

If you’re a fan of one or both of these giants, then save your money now–the edition comes out October 31!

Meanwhile, On TumblR: “Serving Up Black Frida Kahlo Realness”

By Andrea Plaid

It’s the second time I’ve seen a photo like this.

One of my favorite Tumblrs, black beauty, featured photos submitted by Tumblrer Indigo, who dressed in an homage to legendary artist Frida Kahlo. (The headline comes from the caption she wrote to describe her picture.)

Serving Up Frida Kahlo Realness

She isn’t the only African-descended woman to get gussied up as the iconic Kahlo. Guest tweeter Minna Salami, a.k.a. Ms. Afropolitan, did a similar shoot back in March of this year:

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Image credit: Bumi Thomas Photography.

Not saying that it’s a trend or anything. I just find it really cool to see women of color are showing love to women artists of color like this, like speaking back to the elders with gratitude.

See what and who else we find cool at the R’s Tumblr!

Roundup: Reactions to Stop and Frisk Ruling

Stop-And-Frisk-650x430

 

Yesterday, federal judge Shira A. Scheindlin ruled that the stop-and-frisk policies of the New York City Police Department violate the constitutional rights of the city’s residents. (Read the full opinion.) While New York City Mayor Michael Bloomberg and his administration have cited stop-and-frisk as a key factor in decreasing NYC’s murder and major crime rates, data tells a different story and the tactic has long been criticized for its focus on black and Latino residents. What follows is a roundup of reactions to the ruling. Share more in comments.

The New York Times compiled a video of reactions to the judge’s ruling, featuring residents of Brownsville, Brooklyn. Says one young man, identified as Darnell Rose:

“It’s definitely a good thing. Definitely. Because I don’t have to walk and look over my shoulder and worry about, you know, undercovers running up on me, jacking me up, harassing me…I could be coming from the store, minding my own business or getting off of work and they just look at me and feel like, ‘Yeah, let’s get this guy right here.’ Like, hey buddy, what’s the problem? It’s uncalled for.”

I. Bennett Capers, wrote in a Times editorial:

MY husband and I are about the same age and build, wear the same clothes and share the same gender, but I am far more likely to be stopped by the police. This isn’t because I have a criminal record or engage in furtive movements. Nor is my husband a choirboy. Statistically speaking, it’s because I’m black and he’s white. [...] even if these practices were constitutional, they’re still a bad idea. Of course, one wouldn’t know that listening to Mayor Michael R. Bloomberg and other true believers, who insist that aggressive stop-and-frisks have reduced violent crime. But they’re wrong.

The most obvious reason is the brute numbers. For every 100 individuals stopped and frisked, only about 6 are arrested, often for minor offenses like marijuana possession. The success rate for finding a gun borders on the nonexistent: 1 in every 1,000 stops. In fact, purely random stops have produced better results. [...]

And there is a more important argument that isn’t captured by the numbers. Aggressive stop-and-frisks sow community distrust of the police and actually inhibit crime control, creating a generation of disaffected minority youths who believe that cops are racists. Read more…

In an insightful conversation on Branch, participants debated the merits of the ruling, with Al Jazeera producer Osman Norr offering:

“I think, taken together with Holder’s comments on mandatory minimums, the DoJ is starting to carve out a distinct position.”

Ta-Nehisi Coates recommends readers revisit the This American Life piece, “Is that a Tape Recorder in your Pocket or are you Just Unhappy to See Me,” about Officer Adrian Schoolcraft, who secretly recorded his supervisors telling officers to manipulate crime statistics and make illegal arrests:

 

 

Ira Glass: Adrian Schoolcraft says he isn’t exactly sure when, but at some point he had decided that it was important to document the orders that he was given that he thought were out of line. He recorded roll calls where officers were constantly being told to do more stop-and-frisks, even though it’s illegal to stop a random person on the street and frisk them without reasonable suspicion. In December 2008, a sergeant tells officers to stop-and-frisk quote, “anybody walking around, no matter what the explanation is.” He recorded Stephen Mauriello, the commander the 81st precinct– and the person Adrian Schoolcraft says really brought the hammer down for higher numbers– ordering the officers to arrest everyone they see. This happens in a couple of recordings, like this one from Halloween 2008.

Stephen Mauriello: Any roving bands– you hear me– roving bands more than two or three people–

Ira Glass: He’s saying “any roving bands of more than two or three people”– he’s talking about just people going around on Halloween night–

Stephen Mauriello: I want them stopped–

Ira Glass: I want them stopped–

Stephen Mauriello: –cuffed–

Ira Glass: –cuffed–

Stephen Mauriello: –throw them in here, run some warrants.

Ira Glass: –throw them in here, run some warrants.

Stephen Mauriello: You’re on a foot post? [BLEEP] it. Take the first guy you’ve got and lock them all up. Boom.

Ira Glass: You’re on a foot post? F it. Take the first guy you’ve got, lock them all up. Boom.

Stephen Mauriello: We’re going to go back out and process them later on, I’ve got no problems–

Ira Glass: –go back out and then we’ll come back in and process them later on.”

Adrian Schoolcraft: Yes. Yeah, what he’s saying is, arrest people simply for the purpose of clearing the streets.

 

The blog Civilly Minded wondered whether law enforcement should have their own version of the physicians Hippocratic Oath:

The physician’s oath — ‘First Do No Harm’ — is well known.1 It is also well conceived. A human being is a complex organism.  A physical intervention can have unintended consequences.  In the worst cases, the results of the intervention can be irreparable and even deadly.

The Hippocratic Oath is said to encourage rigor, honesty, and integrity among physicians, and helps ensure the minimization and justification of any adverse effects their work may have on people. Perhaps the police should swear to a Hippocratic Oath of their own. Read more…

 

Image Credit: The Guardian

Why Sebastien de la Cruz Should Be Respected and Protected

By Guest Contributor Nicole Guidotti-Hernandez; originally published at Feminist Wire

To be in proximity to any NBA franchise during a championship run, for lots of kids in our sports obsessed culture, is a dream come true, especially if you are from the city of San Antonio. That could be said for mini-Mariachi phenom Sebastien de la Cruz, who sang the national anthem yesterday for game 3 of the NBA finals. A former participant in the show America’s Got Talent, de la Cruz, in many ways, represents the city of San Antonio most perfectly. Of the 1.3 million people who call the city home, 27% are people under the age of 18 and 63.2% are Hispanic or Latino/a (2010). The Spurs or Los Spurs, as they are often affectionately referred to by their Hispanic fan base, are keenly aware of the diversity that makes up the city of San Antonio, the other major ethnic groups in the city non-Hispanic whites at 26.6% and African Americans at 6.9%. They have been successful at cultivating a fierce loyalty to the franchise that is mindful of these demographics. San Antonio is a huge Hispanic market hub that brokers commerce between the U.S. and Latin America, and the Spurs franchise intimately understands this, and goes to great lengths to have the city’s diversity and economic interested reflected in the city’s NBA team.

rs_293x473-130612175626-634._Sebastian_De_La_Cruz.6.12.13.JMDSo why are people outraged that 10-year old Sebastien de la Cruz sang the National Anthem in a Mariachi outfit? Simply put, because the figure of the Latino/a child citizen subject bounds with possibility, represents a position of vulnerability, and thus is a potential threat to the nation. Never mind that the city of San Antonio was part of the Spanish American empire until 1821, or that it was part of Mexico until the founding of the Republic of Texas in 1836, or that many of the individuals who fought for Texas Independence were Mexican. As hundreds of tweets referred to him as “the little Mexican kid” or the kid that “snuck in the country like 4 hours ago and now he singing the anthem” we see the vitriol and hatred that have become a response to the shifting demographics in this nation. Not surprisingly, many of the twitter haters were minorities or individuals with Spanish surnames, showing that there is a clear divide about immigration politics and minority communities. If people knew the history of San Antonio, and of Texas, they would know that Sebastien represents both the past and future of the state, one that is simultaneously American and basketball loving and yet tinged with a very real Hispanic past. This young man representing his multiple cultures and experiences were cultivated in U.S. schools, reinforced every time he says the pledge of allegiance, and takes the standardized tests required of school-aged children in Texas. So why is he any different? As the tweets suggest, he is brown, young, a threat, a potential criminal, and not worthy of protection. Instead, these rants against a Latino/a child represent the gendered and racialization of how moral discourses about childhood are not universal. Instead they are predicated on phenotypically ideas of belonging, whiteness, and gender. He is different, a child, and thus a vulnerable and easy target for hate speech.

As political scientist Andrew Rhenfield has argued, the UN Convention on the rights of Children demonstrated a need for “participatory institutions [to be] designed to further the interests of children, cultivate their political maturity, and mitigate the harm that giving power to the politically immature might cause.”[1] So while the UN policy is designed to protect the rights of all children, and hopefully foster their entry into planetary society as politically responsible and mature, one must state, that child citizen subject, Sebastien de la Cruz, as a brown Latino/a male child in the United States is not viewed as worthy of the same respect and protection because he, like other Latino/a children are viewed with suspicion. They are the focal point for all sorts of discourses about citizenship, be they the figure of the Anchor Baby, potential illegal immigrant, or undocumented children.

So while Sebastian sang his heart out on Tuesday night as a display of pride and the complex history in the making of San Antonio, others saw this as an assault on American values. Instead, I would urge the public to understand the social, political, and cultural factors that beautifully produced a moment like this at the Spurs game. They should also be reminded that the Harvard educated Mayor of San Antonio, Julián Castro spoke at the Democratic National Convention and has turned the city’s economy around. He, Sebastian, San Antonio, and the Spurs deserve our respect, even if we don’t agree with it, for they too represent some of the best things this country has to offer, past, present, and future.

 


[1] “The Child as Democratic Citizen,” 142

 

Quoted: The problem with “Devious Maids” goes far beyond Hollywood

The cast of Devious Maids via Lifetime

 

Six years ago, I had a deal with Lifetime Television to develop my bestselling novel, The Dirty Girls Social Club, as a TV series. It soon became clear that the relationship wasn’t going to work, when two executives insisted that my pilot outline “wasn’t Latin enough,” because it told of middle class, educated American women who happened to be Latina.

“This reads as if it were about me and my friends,” complained one executive in disgust.

I didn’t know how to respond, so I asked her what she’d prefer.

“Why don’t we make the girls debating whether or not to date men in prison? I know that’s what Latinas talk about, just like it’s what black women talk about.”

Right. Because all middle class, college-educated professional women talk about dating prisoners.

In her dreams.

I got out of that deal because of this idiocy, and never looked back.

It is not wrong to be a maid, or even a Latina maid, but there is something very wrong with an American entertainment industry that continually tells Latinas that this is all they are or can ever be.

My grandmother was a maid in Cuba; my biological grandfather was her employer. My father, never claimed by his bio-dad, was a janitor when he first began working in the United States, as a teen immigrant. My father went on to get his PhD, sort of a real-life Good Will Hunting, and became a leading sociologist. He raised me to believe in myself and my voice; I went to Columbia, and I’m a bestselling author Tom Wolfe called one of the most important social critics of our time.

We don’t see stories about people like me or my dad. Indeed, network executives say to my face that I don’t exist. That’s the problem.

Ten years ago, Mexican American actress Lupe Ontiveros lamented to the New York Times that she had been cast as a maid 150 times in her career. The astounding number of times this one (outstanding) Latina actress has been cast as a maid destroys Longoria’s defense of Devious Maids as “Latina maids deserving to have their stories told, too.” According to academic research on Latino roles in mainstream US film and TV, the maid is pretty much the only Latina story being told, other than seductress, whore, dying immigrant and gang member.

There is more to stereotyping of Latinas than laziness or lack of information.

– Alisa Valdes, “The problem with “Devious Maids” goes far beyond Hollywood” via NBCLatino, June 7, 2013

Why Can’t Black Women Claim Sluttiness, Again?

By Guest Contributor Laura K. Warrell

Black woman orgasm

In the June issue of Glamour magazine, spunky rock chick Pink declares herself a “reformed slut,” describing her brush with whorishness as an “unsophisticated” attempt at taking back her sexual power from men.

“I’ve always had an issue with [the idea that]: ‘Okay, we’ve both decided to do this,’” she says.  “‘Why am I a slut and you’re the player?  You didn’t get anything from me that I didn’t get from you.”

This “anything-you-can-do-I-can-do-better” attitude has been key to the burgeoning cultural narrative around slutdom, and it’s an attitude I’m mostly down with.  Still, I found myself bristling when I read Pink’s interview.  At first I thought my politics were offended: is Pink suggesting that sexual experimentation for women is a moral crime that ultimately requires “reform?”  But then I realized, as a black woman, what I was really feeling was resentment, even envy–what a luxury is has to be able to publicly declare her sexual independence without having to worry how the declaration might affect her credibility, career, or romantic prospects.

In recent years, scads of books and other commercial works of art have been tossed onto the pop-culture landscape by white women reminiscing about their “phases” of sexual promiscuity, often told from the comfort of their fulfilled, easy-peasy lives as wives and mothers.  In March, comedienne and NPR host Ophira Eisenberg published Screw Everyone: Sleeping My Way to Monogamy about banging everything in Manhattan with a bulge before settling down with her handsome, comic book-writing husband.  In 2010, Jillian Lauren published Some Girls: My Life in a Harem about kicking it with the Sultan of Brunei before marrying a rock star and adopting a cute kid.  And since 2005’s My Horizontal Life: A Collection of One-Night Stands, Chelsea Handler and many of her sassy gal pals have built thriving careers around being drunk and easy.  Then of course, we have the fictionalized slut phase Hannah braves through on Girls in order to bring her creator, Lena Dunham, cultural relevance and Emmy awards.

So why aren’t these stories by or about Black women?

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