Category Archives: latin@

Chicano Batman

Live From San Diego Comic Fest: Latino Comics

By Arturo R. García

Over the weekend I went to the third annual San Diego Comic Fest, which has pointedly positioned itself as the anti-Comic Con.

Specifically, the size of the event is kept manageable for vendors, presenters and attendees alike; no conference room holds more than 40 or 50 people at one time, allowing for a more relaxed atmosphere and easier conversations between panelists and their audiences.

One end result is, panels focusing on diversity don’t feel as lost in the shuffle. And the Latino Comics panel covered not only industry trends within Latin America, but the rapidly-evolving effects of Latinidad on the U.S.’ identity.

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Funny Business: The Racialicious Review of Cantinflas

By Arturo R. García

It was perhaps inevitable that Sebastian del Amo’s Cantinflas would fit Charlie Chaplin into the proceedings. Much like Richard Attenborough before him, del Amo finds himself needing to make room for not just a performer, but a singular persona.

And there are moments when it feels like a more introspective film wants to burst through amid the usual hagiography. But a few choices do make this take on Mario Moreno and his life’s work more interesting than the trailer would have you believe.

SPOILERS under the cut
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From Elle Magazine.

Who is Lucy Flores?

Midterms are coming.

Also known as the election years that most people don’t pay attention to, the midterm elections have an enormous impact on the lives of day to day people. Voter turnout tends to drop, but major political machinations happen while the sitting President is still in office.

This month, long time friend of the blog Rebecca Traister wrote a stunning profile of candidate Lucy Flores for Elle Magazine. Flores, the Democratic hopeful for Lieutenant Governor of Nevada decimates other political origin stories – she’s Mexican-American, one of 13 siblings, the child of immigrants, and former gang member. She turned her life around, started at community college, became a lawyer, and decided to run for office. She’s unapologetically pro-choice (and one of the rare candidates that will share her own story.) Domestic violence shaped her world – and her life experiences lead to a very pro-populist platform.

But what really gives Flores’ story bite is her unique position in politics – not only who she is, but what she represents for the Democratic party:

When a governor steps down in the state [of Nevada], the lieutenant governor, who’s not necessarily of the same party, assumes the post. Nevada’s current governor is the immensely popular Republican Brian Sandoval, whom Politico Magazine dubbed “The Man Who Keeps Harry Reid Up at Night.” That’s because many believe he’ll challenge the majority leader for his Senate seat in 2016, if, that is, the person who’d take his place is a fellow Republican: Flores’ opponent Mark Hutchison. Which makes Flores, to use Politico-speak, “The Woman Who Could Save Harry Reid’s Hide—and Keep the Senate in Democratic Hands.”

Go read it. Read it all.

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Murrieta’s Anger Toward Immigrants Comes From The Top

By Arturo R. García

Over the course of the past week, the face of the “ugly American” (or perhaps more accurately, the “angry ‘Murican”) has migrated. Usually these kinds of images are associated, for better or worse, with the politically Red states of the Midwestern and Southern U.S. But now Murrieta, California — a conservative enclave in one of the country’s more reliably Blue states — has emerged as the new face of modern xenophobia. And that reputation appears to have been cultivated from the top down.
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A Friendly Reminder About Cinco De Mayo [The Throwback]

With incidents like this one at the University of California-Davis still popping up, it’s painfully obvious that Cinco de Mayo brings out the absolute worst in some people.

So, in this special Monday Throwback from 2009, Arturo pokes a hole in the marketing piñata surrounding the occasion.

By Special Correspondent Arturo R. García, also Posted at The Instant Callback

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Continuing a semi-yearly tradition of mine since my days working at my college paper, just a few notes about today:

1. This is not Mexican Independence Day
Nope, that’s September 16th. 5/5 commemorates an unlikely Mexican victory over the French at the Battle of Puebla in 1862. The battle delayed, but did not stop, an eventual French occupation of the country, which lasted three years before it was toppled.

beerad12. This is not that big of a deal back home
Don’t let the beer ads fool you; 5/5 is a regional holiday, usually celebrated at the site of the battle. But, it’s nowhere near as big a deal as it is in El Otro Lado. Now, is that because of immigrant pride, or American corporate opportunism? That, I leave for you to decide. During my time working in local Spanish-language radio, the biggest sponsors for our Cinco de Mayo concerts were — you guessed it — beer companies. Banners everywhere, beer girls hawking their wares on the stage, booze selling like hot cakes in the fenced-off drinking area. I don’t doubt that at least some of the people who attended the events had their hearts in the right place, but the commercial aspect definitely got on my nerves when I thought about it.
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In His Own Words: Gabriel Garcia Marquez (1927-2014)

Solidarity with our dreams will not make us feel less alone, as long as it is not translated into concrete acts of legitimate support for all the peoples that assume the illusion of having a life of their own in the distribution of the world.

Latin America neither wants, nor has any reason, to be a pawn without a will of its own; nor is it merely wishful thinking that its quest for independence and originality should become a Western aspiration. However, the navigational advances that have narrowed such distances between our Americas and Europe seem, conversely, to have accentuated our cultural remoteness. Why is the originality so readily granted us in literature so mistrustfully denied us in our difficult attempts at social change? Why think that the social justice sought by progressive Europeans for their own countries cannot also be a goal for Latin America, with different methods for dissimilar conditions? No: the immeasurable violence and pain of our history are the result of age-old inequities and untold bitterness, and not a conspiracy plotted three thousand leagues from our home. But many European leaders and thinkers have thought so, with the childishness of old-timers who have forgotten the fruitful excess of their youth as if it were impossible to find another destiny than to live at the mercy of the two great masters of the world. This, my friends, is the very scale of our solitude.

Nobel Prize acceptance speech, Dec. 8, 1982

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Report: Customs officials held 40 ‘low-priority’ pregnant immigrants in one facility

By Arturo R. García

Despite designating pregnant undocumented immigrants as “low-priority” targets for incarceration, officials with U.S. Immigration and Customs Enforcement (ICE) imprisoned 40 pregnant women at a detention facility in Texas while claiming not to keep “specific records” on detainees’ pregnancy status, Fusion reported on Tuesday.

Records obtained via a Freedom of Information Act (FOIA) request showed the women were held at the El Paso Processing Center last year, following a January 2014 report that 13 pregnant women were being detained at the facility during a four-month period, despite ICE officially stating that they should not be placed in detention centers “absent extraordinary circumstances.”
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Quoted: The Nation On The César Chávez Hollywood Didn’t Show Us

America Ferrera (right) and Michael Peña as Helen and Cesar Chavez. Image via Philly.com

Cesar could be a brilliant strategist, a skill observable in agile, imaginative interaction with determined opponents, turning apparent weakness into sources of strength. But the film depicts him largely as a creature of impulse, committed to be sure, but not the brainy strategist who took special joy, as he put it, in “killing two birds with one stone…and keeping the stone.” He was a learner, a deeply curious autodidact who thrived on constantly probing diverse sources of information: books, people and experiences. When I met him in 1965, he was reading Churchill’s The Gathering Storm because, as a student of Gandhi, he wanted to learn how his opponent thought. The commitment to nonviolence was based both on his appreciation of Gandhi’s methods and the way in which the civil rights movement, and reaction to it, had been unfolding every day. But oddly, although a commitment to nonviolence was a condition for undertaking the strike in the first place, shaping the way it unfolded, the film portrays nonviolence as a reaction to events in the strike.

Events depicted as spontaneous in the film, such at the 1966 “perigrinación” from Delano to Sacramento, were, to the contrary, a result of sustained, careful planning. The “kick-off” was timed to take advantage of national media in town to cover Senator Robert Kennedy’s participation in hearings held in Delano, orchestrated by the labor movement. This “march” strategically linked efforts to promote the UFW’s first boycott, to deter farm workers from returning to Delano in the spring, to pressure then Governor “Pat” Brown to intervene on the UFW”s behalf and to rekindle the faith, hopes and solidarity of the 100 to 200 people at the core of the movement and their supporters. Cesar did not hear of RFK’s death while driving somewhere in his car—we had been in LA doing the “get out the vote” that won him the primary, and some of us were with him in the ballroom when he was shot, on his way to thank the farm workers for their help. Similarly, the “fast” was not a reaction to a few unruly farm workers, but a strategic tactic, backed with a team of organizers, of which I was one, undertaken at a key time in response to court actions alleging violent tactics, renewing commitment several years into the fight and drawing attention to the grape boycott in time for the new season. The creativity, organizational discipline and courage that produced the events depicted in the film is lost entirely in the incoherent jumble of what the film makers must have judged to be “dramatic moments,” which presented out of time, place or sequence are robbed of their real drama.

– From “Not the Cesar Chavez I Knew,” by Marshall Ganz