Category Archives: intersectionality/multiple marginalization

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‘Ahead of her time’: Yuri Kochiyama (1921-2014)

By Arturo R. García

Yuri Kochiyama, whose pursuit of social justice exemplified intersectionality as much as it did longevity, passed away on Sunday in California. She was 93.

“She was definitely ahead of her time, and we caught up with her,” relative Tim Toyama told NPR last year.

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In support of The #IAmComics Campaign

By Arturo R. García

The author’s submission to #IAmComics

If you’ll allow for a moment of first-person writing today, I’m happy and proud to announce that, in addition to being part of the team here at The R, I was asked to be part of We Are Comics, a new campaign created by longtime comics pro editor Rachel Edidin over the weekend to spotlight the fact that comics fandom extends far, far beyond the cis-het white male realm often attached to it.

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On Disability and Cartographies of Difference

By Guest Contributor Wilfredo Gomez, cross-posted from The Feminist Wire

I recently returned to my alma mater to encounter a rather peculiar and interesting narrative about my legacy. While interacting with former teachers, classmates, and current students, stories were told about the years I spent at the school. One person told a story about how I played varsity basketball during my last year of high school, never having played a single minute. I trained in silence, dedicating time and effort for three years, being overlooked until I finally got my break. I rode the bench and never paid attention to the games, as I was too focused on academics and trying to get somewhere. But in the last game of the season with 15 seconds left on the clock, the captain of the team called a time out and requested I join the team on the court. With the clock winding down to zero, I was told to stand in the corner and wait for a pass.

 

That pass was delivered as promised and the defense collapsed on me, forcing me to hesitate and give the ball up. The ball came back my way where I dribbled to my left and took a shot over the outstretched arms of two defenders who may as well have been giants. While a blur, the shot went in as time expired, the only two points I scored in my career, and fans rushed the court emptying the stands, lifting me up in celebration of my presence and shot. I was the team’s good luck charm. Another person told a story about how I was confined to a wheel chair and they had fond memories of my racing up and down the hallways as I moved from class to class. They recalled my playing basketball, not playing, and leaning over to my fellow teammates saying that I was headed somewhere. One would think that if these narratives were to have gotten out to the public, they might have attracted the attention of ESPN. These recollections of heroic feats and athletic persistence were only partial to the narratives of the legacy I have left behind.

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Am I Black Enough, Woman Enough, Trans Enough?

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By Guest Contributor Koko Jones; originally published at Koko Jones

There are several places where my multiple identities intersect; Black/African American, Native American, Musician, trans woman, trans woman of color. My blog is an attempt to address these issues for myself and where I land in the maze of multiple identities.

Watching the Melissa Harris-Perry show this morning I wanted to join the conversation on Race and Identities. On the show there was a white woman who is raising two black children and a white woman who is the mother of two interracial children. It made my mind wander a bit as well as wonder a bit about my own duality and identities. There has been a theme this week with conversations about identity and labels (i.e.: B. Scott).

I grew up knowing I was a black child; I knew nothing else. All of my friends were black, my neighbors were black, my uncles, aunts, cousins were black, the only grandparents I knew were definitely black. We ate typical southern black cuisine in our house; neck bones & cabbage, collard greens with ham hocks, pig’s feet, fish and grits, the list goes on. The music we listened to and what I remember from childhood was all basically black music; from Mahalia Jackson to James Brown and Aretha Franklin. Jimi Hendrix was considered a Rock God in our house.

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However, my mother looked incredibly like a white woman despite the skin color of her father. My brothers and sisters; six of us in total all had relatively the same pigment of skin. It has been a bone of contention in our family for years; what are we really? I am a child of many ancestors. Some of those ancestors are black; some are white and some are Native American (Cherokee and Choctaw). I knew nothing of the culture of Native Americans growing up and knew nothing of the culture of white people. I was often teased as a child about my skin color and sometimes I still am by some of my closest friends in jest. Terms like “Light Bright” or “Injun Joe” have been used by some of good friends and I laugh at along with them.

So it’s natural for me to identify as “Black”. Not to give up my age but for context I will.  I was born in 1959 and grew up during the civil rights movement of the 60s. My mother joined the fight to integrate the Englewood Public School system in the 60s, which I vaguely remember. While growing up in my little New Jersey suburb in Englewood, neighborhoods were segregated. Just over the town line from us in Teaneck there was a white neighborhood we called “Crackatown”. The houses were nicer; the streets were smoother and kept much better. It was those nicely-paved streets, excellent for bike riding, that attracted the kids from my neighborhood. One day a group of friends and I went riding in “Crackatown” when we were attacked with water balloons by a group of white kids. A water balloon hit me in my head and I went flying off my bike. That was followed by the hurling of racial slurs: “You niggas get out of our neighborhood!” That neighborhood has long since become integrated. But the memory still remains. It didn’t matter to them how light-skinned I was, I got the smack because I was still black.

Despite this, there were times when I first started to go to public school where I felt a strange awkwardness when my mother picked me up from school. I remember kids asking me, “Yo, is your mother white?” I would answer, “No, she’s black. She’s just really light-skinned.” It was if I had to prove somehow that I was totally black.

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As the years went on it was well established that I was black, but in a certain way I always felt that perhaps I had to prove my blackness. Could this be the reason why I chose to play congas and African drums?

Yet and still, there was another search for my identity in terms of gender. As one who transitioned relatively late, I had to deal with (and still deal with) people questioning my gender as well. There are those inside and outside the trans community that sometimes question whether I am trans enough. After all, I play a very physical instrument: the drums. I play like I’m supposed to play. To me there is only one way to play the congas and that is the way that I was taught. I carry my instruments from the car to the venue without asking for any help from anyone. This is the way of the drum. Max Roach used to tell me, “Learn to carry your instrument.” It’s just a part of the learning process and the oneness of you and your instrument. It doesn’t make me more ‘butch’ or less ‘fem’. I’m just an artist doing my art, my craft that I have honed for 44 years.

In my years it has taken a lot of growth to accept myself the way I am without a ton of surgery or having the ability to transition early in life. It takes a lot to love your self when there are so many standards set for women in society. I believe myself to be a beautiful woman. But there are times when I feel eyes upon me. I often use the example of going into the ladies restroom in the Port Authority in New York and getting stares–or at least what I feel are stares. Sometimes I feel it so fiercely that I want to ask them, “Do you want to see my female realness card? Can I see yours?”

So the question is: What is “realness”? Is it being what the status quo believes or is it created by our own perceptions based upon our experiences?

Just the fact that someone feels like they don’t belong to any group for whatever reason, can be very traumatizing. I remember standing out in front of the legendary club, the Grapevine, in the early 80s and getting “read” by a trans woman there. She said to me, “You tryin’ to be a woman with that face?” Of course, I was questioning at that time and I hadn’t truly started my transition. But the fact remains that there are still those in our community that judge one another based solely on looks.

Being judged on several levels is a tough thing to take at times. I have lost jobs; no I have lost a career based upon judgment and looks. It is only through my resilience and tenacity that I still continue to pursue my music career. Just a couple of years back I lost a really good job with a band that I worked with on a pretty regular basis. I will never forget those emails and the letter that was written to me by the manager and owner of the entertainment company I was employed by, explaining the reasons that they were letting me go. I will paraphrase: “I know I have been a chicken about approaching you about this and I’m sorry. Although you are unbelievably talented, it is because of the complaints of our clients that we are unable to book you for future gigs.” A range of feelings from sadness, to self pity, to anger permeated my being at that time. But self doubt about who I am seemed to creep into my soul. It was just one more trauma I had to endure. Certainly it is painful to see my good friends and colleagues in the music field continue to work and further their careers. However, I was fully aware that this would take place before I transitioned physically from male to female.

It hasn’t been until recently that I have been able to fight those feelings of self-deprecation with tools that I have learned in my study at Hunter College. Coping skills are extremely important for “Girl Like Us” for we face such a wide variety of challenges. I am hoping to be able to teach these skills that have been helpful to me to others. I have a long way to go but we can only keep what we have by giving it away. Of course I am a teacher, too, so teaching comes so natural to me. I am not giving up on society for I believe that everyone has goodness inherent in their lives. But we can start by discontinuing the propensity for us to judge one another.

Racialicious Links Roundup 8.8.2013: A Black Batman — And More…

By Joseph Lamour

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    • Why Batman Can’t Be Black (Blogtown/The Portland Mercury)

      People don’t like the implication they could be the bad guy on this issue. Racism is bad. That’s axiomatic. Thus, arguments against changing Batman’s race tend to go like:

      “It’s not that I don’t want Batman to be black. With the right writers, I bet it’d be cool! I’d love for popular culture to be more diverse! It’s just that, unfortunately, it simply can’t be done in the case of Mr. Bruce Wayne. There’s too much history and continuity. It’s a shame, but that’s just the way the world works.”

      Which is bullshit. Bruce Wayne doesn’t exist. He’s not real. It wouldn’t take a miracle of genetic engineering to somehow flip the needed switches in his DNA to transform him from a rich white guy to a rich black guy. He’s completely fictional. Of course he can be a black man. He’s been a lot of things over the course of his 70+ years in existence, most of them infinitely more ridiculous and unbelievable than possessing a darker skin tone.

 

    • Jew Picked a Fine Time to Leave Me: Weiner, Spitzer, Filner … Are Jews less likely to cheat? The data says no. (Slate)

      “What’s the matter with Jewish men today?” Josh Greenman, the opinion editor of the New York Daily News, raised that question after Anthony Weiner’s latest sexting relapse. Jodi Kantor, a Slate alumna and New York Times correspondent, responded with a 1,200-word essay on the troubles of Weiner, Eliot Spitzer, and San Diego Mayor Bob Filner. Although the three cases are very different, these “libidinous, self-sabotaging politicians are causing grimaces among fellow Jews,” Kantor noted. They’re discrediting the assumption “that Jewish men make solid husbands.”

      Where did we get the idea that Jews are faithful in marriage? Sounds to me like an old yente’s tale. The data don’t support it. Jews stray as much as—if not more than—spouses of other faiths.

 

    • An In-Depth Look at How “Orange Is the New Black” Compares to Real Life (Bitch Magazine)

      It’s historically been difficult to generate activist attention around criminal justice reform, but increasing media attention could add more hearts/minds/bodies to the thousands who’ve been battling these issues tirelessly for years, like The Sentencing Project, The Women’s Prison Association, Families Against Mandatory Minimums and The ACLU.

      And now we have Orange is The New Black (OINTB), the first American television program since Oz to so poignantly dramatize, eroticize, and criticize the system. Plus, OITNB does a thing Oz rarely did, which is make us laugh. As formerly incarcerated writer Joe Loya wrote about why he prefers the new show to Oz: “The show — though not a biopic, therefore not literally accurate — still captures truthfully the zaniness of prison. And the sex agonies. The fortunate camaraderie. The hidden likenesses between the guards and prisoners. The collaborations. The antagonisms. The pain of family visits.” Also: The humanity. You cannot write these people off.

 

Five Bright Spots Amid The Zimmerman Industrial Complex

By Arturo R. García

Several young black men are brought to the stage in a show of unity at a rally seeking justice for Trayvon Martin on July 14 in San Diego, CA. Image by Arturo R. García.

It did not take long for business interests and other unsavory elements to pop up in the wake of George Zimmerman’s acquittal for the killing of Trayvon Martin. Beyond the professional ghouls, bloviators and racial profiling apologists to Zimmerman’s brother acting as a media surrogate to, perhaps even more disturbingly, one of the six jurors attempting to cash in on her brush with “fame.”

But thankfully, there are already people, online and off, in the streets marching and working from their homes, and even from behind bars, pushing back against this odious tide.
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Announcement: Yuri Kochiyama: Passion For Justice Screening, Panel Discussion At Maysles Tonight!

By Andrea Plaid

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When Dr. Brittney Cooper started the #paulawontcookit hashtag during the height of Black Twitter dragging Paula Deen for her controversial comments—and my undergrad college ace Dr. Lisa Huebner Rutchti  tagged me to join in the fun–I contributed

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Which, I’m proud to say, met with Dr. Cooper’s approval and made Racialicious guest contributor (and my homie) Sofia Quintero say:

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Why Kochiyama? She most famously held Malcolm X (who, by that point, changed his name to El Hajj Malik el Shabazz to reflect his pilgrimage to Mecca) while he was dying from assassins’ bullets. She was a member of his Organization of Afro-American Unity. And, in 1977, she joined 29 members of the New York Committee to Free Puerto Rican Nationalists Prisoners, a pro-independence group, as they took over the Statue of Liberty to protest for the return of the island’s sovereignty, ending anti-Puerto Rican discrimination, and freeing Puerto Rican political prisoners. She also became an activist mentor as Asian Americans protested the rampant racism against them that the Vietam War exacerbated as she herself agitated for reparations for the Japanese American who the US government interred during World War II.

And she—who is still alive—is known for much, much more, as the new documentary Yuri Kochiyama: Passion for Justice talks about.

CAAAV: Organizing Asian Communities and Women Make Movies are co-sponsoring a screening and a panel discussion at Maysles Documentary Center in Harlem tonight, starting at 6PM! Some of the panelists include members from Kochiyama’s family and Racialicious Crush alum and guest contributor Scot Nakagawa.  Tickets are $10 (suggested donation), and the proceeds go toward supporting CAAAV’s programs.

For more information and tickets, please check here. And I’ll let you know how the cornbread turns out!

Race + Comics: Breaking Down Uncanny Avengers’ Continued Racefail

By Arturo R. García

This month’s issue of Uncanny Avengers served as the most explicit follow-up to the much-maligned “we are all humans” speech written by Rick Remender in an apparent stab at “colorblindness.”

Instead of taking to heart the critiques directed toward him, though, Remender seemed intent to “prove his point” via a debate between two of the book’s mutant characters, Rogue and the Scarlet Witch (Wanda Maximoff). But don’t let the cover fool you. This may have been intended to read like a battle of wits, but Remender neglected to arm either combatant.

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