As promised, here are some of the images posted by the presenters:
Facing Race 2014 kicks off at 10 a.m. EST on Friday morning with “This is How We Do It: Youth Led Racial Justice,” a plenary session featuring the following speakers:
- FM Supreme, a founding member of Black Youth Project 100 and founder of the Chicago International Youth Peace Movement.
- Ramiro Luna, an immigration activist who has taken part in more than 100 actions in support of immigrant rights, as well as a community organizer and a member of more than a dozen political campaigns.
- Sharon Davies, director of the Kirwan Institute for the Study of Race and Ethnicity and a professor of law at Ohio State University.
- Jaime-Jin Lewis, the former executive director of the NYC-based advocacy group Border Crossers, where she trained more than 2,000 educators from over 900 schools around the country in how to discuss race with their students
- Key Jackson (1st Nation- Black and Makah), a community organizer who has worked with groups like Basic Rights Oregon and GSAFE Wisconsin, while also organizing electoral and legislative campaigns.
The panel description reads as follows:
A new generation of racial justice leaders are interrupting and innovating in the ways racial justice work is made relevant in our times. In various ways, young people are working creatively, intersectionally and courageously to set our nation on course for the racially just future we deserve. Who are some of the leaders guiding this next epoch? What models, tools, practices and cultural strategies are there to build a more just, inclusive foundation for their generation and the ones that follow? Join in this conversation amongst movement makers, as they share thoughts on what’s hot in racial justice now, and what’s on the come up in the years ahead.
The discussion, as posted online by Race Forward, can be seen below.
There are actually two parts to this. One is, there are troubling racial politics, but it’s not just about men of color. The other racial politics about this are that white women appear the most vulnerable, right, to these menacing men. But this happens to women of color, and women of color have been on the front lines. Three years ago at the Crunk Feminist Collective, we published a video that Girls for Gender Equity did where they had Black teenage girls talking about being harassed, and that video does not have 25 million hits.
– Interview aired on “All in With Chris Hayes,” Oct. 31, 2014.
“Hey … Shorty!” by Girls for Gender Equity NYC can be seen below.
by Guest Contributor Roberto Lovato, originally published at Latino Rebels
MISSION DISTRICT, SAN FRANCISCO—A new age is upon us, the Age of Soy.
No, I’m not talking about some new genetically-modified organism that will (further) fundamentally alter the corn in our tacos, the gas in our cars or the farmland of the Midwest.
The development of which I speak has to do with how Mountain View, California-based Google’s launch of .SOY, a web domain targeting the country’s Latinos, was supposed to herald a new day on the Latino web, with some “Hispanic marketing experts” waxing triumphant about our (finally) getting some respect from a company that has a less-than-triumphant record of hiring Latinos or black people.
And then the Latino and vegan web responded: Hey Google, “soy,” (Spanish for “I am”) sounds more like a domain name for one of the tony vegan Mexican restaurants that Google and other Silicon Valley workers eat $15 tacos at than it does a hub for online Latinos.
Far from being the Latino web sensation Google and its “experts” expected, .SOY provides fodder for the amateur comedian in us all, with Latinos and vegans joining forces, taking the “.SOY” domain and applying it to different adjectives like quépendejo.soy (how stupid I am), #soyhispandering or calling .SOY “The must-have domain for the lactose-intolerant.” Continue reading
By Arturo R. García
Well now this is interesting.
As Variety reported on Tuesday, the demand for a new Static Shock revival will finally be met, in perhaps the most unexpected of fashions: an online-only live-action series.
It’s also encouraging to see the revival of Milestone Entertainment’s signature character is being led by Milestone alumni: Film and comics veteran Reginald Hudlin will be the executive producer, in collaboration with Denys Cowan, who produced the much-missed animated series that Warner Brothers stubbornly left by the wayside years ago.
We’re just over a week away from the pop-culture experience that is San Diego Comic-Con, and while Arturo and Kendra pore over the event schedule to prepare their preview, we’d like to ask your help in finding some people who might be flying under the radar.
If you or somebody you know is a POC creator at the show, drop us a line at email@example.com — use the subject line Racialicious SDCC — or in the comment thread here and let people know about your project. We’ll give you a signal boost in not only our two-part SDCC preview next week, but on social media, as well.
Just like last year, both Kendra and Arturo will be live-tweeting panels and posting during the event, on their respective Twitter accounts and the official Racialicious feed. Do let us know, Racializens, if you’ll be around as well. We’d love to see you there!
By Arturo R. García
Considering that at least part of her success has been buoyed by Twitter, Scandal showrunner Shonda Rhimes’ apparent views on Twitter seem somewhat dismissive.
During her commencement address at Dartmouth University, Rhimes encouraged students to “pay it forward” with their education, including this bit of advice:
Find a cause you love. It’s OK to pick just one. You are going to need to spend a lot of time out in the real world trying to figure out how to stop feeling like a lost loser, so one cause is good. Devote some time every week to it.
Oh. And while we are discussing this, let me say a thing. A hashtag is not helping. #yesallwomen #takebackthenight #notallmen #bringbackourgirls #StopPretendingHashtagsAreTheSameAsDoingSomething
Hashtags are very pretty on Twitter. I love them. I will hashtag myself into next week. But a hashtag is not a movement. A hashtag does not make you Dr. King. A hashtag does not change anything. It’s a hashtag. It’s you, sitting on your butt, typing on your computer and then going back to binge-watching your favorite show. I do it all the time. For me, it’s Game of Thrones.
Volunteer some hours. Focus on something outside yourself. Devote a slice of your energies towards making the world suck less every week. Some people suggest doing this will increase your sense of well-being. Some say it’s good karma. I say that it will allow you to remember that, whether you are a legacy or the first in your family to go to college, the air you are breathing right now is rare air. Appreciate it. Don’t be an as*hole.
Rhimes is incorrect on at least one of these examples: Take Back The Night did not begin as a hashtag. That particular campaign against domestic violence can be traced back to the 1970s, and has always included in-person vigils and marches. So for her to say it is just a hashtag doesn’t square at all with reality.
But it’s also fair to point out that a href=”http://time.com/114043/yesallwomen-hashtag-santa-barbara-shooting/” target=”_blank”>#YesAllWomen and #NotAllMen emerged as vital conversation points in the wake of the shooting and stabbing attacks in Isla Vista, California. They also served as points of connection for people who might not be willing to open up in a “public” setting, allowing them to share their stories as they saw fit. That doesn’t make them “Dr. King,” but the idea of online safe spaces shouldn’t be treated as invalid, either.
Likewise, #BringBackOurGirls did the same for the mass kidnappings perpetrated by Boko Haram in Nigeria, and the pressure upon the government to respond.
So in those instances, it can be argued that the tags did help, because they alerted people to the problems at hand in ways that larger media outlets were not able or willing to do. And in the case of #BringBackOurGirls in particular, the tag was a visible part of the first demonstrations associated with it in Nigeria, let alone the ones that followed around the world. In other words, seeing the tag led people to do just what Rhimes is calling for.
Moreover, what if a person has no outlets — or at least, no safe ones — within their communities? What if a person is not physically or emotionally able to put themselves in the middle of events that are typically crowded, loud and, in a worst-case scenario, potentially dangerous?
Lastly, it cannot be forgotten that Scandal, in particular, has not only survived, but thrived in part thanks to being able to generate such heated online conversation and live-tweeting. As Think Progress reported last year, data has emerged showing that people “sitting on their butt” can have quantifiable — and thus, money-making — influence on a show:
Specifically, the study found that for 18-34 year olds, an 8.5% increase in Twitter volume corresponds to a 1% increase in TV ratings for premiere episodes, and a 4.2% increase in Twitter volume corresponds with a 1% increase in ratings for midseason episodes. Additionally, a 14.0% increase in Twitter volume is associated with a 1% increase in TV program ratings for 35-49 year olds, reflecting a stronger relationship between Twitter and TV for younger audiences.
Further, the study found that the correlation between Tweets and TV ratings strengthens for midseason episodes for both age groups. An increase in Twitter volume of 4.2% and 8.4% is associated with a 1% increase in ratings for 18-34 year olds and 35-49 year olds, respectively. Moreover, by midseason Twitter was responsible for more of the variance in ratings for 18-34 year olds than advertising spend.
So what do you think, Racializens? Was Rhimes off-base?
By Arturo R. García
In just four days, comedian Jenny Yang’s “If Asians Said The Stuff White People Say” has amassed more than two million views on YouTube. It helps, of course, that it’s been buoyed by being on Buzzfeed. But the video is strong on its own merits, as well; it’s a sharp successor to the “Sh*t [x] Say” realm of clips because it turns up the awkwardness.
The preview image, with Yang making her eyes “rounder” as a visibly uncomfortable white guy looks on, sets the stage for her and co-star Eugene Yang’s antics, set to “Home On The Range,” inflicting a barrage of microaggressions at their companions. (“Do you have a normal name, too? Or just your white name?”)
“I just love dating white guys,” she tells one guy. “Because they’re so large and overbearing.” In another “romantic” scene, Eugene smoothly tells a white woman, “You know, I’m really into white girls. Just white girls,” only to protest, “Where you going?” as she runs.
Yang is also co-host of the Angry Asian America webseries on ISA with Phil Yu (aka AngryAsianMan) and co-produces the Asian-American comedy showcase Dis/orient/ed project, which is playing Los Angeles on July 12. Yang shared the origin of the group with Bitch Magazine last fall:
Well, when you first start out as a standup, at least for me, it feels very solitary. And so what I realized is that if I didn’t organize something with like-minded people, I wouldn’t find those people, because we’re just grinding it out on our own.
And so after I had been doing it for about a year, I had noticed the different Asian-American female comics as well as female comics and comics of color who were out doing things. So actually I had a lot of camaraderie with white female comics, but I definitely made note of when there were Asian-American female comics. So much so that I found an article about a woman named Yola Lu. Yola had just graduated from the University of Washington and was just starting out doing standup comedy, and there was this coverage of her. I was like, “Oh, this sounds like someone I want to meet.” And I literally just Google stalked her, and found her, and she was super cool, and I was like, “Hey, I just want to know what you’re doing, because I’m doing it.” And we actually ended up doing a little Skype date just to get to know one another. And we hit it off! And just half-joking at the end of that Skype chat, we were like, “Oh, wouldn’t it be great if we had enough critical mass of Asian-American female comics that we could do a whole tour of just us?” Like, someday, someday.
A few months later, she emailed me and she was like, “Jenny, remember how you were saying about that tour? I kept on thinking about it and I feel like we should just do it.” She instigated it, and we sat down and really thought about what it would look like. Then we recuited a good buddy of mine in LA, Atsuko Okatsuka. That created the initial trio of us who founded the tour.
Yang also shared more of her story in this clip from The Always Summer Project:
“I got to a point where I realized, in my professional career, in politics, which is my main career, it wasn’t really fulfilling me as much,” she said. “I kind of had this moment of like, ‘I’m a writer. I’m a performer. I need to take myself seriously, rather than dismiss it.’”