Category: homophobia/transphobia

May 12, 2010 / / LGBTQ

by Guest Contributor Dan Torres, originally published at Blabbeando

The Arizona legislature recently passed and revised SB 1070, the so-called “papers please” anti-immigrant bill many believe will result in racial profiling. As a gay Latino man who comes from an immigrant family, I see a clear link between this measure and anti-gay marriage laws such as Proposition 8. Both laws make their victims feel marginalized and send a message that they do not deserve to be treated equally under the law. Lesbian/Gay/Bisexual/Transgender (LGBT) people know what it’s like to be on the wrong side of laws like SB 1070 or Proposition 8.

Many of us, who fit into one or more minority communities, know all too well how it feels to be stripped of our legal protections and fundamental rights. Last year, Arizona’s Governor Jan Brewer, the same one who signed into law SB 1070, repealed benefits for LGBT domestic partners, further undermining the economic and emotional security of LGBT families. The LGBT community understands the threat when our leaders tell us that our families do not count. We know the pain caused by the government refusing to treat us equally. Accordingly, we should stand against SB 1070. Read the Post The link between Prop. 8 and Arizona’s anti-immigrant law

April 14, 2010 / / african-american

By Sexual Correspondent Andrea (AJ) Plaid

I hang—and I mean hang—out on Twitter, usually hearing from and conversing with the left-leaning, boho-y, news-and-views types.  Through them I get the latest pop-culture stink, like a former Cheetah Girl making a song and video about a drunken one-night stand.

Beyond the usual calls for the singer and her creative team to be banished, I thought Kiely Williams went up to them personally and shat all over their teddy bears and baby blankets, the way some people tsk-tsked about this former child star shaking her behind:

…haven’t seen the video, but the fact that she’s a former Cheetah Girl makes it even worse IMO.

The more generous critiques tsk-tsked that Williams’ people need to come and get her, if they could.

Everyone needs EVERYONE. Balance. [L]ook at Kiely, [T]hat girl could use her daddy, may he rest.

With all this thumbs-downing, I had to experience it for myself.

Read the Post Not So “Spectacular”: Kiely Williams, Black Erotics, and Sexual Responsibility

February 11, 2010 / / african-american

By Sexual Correspondent Andrea (AJ) Plaid

My gut-honest reaction to finding out singer John Mayer admits that he doesn’t romantically or sexually like Black women is like finding out Tom Cruise saying doesn’t dig us sistahs: I’m not shocked because I didn’t get that vibe from him.  Douchey John Mayers

Mayer’s highlighted history of dating the crowning White women of Hollywood, like yeah-folks-think-she’s-doornail-dumb-but-00000-her-blonde-hair-and-big-tits Jessica Simpson and always-wronged-Golden-Girl-by-Golden-Boy-Brad-Pitt-on-the-sexual-strength-of-coded-as-“colored”-superfreak-temptress-Angelina-Jolie Jennifer Aniston—along with Jennifer Love Hewitt and Friday Night Lights’ Minka Kelly, and gets-coded-as-White Cameron Diaz–just tipped me to his preference. And, no matter what I feel about/think about/hold a moral stance on racial preferences in dating, the unpleasantly hard reality is people seem to have them. Mayer, being human, really isn’t that different. That’s not a justification, mind y’all; that’s just my facing the facts about folks. I mean, I get it. I may not agree with it—I’m definitely more of the rainbow-dating-and-fucking kind–but I get it.

But did Mayer have go into full racefail about his preferences—and in Playboy no less? (Warning: this and the very next link are NSFW.)

Hold that thought.

Mr. Wonderland goes into all sorts of fail in this interview. And, being human in an ism-filled world—which, as quite a few of us know here at Racialicious, no one is exempt from them due to the kind of music they like or like to play, with whom they collaborate, at whose funeral they performed, or which school they attended–Mayer has them….and decides to vent to them. As an ex-friend once said, -isms and -phobias tend to come in bundles.

There’s the ageism, in that “too old to get it” sense:

MAYER: If Jennifer Aniston knows how to use BitTorrent I’ll eat my fucking shoe. One of the most significant differences between us was that I was tweeting. There was a rumor that I had been dumped because I was tweeting too much. That wasn’t it, but that was a big difference. The brunt of her success came before TMZ and Twitter. I think she’s still hoping it goes back to 1998. She saw my involvement in technology as courting distraction. And I always said, “These are the new rules.”

The slut-shaming:

MAYER: I feel like women are getting their comeuppance against men now. I hear about man-whores more than I hear about whores. When women are whorish, they’re owning their sexuality. When men are whorish, they’re disgusting beasts. I think they’re paying us back for a double standard that’s lasted for a hundred years.

And misandry:

MAYER: Because I want to show her I’m not like every other guy. Because I hate other men. When I’m fucking you, I’m trying to fuck every man who’s ever fucked you, but in his ass, so you’ll say “No one’s ever done that to me in bed.”

Followed by some full-on homophobia:

MAYER: The only man I’ve kissed is Perez Hilton. It was New Year’s Eve and I decided to go out and destroy myself. I was dating Jessica at the time, and I remember seeing Perez Hilton flitting about this club and acting as though he had just invented homosexuality. All of a sudden I thought, I can outgay this guy right now. I grabbed him and gave him the dirtiest, tongue-iest kiss I have ever put on anybody—almost as if I hated fags. I don’t think my mouth was even touching when I was tongue kissing him, that’s how disgusting this kiss was. I’m a little ashamed. I think it lasted about half a minute. I really think it went on too long.

Circling back to the racefail, there’s some offhanded anti-Semitism:

MAYER: I’m half Jewish. People say, “Well, which side of your family is Jewish?” I say, “My dad’s.” And they always say it doesn’t count. But I will say I keep my pool at 92 degrees, so you do the math. [Emphasis mine.] I find myself relating to Judaism. One of my best friends is Jewish beyond all Jews—I went to my first Passover seder at his house—and I train in Krav Maga with a lot of Israelis.

With a side of “how-do-these-two-things-even-go-together?” East Asian stereotypes:

I want to get on an airplane and be like a ninja.

Some gawd-awful inverted-shoutout to us Negroes:

MAYER: …I am a very…I’m just very. V-E-R-Y. And if you can’t handle very, then I’m a douche bag. But I think the world needs a little very. That’s why black people love me. [Emphasis mine] Read the Post When Racefail Meets Playboy: The John Mayer Interview

September 17, 2009 / / cultural appropriation

Compiled by Special Correspondent Thea Lim, with Guest Contributors Robin Akimbo, Alaska B, Michelle Cho and Elisha Lim

…continued from Part 1!

Vogue Evolution is all about getting folks to recognise that queer culture is responsible for sooo much of contemporary dance.  So it’s a radical history lesson – what’s VE’s relationship to Paris is Burning?

Michelle: I love what Pony from VE said in an interview.

Elisha: This is Pony’s quote:

The difference between us and all the other crews is that you can tell a crew by their team, not the individual. The left girl looks like the right girl. You don’t know the difference. Cindy looks just like Cassie. With us and our community, we’re all leaders. It’s like an All-Star cast, a league of extraordinary gentlemen, as we like to say.

My clips have a hundred thousand views, Leyomi’s clips have a hundred thousand views, our MySpace is packed. We’re already legends in our community. That’s why this is big for us. Our community is like, “Wow. The big ones are getting bigger.” It’s not like, “Oh, we’re survivors.”

The problem with voguing is that it’s always been portrayed as coming from a sad place, and that’s not really what it is. We’re here to show the beauty of the scene, and the art, and the happiness and the joy. We’re the good news. It’s not like Paris is Burning where at the end of it you go, “Aww…that’s sad.” This is like, “Work! It’s over!” That’s where we’re at with it.

Thea:  What does that mean, “vogueing comes from a sad place?”

Robin: A.I.D.S., racism, rejection from families, hate-crimes, poverty… so many of the issues that that community was dealing with in the early “80’s in NYC.  They created voguing to express themselves and to celebrate fabulousness, creativity, and survival.

Michelle:  The latter part of the quote references Paris is Burning and the sadness that is felt throughout the film.  A big criticism of Paris is Burning has been that it was sensationalized by a white director who did little to financially reimburse the people interviewed.

Thea: ugh

Michelle:  They all stayed poor while the director got the accolades.

Thea: ugh ugh

Michelle: Many of the Mothers in the film have since died of AIDS.

Alaska: Nevermind a transwoman being murdered during shooting with no analysis.

Michelle: Most definitely.

Elisha: That’s true.

Alaska: A central character at that.

Robin: Really really really really really sad.

It’s depressing how much cultural appropriation – from queer culture, from cultures of colour… – is a part of dance. How does America’s Best Dance Crew fare on the cultural appropriation scale?

Read the Post Vogue Evolution Forever Part 2: The Racialicious Roundtable on America’s Best Dance Crew

September 16, 2009 / / dance

Compiled by Special Correspondent Thea Lim, with Guest Contributors Robin Akimbo, Alaska B, Michelle Cho and Elisha Lim


For a show that’s had us raising our eyebrows over their representations of race, gender and sexuality for over a year, Season 4 of America’s Best Dance Crew (ABDC) kicked things up a notch by showcasing Vogue Evolution, an openly gay crew featuring a trans woman – on mainstream TV nonetheless. Yet representations on ABDC are often fraught with racism, homophobia and transphobia.  And then Vogue Evolution (VE) got kicked off ABDC  on Week 5, after judge Lil’ Mama attacked VE’s anchor (vogueing god and trans woman Leoimy Maldonado) for not being enough of a “lady” on Week 4 saying:

Leiomy, come on. Your behavior… it’s unacceptable…I just feel that you always have to remember your truth. You were born a man and you are becoming a woman. If you’re going to become a woman, act like a lady. Don’t be a bird, like ‘Oh my god, I’m not doing this!’ You know what I’m saying? It gets too crazy and it gets confusing. You’re doing this for America. Even though you’re the face for transgenders, you’re the face of America right now with this group and it’s not about anybody else. It’s about y’all. You know what I’m saying? So do it for the team. Do it for the team.

So I decided to get some of my queer community of colour together to figure out why ABDC works — and why it fails.

So why do you think Vogue Evolution decided to go on ABDC – considering how queer and trans folks are treated on TV?

Elisha: Leiomy from Vogue Evolution said three times that for her it wasn’t about winning, but about breaking barriers. So I went to check out their bio on MTV and here’s what they said:

This year, on the 40th anniversary of the Stonewall Riots, a new wave of revolutionaries is born. The historic House/ Ballroom scene, which dates back to the Harlem Renaissance in the 1920s, has been on the cutting edge of pop culture since its commencement. Its ever present influence has been observed in American fashion, culture, and entertainment, yet mainstream audiences have yet to accredit the origins of this influence.

Read the Post Vogue Evolution Forever Part 1: The Racialicious Roundtable on America’s Best Dance Crew

August 19, 2009 / / LGBTQ

by Guest Contributor Andrés Duque, originally published at Blabbeando

The Austin American-Statesman reported yesterday that a local Hispanic contractors’ organization had removed a video from its website and given apologies after a local television station received complaints that it contained demeaning portrayals of gays (“Hispanic contractors’ group pulls video called demeaning to gays“).

The U.S. Hispanic Contractors Association had recently been in the news for leading a successful protest against a morning talk radio show on KLBJ-AM in which a co-host had repeatedly referred to Latino immigrants as “wetbacks”. On Monday, the parent owner of the radio station announced that the show would be canceled. That same day, though, KVUE TV broadcast the news report highlighting that the same organization that led the fight against the anti-immigrant slur had the questionable video on its website.

What’s exactly in the video and is it truly offensive to gays? You be the judge. The American-Statesman says that it consists of outtakes from a promotional ad for the Association featuring Mexican-born comedian Paul Rodriguez which were never used in the ad that actually aired. The paper described it as “Rodriguez dressed as a construction worker walking in an effeminate manner”. Read the Post Austin Hispanic contractors’ group apologizes for posting video deemed offensive to gays

July 17, 2009 / / culture

By Special Correspondent Arturo R. García


Thursday morning, I chanced upon an ESPN piece on Disco Demolition Night. Growing up a baseball fan, the phrase initially conjures up mostly chuckles: the last great Bill Veeck promotion; a well-meaning bust that it drew more than 59,000 people to watch a typically moribund Chicago White Sox team in some unsightly uniforms — but resulted in the home team having to forfeit the second game of a doubleheader.

But time and perspective change things a bit. DDN, which “celebrated” its’ 30th anniversary Thursday, now stands revealed as the flashpoint of an ugly trend.

Let me be blunt: see any POC in the picture up top? Okay, how about this picture?


Thought not. The event drew in thousands of disgruntled or mock-outraged white rock fans. Most rock documentaries describe the disco era as one of rock under siege, with “real music” in danger of being overrun by hordes of fops in sequined jackboots. Disco represented not only the first popular music wave since Motown Records’ heyday to feature performers of color, but it brought gay artists to the mainstream. Somebody, obviously, had to “save the day” for those oppressed Ted Nugent fans. Read the Post Disco Inferno Revisited: Disco Demolition Night, 30 Years On

April 7, 2009 / / LGBTQ

by Guest Contributor Monica Roberts, originally published at TransGriot

One of the memes that has irritated many Black people gay, transgender and straight since the Prop 8 debacle has been the ‘Black people are more homophobic’ one.

You’re kidding, right?

Every time I’m watching TV I see predominately white ministers such as James Dobson, other white fundamentalists, white dominated anti equality orgs and peeps like Tony Perkins leading the anti gay charge. Fred Phelps checks the ‘white’ box on his census forms, and the megachurches bankrolling these rights rollback or anti same gender marriage amendments have membership rolls of predominately European ancestry.

I’m not saying we don’t have ‘phobes in our midst. The peeps who are selling out to the white fundies like the Hi Impact leadership Coalition come immediately to mind along with the homophobic pronouncements of people like Rev. Gregory Daniels, Donnie McClurkin, and Rev. Bernice King.

But it was the Mormon church who provided the cash to fund and provided the foot soldiers for the Yes On 8 Forces of Intolerance. Last time I checked, the Mormon church ain’t exactly chock full of members who look like me. Read the Post Black People More Homophobic? You’re Kidding, Right?