Category Archives: hollywood

The Hope of Just Representation in Entertainment

By Guest Contributor refresh_daemon, cross-posted from Init_Scenes

The cast of the original “Star Trek.” Image via English Online.

There Is a Problem

Every year, without fail, a report will show that the American entertainment industry has consistently underrepresented people of color on screen, both in character and by actor. Even when studies show that it is actually in the best interest of Hollywood to have more equitable representation, we do not see equitable representation on screen. This is true for film, network television, and cable television and not only in front of the camera at all levels, from leading roles to background actors, but also behind the camera, from the writers, to the directors, the producers, and all over the corporate structures that run the studios and networks to even the big money interests that fund them.

And it is not only a product of racism, but the inequitable representation of people of color, women, and other marginalized groups, actually contributes to and reinforces deep underlying systemic racism and other injustices not only in the United States, but also to any place where our entertainment products have reach.

And this is a problem.

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‘Murican Idol: Here’s What Didn’t Get Phil Robertson Suspended from Duck Dynasty

By Arturo R. García

Phil Robertson of “Duck Dynasty.” Image via Facebook.

By now you’ve no doubt heard that reality “star” Phil Robertson of Duck Dynasty “fame” was suspended from the show — or, in snake-oil TV-speak, placed on “indefinite hiatus” — after glibly engaging in some concern-trolling homophobia in a GQ interview while painting his show and his family’s public embrace of its Christian faith as some sort of antidote for whatever it believes ails America.

But what hasn’t been reported nearly as widely is the amount of outright racially prejudiced statements Robertson also lets fly in the piece, which points to a bigger problem for A&E. The network has been all too happy to trade on Robertson and his family’s “good ol’ boy” brand. Now it has to deal with the consequences.
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Can Gareth Edwards Build A Global Godzilla?

By Arturo R. García

The release of the trailer for the latest Godzilla release spawned a pretty good discussion over at The Mary Sue Wednesday, including this critique from a fan:

It’s too early to tell just how “global” this new Godzilla is, but it would be really nice if it acknowledged that the death of human beings is universal and is no more or less tragic by virtue of location, nationality or ethnic background. I don’t see that happening for the promotional campaign, because the people who make trailers and commercials are frequently different from the actual filmmakers, and tend to be somewhat problematic at the best of times – so I don’t see them doing anything different from the norm.

Because the sad fact is that lots of people are going to look on the deaths of non-Western non-white people in films, even outright disasters, as they do for real life: as sad or upsetting, but not *quite* as upsetting as if it happened to “their” people – even if it takes place in a western city with an ethnic majority. It isn’t cinema’s job to challenge those preconceptions, but cinema is in a strong position to make a difference. Would it really be such a problem for a film to make the “bold” statement that the death of thousands of non-Westerners is just as tragic as the death of thousands of Westerners? Would that really constitute “reverse”-racism? Is that infringing on white people’s representation in the media?

The first trailer doesn’t give us a lot to go on on that score. And even if the film’s IMDB cast list counts at least six people of color involved, what we see here is mostly focused on white characters (starting with the nameless white soldier who jumps into near-certain doom at the beginning). But the only POC featured, Ken Watanabe, will likely be playing a key character in Godzilla canon — Dr. Daisuke Serizawa, the man behind the invention that killed the original Godzilla in the monster’s 1954 eponymous debut.

But a piece of the synopsis has me, at least, hopeful that this film won’t just aspire to be a “reimagined version” of the character’s first appearance, and will show better judgment in picking which parts of Godzilla canon to explore.

SPOILERS UNDER THE CUT
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Open Thread: Scandal S03E10: ‘A Door Marked Exit’

By Arturo R. García

Fitz (Tony Goldwyn) and Rowan (Joe Morton) have a heart-to-heart, of sorts, in “A Door Marked Exit.”

Oh, there was another episode left?

Well, why wait ’til Monday, then?

SPOILERS UNDER THE CUT
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Open Thread: Scandal S03 E09: ‘YOLO’

By Arturo R. García

Olivia (Kerry Washington) contemplates her next move — if she can even find one.

As Scandal heads into its winter break, we saw just about everybody snatch defeat from the jaws of victory — and sure enough, one apparent fatality, just an unforeseen one.

SPOILERS UNDER THE CUT
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An Open Letter to Mike Babchik: I Am Not For Sale

By Guest Contributor Diana Pho, cross-posted from Hyphen Magazine

TRIGGER WARNING FOR THIS POST

Photo of Mike Babchik and ‘Man Banter’ crew at NY Comic Con. Credit: Bethany Maddock

Dear Mr. Mike Babchik of Man Banter,

You thought you were having fun last month at New York Comic Con when you and your film crew gained access to the convention using your job credentials at SiriusXM Radio. You thought this would be a great opportunity to provide footage for your YouTube show (now defunct, thankfully). You thought it would make great television to pull me aside, to put your mic in my face, to drive your camera’s light in my eyes and to ask if you could buy me.

You thought it was just a joke when you said you wanted to buy an umbrella with an Asian girl — because I was holding a parasol.

You thought you were being clever by mistaking me for a geisha girl, like the many submissive, diminutive women you’ve seen on TV or on the Internet or in movies.

You thought that because I was small and female and Asian, it gave you the right to ridicule my existence.

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Open Thread: Scandal S03E06: ‘Icarus’

By Arturo R. García

Unbeknownst to her, Young Olivia (Yara Shahidi) bids her mother Maya (Khandi Alexander) her final goodbye.

The thing is, Cyrus is almost right: This season is shaping up to be Scandal‘s version of “a Greek tragedy in the making.” He just doesn’t realize how far that could spread. He also forgets to mention that in the story that gives this episode its’ title, Icarus didn’t meet his fate entirely on his own — he does so with the tools someone else provided for him.
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Where Are All the Zombies of Colour?

By Guest Contributor Jenn, cross-posted from The Nerds of Color

I don’t mean the zombie survivors. I mean the zombies.

Ironically, The Walking Dead is pretty racially diverse compared to other zombie movies in the genre. Remember Zack Snyder’s Dawn of the Dead remake? There are, in that case, two sole surviving Black men, although one (Mekhi Phifer’s Andre) is singularly stupid. Meanwhile, there are no other notable characters of any other race or ethnicity among the survivors. And how about 28 Days Later ? Sure, the main female protagonist is a Black woman (Selena, played by Naomie Harris ), but why is she the main cast’s only character of colour despite the fact that London boasts a 20% Black and 20% Asian population . In fact, most zombie movies are typically populated by an almost all-White (with a token or two) surviving cast; against this backdrop, I’m relatively pleased by the racial diversity of The Walking Dead, One-Black-Man-At-a-Time rule notwithstanding (more on this later in the Walker Week).

But, here’s my gripe: where the heck are all the zombies of colour?
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