By Special Correspondent Arturo R. García
Editor’s Note – While checking out tips from readers, evaluating episodes of Daddy’s Little Girls, and checking up on The Real World, something kept grating on my nerves. The heavily promoted Bromance dances into decidedly homo-erotic territory – but the wink and nudge protestations from the cast members (complete with “Dude, that’s so gay” remarks to keep people in check) I started to wonder what was up. I asked Arturo to take a quick peek at the show. – LDP
The question of male friendship and how “gay” it may or may not be is getting a little extra scrutiny these days, with new projects from Brody Jenner and Paul Rudd.
In the wake of Prop. 8’s passage in California, Jenner’s Bromance is taking MTV’s new approach to dating shows: same-sex humiliation. Produced by Momma’s Boy’s mastermind Ryan “I was Metro when that was still another word for subway” Seacrest, the show is Entourage by way of The Bachelor, with several dim-witted if sort-of-well-intentioned young men competing for a spot at Brody’s side. And really, who wouldn’t want to hang out with a professional do-nothing and his friend Sleazy T and Frankie Delgado — especially after their “initiation” involved getting dragged out of their beds wearing nothing but their boxers (or less) and a black bag over their head? My buddies and I play Gitmo Gotcha all the time!
The show’s challenges answer that question: money, and random women. Each of the show’s skill challenges features two or three random white female ornaments. The lone exception, of course, was the “Dating Game”-style game which cross-promoted Lauren Conrad – she’s random enough on her own. The contestants’ first task, in fact, was to bring “hot chicks” to a lingerie party. (It also should be noted that seemingly 75 percent of the women who were convinced to go were Caucasian blondes.) Continue reading
by Guest Contributor Monica Roberts, originally published at TransGriot
One of the beauties of surfing the Net is that from time to time, you’ll stumble across a nugget of history or some photo that you weren’t even aware existed.
I’ve mentioned that JET, EBONY and the now defunct HUE magazines when they first started back in the day served as historical chroniclers of the Black experience in America. Google just negotiated a deal in which they will be digitizing pre-1960’s EBONY and JET magazines so that you can access their content on the Net.
One of the things I discovered to my delight is that in order to fulfill their mission of documenting the Black experience, EBONY and JET also covered events and discussed Black GLBT issues.
In addition to asking pointed questions about the Black GLBT experience, they also covered the New York and Chicago drag balls as well. Continue reading
by Guest Contributor M. Dot, originally published on Model Minority
Yesterday the internet was abuzz with the fact that Prince might be homophobic.
Carmen from New Demographic commented on Twitter that this didn’t make sense. She wrote ,
“I’m still amazed that Prince is a homophobe. I mean, isn’t there a good chance he’s been gay-bashed in his life? (Even if he’s not gay).
I responded back saying that she presumed that possessing a “fringe Black masculinity” would make him more likely to be tolerant. I added that tolerance, like hate is taught. She responded saying she agreed, but it was still sad.
Even before I read the evidence of what Prince said, I suspected that if Prince was being intolerant, then perhaps may have something to do with his interpretation of the tenets of his faith practices.
This Prince moment also reminded me that our generation has a hard time accepting the fact that victims can be perpetrators. Continue reading
by Guest Contributor Jack, originally published at Angry Brown Butch
On February 12, 2008, Duanna Johnson was brutally beaten by a Memphis police officer after she refused to respond when the officer called her “he-she” and “faggot.” That night, Johnson became yet another of the countless trans women of color to be targeted and brutalized by police in this country. Two officers were fired after the attack; neither was prosecuted.
Just to be trans, just to be a woman, just to be a person of color in this country is enough to drastically increase one’s exposure to hatred and violence; when oppressions overlap, violence tends to multiply.
This past Sunday, Duanna Johnson was found murdered on the streets of Memphis. I didn’t hear about this until today, when I read a post on my friend Dean’s blog. When I read the awful news, I felt heartsick in a way that has become all too familiar and all too frequent.
After reading Dean’s post today, I was surprised to find out that Johnson was murdered nearly three days ago already and that I hadn’t heard about this until today. I know that I haven’t been very good at keeping up with the news or the blogosphere these past few days. But I can’t help but notice that despite this relative disconnection, I’ve read and heard no shortage of commentary, protest, and outrage about Proposition 8.
A Google News search for “Duanna Johnson” yields 50 results, many syndicated and therefore redundant. Much of the coverage is tainted by the transphobia and victim-blaming that tends to inflect media coverage of violence against trans women of color (like this Associated Press article). A search for “Proposition 8″? 18,085 results – 354.6 times more than for Duanna Johnson.
The skew in the blogosphere is less severe but still pronounced. A Google BlogSearch for Duanna Johnson: 2,300 results. For Prop 8? 240,839, or 100 times more. Continue reading
by Guest Contributor Adele Carpenter
I am writing because I am disturbed by the string of articles, blog entries, and list serve threads that have come out in the last few days suggesting that the high turnout of African American and Latino voters for the presidential election was responsible for the passage of California’s proposition 8, which dealt a heavy blow to LGBT families by banning gay marriage in the state’s constitution.
These articles mistakenly imply that the struggles for civil rights for LGBT people and communities of color are separate or even at odds with each other. They deny the work that LGBT people of color do to combat homophobia and transphobia in their families and communities, often while facing racism within the queer community as well. These articles deny homophobia among white people. They displace blame away from those who actually have the power to consistently deny others civil and human rights, and instead, charge that when communities that have long been disenfranchised and alienated from political processes participate, that the results with be negative for LGBT people.
I believe all communities need to be held accountable for their homophobia and transphobia. I want to acknowledge the suffering and hardship that the passage of Proposition 8 has caused for LGBT couples and families. But, while the media casts blame on communities of color for the passage of Prop 8, it is imperative that we struggle against the logic that tells us that struggles for LGBT civil rights and racial justice are separate—that we re-examine our strategies for advancing LGBT civil rights and gay marriage and, in particular, look at places where LGBT communities have failed to align our struggles for civil rights with ongoing struggles for racial justice. Continue reading
by Latoya Peterson
Well, look at what slipped under the radar.
In the midst of the election run up, the results, and the waves of discussion about proposition 8, Logo launched a movie based on their popular (yet mysteriously canceled) series Noah’s Arc.
The New York Press’ Armond White has a thought provoking review on the significance of the movie, titled “MEET THE BLACK CARRIE BRADSHAW – LOGO’s Noah’s Arc makes the jump to the big screen—showing a completely different African-American experience”:
Noah’s Arc’s quartet of young black men counteracts the prevailing image of gayness as a young, rich, white male phenomenon. The title refers to Noah (Darryl Stephens), an L.A.-based aspiring screenwriter whose love and social life resist Hollywood storybook cliché. Noah may dress in couture like Carrie Bradshaw (he enters Jumping wearing a Russian toque, cape and calf-high boots) but his style is provocative; he flouts ideas about masculinity, blackness and class. If you accept Noah (his gentle, gazelle-like demeanor stresses effeminacy), his friends still test your tolerance: Chance (Doug Spearman) is a snooty, over-enunciating university professor; Alex (Rodney Chester) is a plus-sized drama queen who likes to cook when not dispensing counsel at a gay men’s health center; and Rickey (Christian Vincent) is incorrigibly promiscuous. Continue reading
A Racialicious Roundtable
Alternet recently reprinted an article by James Kim (written for The Nation), reporting:
If exit polls are to be believed, some 70 percent of African-Americans voted Yes on 8, as did 53 percent of Latinos and 49 percent of Asians; each of these demographics went heavily for Obama; blacks by a 94-to-6 margin. Los Angeles County, heavily minority, went 50-50 on Prop 8. These results have shocked gay activists, who knew from earlier polls, for example, that black voters favored Prop 8, but they were seeing much smaller margins, closer to 50 percent.
The easy, dangerous explanation for this gap, and one already tossed around by some white gay liberals in the bitter aftermath, is that people of color are not so secretly homophobic. But a more complicated reckoning — one that takes into account both the organizing successes of the Christian right and the failures of the gay movement — will have to take place if activists want a different result next time. First, there’s the matter of the Yes on 8 coalition’s staggering disinformation campaign. Ad after ad told voters that without Prop 8, their churches would be forced to perform same-sex unions and stripped of their tax-exempt status; that schools would teach their children to practice homosexuality, and, perhaps most effective, that a smiling Barack Obama had said, “I’m not in favor of gay marriage.” This last bit went out in a flier by the Yes on 8 campaign targeting black households. Continue reading
by Guest Contributor M. Dot, originally published at Model Minority
Zane sells because her fiction allows Black women to be sexual in a culture that refuses to acknowledge that we are sexual, a culture that calls us hos if are so inclined to be sexual, talk about sex, or even look like we are human and have a sexual appetite.
When was the last time you saw a Black woman have a love interest and sex in a movie?
Or a tv show?
Yesterday, I was doing all this reading of Hortense Spillers, Tricia Rose and Hegel (whom I struggle with tremendously), as I am developing an outline for a writing sample.
When instantly, Zane’s popularity clicked for me.
Professor Spillers essay titled, Intercises: A Small Drama of Words discusses, the position of Black women’s sexuality in American culture.
Our sexuality remains an unarticulated nuance in various forms of public discourse as though we are figments of the great invisible empire of womankind.
If I attempted to lay hold to any fictional text-discursively rendered experience of Black women, by themselves- I encounter a disturbing silence that acquires paradox, the status of contradiction.