Category Archives: first nations/indigenous people

Meanwhile, On TumblR: The Non-Fiction Flick And Vid Edition

By Andrea Plaid

I think I’ve been a bad influence on the R’s Senior Editor Tami Winfrey Harris because I’ve been talking her into watching documentaries for our Table for Two posts. We have another one lined up next week (with a special guest breaking the proverbial bread with us), but I want to hip y’all to some other non-fiction flicks and vids…

…starting off with Youth Speak‘s and University of California San Francisco’s collaboration on this great PSA about Type 2 diabetes. Instead of fat-shaming–as too many food-justice docs do when discussing the links between body size, physical condition, and health–this video gives a structural analysis on who’s to blame and how to hold them accountable to the rest of us. (H/t @newmodelminority)

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Meanwhile, On Tumblr: Hundreds Of Love For Eartha Kitt’s Catwoman…Among Quite A Few Things

By Andrea Plaid

Stumbling back from the back-end blue field called Tumblr, I can say that a whole lot of you Racializens seriously enjoyed what we posted this week–like hundreds of you! So let me say for the record that, to borrow from our current president, we love y’all right back, and we hope to keep posting people and things you love…

…like this bit of magnificence that has the late Eartha Kitt reclaiming her signature role as Catwoman! Comic Book Sources reports:

Eartha Kitt, Femme Fatale #1. Cover art: Felipe Montecinos. Via Comic Book Sources

Eartha Kitt, Femme Fatale #1. Cover art: Felipe Montecinos. Via Comic Book Sources

Eartha Kitt is on holiday, searching for the purrfect wave. When suddenly??? Well we won’t spoil the surprise. But in the tradition of DC Nation and all good things for all ages comes Eartha Meets The Gorgon, the first in a series of advemtires done with the blessing of the legendary actress/singer’s estate.

The comic book dropped yesterday!

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Race + Fashion: Life, Labels, And The Pursuit Of Happiness

Michael Kors bag.

By Guest Contributor Cheryl Lynn Eaton, cross-posted from Digital Femme

“Cheryl Lynn, you will have your first and last dollar.” My mother says it with blend of mirth, surprise, and exasperation–as if she cannot believe she produced a child who behaves in such a practical manner, a child who would dare complain that she had to spend twenty-four dollars on a purse due to the old one falling apart at the seams. My mother possesses a walk-in closet full of purses. Not one could be purchased for twenty-four dollars. The glint of a gold circle surrounding a bold M and K–the lack of one separating my leather satchel from her assortment–costs a great deal more.

Yet, my mother is a child of poverty; I am a child of the working-class struggle. She needs her talismans, her high-end upmarket logos, to make her feel as if she is of worth. I was taught to fear them, to believe that obtaining them would bring about financial ruin. I’ve jokingly told many friends that I’m glad I grew up working-class instead of rich, middle class, or poor because it has made me so paranoid about money that I’ll never purchase designer labels. Black working-class kids are raised to believe that one wrong move will have you back in the ghetto where your parents came from. Working-class kids are raised on fear.
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Meanwhile, On TumblR: Wuthering Heights Reimagined And The Gap’s Anti-First Nations T-Shirt

By Andrea Plaid

Reblogged this excerpt of an In These Times post from thesmithian:

…the reimagining of Heathcliff, that “dark-skinned” “gipsy”…as a black man…Brontë’s Heathcliff was repeatedly evoked as “dark,” and culled from the slums of Liverpool (a port fraught with immigrants). But in movies and theater, he has always manifested as white, from Laurence Olivier to Tom Hardy. Brontë may not have intended Heathcliff to have been a full-on African—which in the 1700s meant being a slave—but Arnold’s coup turns the old story around, from a wicked love-lost tragedy into a crisis of a society suffering the guilt and ghosts of slavery.

Tumblizen purple01_prose added this commentary:

Here’s the thing. Christopher Haywood, in his annotated edition of Wuthering Heights, examines the race of Heathcliff at length. Given all of the coding of Heathcliff as ‘dark,’ Haywood explained some of the racial terms of the time, and some of the beliefs of a time, like in how many generations someone with African ancestry with dark skin could have a descendant with white skin. (at least 6, with a white partner for every generation). There were names for each generation.

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Racialicious Crush Of The Week: Joy Harjo

By Andrea Plaid

Joy Harjo. Courtesy: keeperofstories.blogspot.com

 

Reading that wordsmith/musician/teacher Joy Harjo’s memoir just dropped brought back that crush with capital-L life I had in my undergrad days : all dewy-new to the adult world, pretty effin’ cocky about what I thought I already knew and wanting to gooble up more ideas from new books and new people, and seeing middle age as sunset-colored horizon meeting the ocean, all lovely and over there.

Harjo was one of the writers in my 4-year degree days who, if you didn’t read her, you knew of her because her name and/or the titles of her writing dropped from almost every Women’s Studies major’s mouth, cropped up in anthologies by feminist writers of color, and compiled by professors in (what the folks at my university) called their “Kinko’s books.” (“Kinko’s books” were copies of individual articles, poems, essays, analyses, etc. college profs compiled and constructed with bookbinding famously associated with mega-copy shop Kinko’s, now known as FedEx Office. The compilations have been since ruled to infringe on authors’ intellectual property.)

Now that I over here in the beginnings of my middle age–realizing that I don’t know everything and being pretty OK with that, still trying to navigate Life’s waters,  and seeing my youth as storm-clouds of not-so-lovely and quite happy that it’s back there–I revisited Harjo’s most famous work, “She Had Some Horses.” Her poem does what quite a bit of literature does well: it navigates life with you, sometimes as compass, sometimes as lodestar, sometimes as anchor. An excerpt after the jump; the rest of the poem is here.

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Miss(ed) Representations, Part One: ‘I’m a Culture, Not a Costume’ Campaign

By Sexual Correspondent Andrea (AJ) Plaid

Longtime Racialicious readers know this time on the calendar has prompted the R to read someone (or several folks) about their racist costumes or some other Halloween-related foolishness. Well, this year, Ohio University’s Students Teaching about Racism in Society (STARS) put on posters what we’ve been putting into words for quite a while.

I think that, for the most part, the campaign deserves the accolades, coverage, and support it’s been getting around the web, from Angry Asian Man to the 17,575 (and counting!) responses on the STARS president’s Tumblr to The Root to Bitch to the former Racialicious owner Carmen Sognonvi .

Of course, we can argue, among other things, that phenotypes don’t equal culture and cultures aren’t static or even talk about the historical-religious appropriation of Halloween itself.

My only quibble with the campaign is that I may have chosen photos where the models conveyed different body language. Not that the models didn’t pose how they wanted, being a student-driven campaign. What I do think is quite a few photographers rarely get The Shot in one shot; in fact, several photographers submit several photos for clients/collaborative partners to choose from.

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OCCUPY WALL STREET: The Game of Colonialism and further nationalism to be decolonized from the “Left”

By Special Correspondent Jessica Yee

Decolonization, the Game
The “OCCUPY WALL STREET” slogan has gone viral and international now.  From the protests on the streets of WALL STREET in the name of “ending capitalism” – organizers, protestors, and activists have been encouraged to “occupy” different places that symbolize greed and power.  There’s just one problem: THE UNITED STATES IS ALREADY BEING OCCUPIED. THIS IS INDIGENOUS LAND. And it’s been occupied for quite some time now.

I also need to mention that New York City is Haudenosaunee territory and home to many other First Nations. Waiting to see if that’s been mentioned anywhere. (Author’s note: Manhattan “proper” is home to to the Lenape who were defrauded of the island by the Dutch in 1626 – see more from Tequila Sovereign).

Not that I’m surprised that this was a misstep in organizing against Wall Street or really any organizing that happens when the “left” decides that it’s going to “take back America for the people” (which people?!). This is part of a much larger issue, and in fact there is so much nationalistic, patriotic language of imperialism wrapped up in these types of campaigns that it’s no wonder people can’t see the erasure of existence of the First Peoples of THIS territory that happens when we get all high and mighty with the pro-America agendas, and forget our OWN complicity and accountability to the way things are today – not just the corporations and the state.

Let me be clear. I’m not against ending capitalism and I’m not against people organizing to hold big corporations accountable for the extreme damage they are causing.  Yes, we need to end globalization. What I am saying is that I have all kinds of problems when to get to “ending capitalism” we step on other people’s rights – and in this case erode Indigenous rights – to make the point. I’m not saying people did it intentionally but that doesn’t even matter – good intentions are not enough and good intentions obviously can have adverse affects. This is such a played out old record too, walking on other people’s backs to get to a mystical land of equity.  Is it really just and equitable when specific people continue to be oppressed to get there? And it doesn’t have to be done! We don’t need more occupation – we need decolonization and it’s everyone’s responsibility to participate in that because COLONIALISM AFFECTS EVERYONE. EVERYONE! Colonialism also leads to capitalism, globalization, and industrialization. How can we truly end capitalism without ending colonialism? How does doing things in the name of “America” which was created by the imposition of hierarchies of class, race, ability, gender, and sexuality help that?

I can’t get on board with the nationalism of  an “American” (or now “Canadian!”) revolution – I just can’t.  There has been too much genocide and violence for the United States and Canada to be founded and to continue to exist as nation states.  I think John Paul Montano, Anishnaabe writer captured it quite well in his “Open Letter to Occupy Wall Street Activists”:

I hope you would make mention of the fact that the very land upon which you are protesting does not belong to you – that you are guests upon that stolen indigenous land. I had hoped mention would be made of the indigenous nation whose land that is. I had hoped that you would address the centuries-long history that we indigenous peoples of this continent have endured being subject to the countless ‘-isms’ of do-gooders claiming to be building a “more just society,” a “better world,” a “land of freedom” on top of our indigenous societies, on our indigenous lands, while destroying and/or ignoring our ways of life. I had hoped that you would acknowledge that, since you are settlers on indigenous land, you need and want our indigenous consent to your building anything on our land – never mind an entire society.

I will leave you with this new art piece from Erin Konsmo (also pictured above), our fabulous intern at The Native Youth Sexual Health Network she created on “OCCUPY: THE GAME OF COLONIALISM”.  Hopefully you get the picture now.

Celebrating Queer Indigenous Voices Week: Interview with Daniel Heath Justice

By Guest Contributor Jorge Antonio Vallejos, cross-posted from Black Coffee Poet

Near the end of my video interview with Daniel Heath Justice (above) for this special week Celebrating Queer Indigenous Voices I asked, “… anything we’ve left out?”

“There’s a lot we’ve left out,” said Justice.

True!

Although we had a table full of books we failed to mention Queer Indigenous writers from around the world. And I’m embarrassed to say that I did not mention an Indigenous, brown, queer woman who helped pave the way for a brown boy like me: Gloria Anzaldua. She was a Mestiza, Xicana who made an impact on the literature world and changed the way Indigeneity is seen, thought, read, written, and lived.

R.I.P Gloria.

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