Category Archives: first nations/indigenous people

Racialicious Crush Of The Week: Strong Families’ Mama’s Day Campaign 2013

By Andrea Plaid

With Mother’s Day coming up this weekend, we at the R celebrate the holiday with the best commingling of activism and e-cards from the one and only Strong Families crew! Check out their offerings:

Mamas Day Sylvia Rivera by Chucha Marquez

Artist: Chucha Marquez.

 

Artist: Robert Trujillo.

Artist: Robert Trujillo.

 

Artist: Amaryllis DeJesus Moleski

Artist: Amaryllis DeJesus Moleski

 

Artist: Amaryllis DeJesus Moleski.

Artist: Amaryllis DeJesus Moleski.

Along with the cards, Strong Families is also curating another incredible blog carnival on the meaning of Mother’s Day. From Forward Together’s Shanelle Matthews:

During the time my dad was in prison, my mom worked several jobs. She was a single parent to my siblings and me and was forced to work around the clock to support us. Because of this, her time with us was limited. When she was away at work—which was often—Dora and Betty and another woman whose name I can’t remember cared for us. My mom was committed to making sure we had food and clothes and somewhere to live, things I got to take for granted. Betty and Dora and the woman whose name I can’t remember were all undocumented immigrant women from Guatemala. They spoke little English and sometimes spent the night at our house. One of my brother’s first words was “zapato” (Spanish for shoe). It wasn’t until I became aware of the fight for domestic workers’ rights that I realized that these women from Guatemala were taking care of us so they could take care of their families. How maddening to recognize that the cycles of poverty that we face today are the same as those our parents experienced decades ago.

Writing this I started over two and three and four times. It wasn’t until the fifth try that I understood that my mom, my biological dad, and the women from Guatemala shared a common thread—their lives were divided by partitions, literally and figuratively. But the fight for a living wage, to end mass incarceration, and to create comprehensive policies on immigration and a pathway to citizenship, all of these threaten to topple the barriers affecting our most impacted communities: immigrants, poor people, and people of color—often one in the same.

My biological dad, my mom, and the women from Guatemala were kept away from their families by partitions, fences, glass ceilings, and social prejudices. What held these dividers in place was bureaucratic red tape; the kind that builds on outdated notions of what families look like and what they deserve. The kind of red tape that forces immigrant families to wait fifteen years for health care; the kind of red tape that keeps same-sex couples from marriage, second-parent adoption, and spousal benefits; the kind of red tape that limits access to comprehensive sex education, access to contraception, reproductive healthcare, and culturally appropriate resources for families of color; the kind of red tape that allows border patrol officers to shoot and kill families desperate for a better quality of life. This red tape is responsible for the deaths of millions. In the process, we’re becoming desensitized to empathy.

From Erin Konsmo, Media Arts & Projects Coordinator at Native Youth Sexual Health Network, founded and run by Racialicious’ own Jessica Danforth:

Mothering is an act of resistance and reclamation for many Indigenous Peoples. To be a mother has become a way to push back on ongoing legacies of European and Western notions of what “proper” mothering is. Mothers resist continual state custody, foster care, and the removal of Indigenous children from their homes. To be a mother is to resist forms of cultural genocide.

The health and well-being of a nation depends on the health and well-being of mothers. That is not to say that our male, Two Spirit, and gender fabulous community members aren’t just as important. At the same time, we do recognize that we all belong to Mother Earth.

Indigenous youth are resisting narratives that don’t recognize the sacredness of the many ways we bring life to all that we do; we are restoring our own definitions of mama, building up families when we are disconnected from our own, caring for other Indigenous youth as we resist colonization, and sharing our knowledge with new generations about our bodies and our sexualities. All of this is a restoration of mothering and what it means to be a mama.

And from Diana Thu-Thao Rhodes, Advocates for Youth‘s State Strategies Manager:

I brag about my mama. A lot. I brag about my mama because she won’t do it herself. I brag about my mama because she is one of those mamas whose real life experiences are all too often bundled into one-dimensional statistics, and whose identity as a parent is all too often understood as a result of social determinants rather than strength and resilience.

I also say this because of my mama’s unique relationship to the spectrum of motherhood. She started her parenting career as a teen mom and then later graduated to becoming an older mother. At age 19, she had me and then later in life, at nearly 40 years old, she had my younger brother. This puts me roughly 20 years between my mama on one side and my brother on the other side. Essentially, my mama has raised two “only children.” Her story covers two distinct social narratives, one about teen moms and a second about older mothers, narratives that are not normally so closely shared. But in my family’s case, they’re one in the same.

Maybe send an excerpt from one of the essays on the cards?

 

Meanwhile, On TumblR: The Non-Fiction Flick And Vid Edition

By Andrea Plaid

I think I’ve been a bad influence on the R’s Senior Editor Tami Winfrey Harris because I’ve been talking her into watching documentaries for our Table for Two posts. We have another one lined up next week (with a special guest breaking the proverbial bread with us), but I want to hip y’all to some other non-fiction flicks and vids…

…starting off with Youth Speak‘s and University of California San Francisco’s collaboration on this great PSA about Type 2 diabetes. Instead of fat-shaming–as too many food-justice docs do when discussing the links between body size, physical condition, and health–this video gives a structural analysis on who’s to blame and how to hold them accountable to the rest of us. (H/t @newmodelminority)

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Meanwhile, On Tumblr: Hundreds Of Love For Eartha Kitt’s Catwoman…Among Quite A Few Things

By Andrea Plaid

Stumbling back from the back-end blue field called Tumblr, I can say that a whole lot of you Racializens seriously enjoyed what we posted this week–like hundreds of you! So let me say for the record that, to borrow from our current president, we love y’all right back, and we hope to keep posting people and things you love…

…like this bit of magnificence that has the late Eartha Kitt reclaiming her signature role as Catwoman! Comic Book Sources reports:

Eartha Kitt, Femme Fatale #1. Cover art: Felipe Montecinos. Via Comic Book Sources

Eartha Kitt, Femme Fatale #1. Cover art: Felipe Montecinos. Via Comic Book Sources

Eartha Kitt is on holiday, searching for the purrfect wave. When suddenly??? Well we won’t spoil the surprise. But in the tradition of DC Nation and all good things for all ages comes Eartha Meets The Gorgon, the first in a series of advemtires done with the blessing of the legendary actress/singer’s estate.

The comic book dropped yesterday!

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Race + Fashion: Life, Labels, And The Pursuit Of Happiness

Michael Kors bag.

By Guest Contributor Cheryl Lynn Eaton, cross-posted from Digital Femme

“Cheryl Lynn, you will have your first and last dollar.” My mother says it with blend of mirth, surprise, and exasperation–as if she cannot believe she produced a child who behaves in such a practical manner, a child who would dare complain that she had to spend twenty-four dollars on a purse due to the old one falling apart at the seams. My mother possesses a walk-in closet full of purses. Not one could be purchased for twenty-four dollars. The glint of a gold circle surrounding a bold M and K–the lack of one separating my leather satchel from her assortment–costs a great deal more.

Yet, my mother is a child of poverty; I am a child of the working-class struggle. She needs her talismans, her high-end upmarket logos, to make her feel as if she is of worth. I was taught to fear them, to believe that obtaining them would bring about financial ruin. I’ve jokingly told many friends that I’m glad I grew up working-class instead of rich, middle class, or poor because it has made me so paranoid about money that I’ll never purchase designer labels. Black working-class kids are raised to believe that one wrong move will have you back in the ghetto where your parents came from. Working-class kids are raised on fear.
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Meanwhile, On TumblR: Wuthering Heights Reimagined And The Gap’s Anti-First Nations T-Shirt

By Andrea Plaid

Reblogged this excerpt of an In These Times post from thesmithian:

…the reimagining of Heathcliff, that “dark-skinned” “gipsy”…as a black man…Brontë’s Heathcliff was repeatedly evoked as “dark,” and culled from the slums of Liverpool (a port fraught with immigrants). But in movies and theater, he has always manifested as white, from Laurence Olivier to Tom Hardy. Brontë may not have intended Heathcliff to have been a full-on African—which in the 1700s meant being a slave—but Arnold’s coup turns the old story around, from a wicked love-lost tragedy into a crisis of a society suffering the guilt and ghosts of slavery.

Tumblizen purple01_prose added this commentary:

Here’s the thing. Christopher Haywood, in his annotated edition of Wuthering Heights, examines the race of Heathcliff at length. Given all of the coding of Heathcliff as ‘dark,’ Haywood explained some of the racial terms of the time, and some of the beliefs of a time, like in how many generations someone with African ancestry with dark skin could have a descendant with white skin. (at least 6, with a white partner for every generation). There were names for each generation.

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Racialicious Crush Of The Week: Joy Harjo

By Andrea Plaid

Joy Harjo. Courtesy: keeperofstories.blogspot.com

 

Reading that wordsmith/musician/teacher Joy Harjo’s memoir just dropped brought back that crush with capital-L life I had in my undergrad days : all dewy-new to the adult world, pretty effin’ cocky about what I thought I already knew and wanting to gooble up more ideas from new books and new people, and seeing middle age as sunset-colored horizon meeting the ocean, all lovely and over there.

Harjo was one of the writers in my 4-year degree days who, if you didn’t read her, you knew of her because her name and/or the titles of her writing dropped from almost every Women’s Studies major’s mouth, cropped up in anthologies by feminist writers of color, and compiled by professors in (what the folks at my university) called their “Kinko’s books.” (“Kinko’s books” were copies of individual articles, poems, essays, analyses, etc. college profs compiled and constructed with bookbinding famously associated with mega-copy shop Kinko’s, now known as FedEx Office. The compilations have been since ruled to infringe on authors’ intellectual property.)

Now that I over here in the beginnings of my middle age–realizing that I don’t know everything and being pretty OK with that, still trying to navigate Life’s waters,  and seeing my youth as storm-clouds of not-so-lovely and quite happy that it’s back there–I revisited Harjo’s most famous work, “She Had Some Horses.” Her poem does what quite a bit of literature does well: it navigates life with you, sometimes as compass, sometimes as lodestar, sometimes as anchor. An excerpt after the jump; the rest of the poem is here.

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Miss(ed) Representations, Part One: ‘I’m a Culture, Not a Costume’ Campaign

By Sexual Correspondent Andrea (AJ) Plaid

Longtime Racialicious readers know this time on the calendar has prompted the R to read someone (or several folks) about their racist costumes or some other Halloween-related foolishness. Well, this year, Ohio University’s Students Teaching about Racism in Society (STARS) put on posters what we’ve been putting into words for quite a while.

I think that, for the most part, the campaign deserves the accolades, coverage, and support it’s been getting around the web, from Angry Asian Man to the 17,575 (and counting!) responses on the STARS president’s Tumblr to The Root to Bitch to the former Racialicious owner Carmen Sognonvi .

Of course, we can argue, among other things, that phenotypes don’t equal culture and cultures aren’t static or even talk about the historical-religious appropriation of Halloween itself.

My only quibble with the campaign is that I may have chosen photos where the models conveyed different body language. Not that the models didn’t pose how they wanted, being a student-driven campaign. What I do think is quite a few photographers rarely get The Shot in one shot; in fact, several photographers submit several photos for clients/collaborative partners to choose from.

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OCCUPY WALL STREET: The Game of Colonialism and further nationalism to be decolonized from the “Left”

By Special Correspondent Jessica Yee

Decolonization, the Game
The “OCCUPY WALL STREET” slogan has gone viral and international now.  From the protests on the streets of WALL STREET in the name of “ending capitalism” – organizers, protestors, and activists have been encouraged to “occupy” different places that symbolize greed and power.  There’s just one problem: THE UNITED STATES IS ALREADY BEING OCCUPIED. THIS IS INDIGENOUS LAND. And it’s been occupied for quite some time now.

I also need to mention that New York City is Haudenosaunee territory and home to many other First Nations. Waiting to see if that’s been mentioned anywhere. (Author’s note: Manhattan “proper” is home to to the Lenape who were defrauded of the island by the Dutch in 1626 – see more from Tequila Sovereign).

Not that I’m surprised that this was a misstep in organizing against Wall Street or really any organizing that happens when the “left” decides that it’s going to “take back America for the people” (which people?!). This is part of a much larger issue, and in fact there is so much nationalistic, patriotic language of imperialism wrapped up in these types of campaigns that it’s no wonder people can’t see the erasure of existence of the First Peoples of THIS territory that happens when we get all high and mighty with the pro-America agendas, and forget our OWN complicity and accountability to the way things are today – not just the corporations and the state.

Let me be clear. I’m not against ending capitalism and I’m not against people organizing to hold big corporations accountable for the extreme damage they are causing.  Yes, we need to end globalization. What I am saying is that I have all kinds of problems when to get to “ending capitalism” we step on other people’s rights – and in this case erode Indigenous rights – to make the point. I’m not saying people did it intentionally but that doesn’t even matter – good intentions are not enough and good intentions obviously can have adverse affects. This is such a played out old record too, walking on other people’s backs to get to a mystical land of equity.  Is it really just and equitable when specific people continue to be oppressed to get there? And it doesn’t have to be done! We don’t need more occupation – we need decolonization and it’s everyone’s responsibility to participate in that because COLONIALISM AFFECTS EVERYONE. EVERYONE! Colonialism also leads to capitalism, globalization, and industrialization. How can we truly end capitalism without ending colonialism? How does doing things in the name of “America” which was created by the imposition of hierarchies of class, race, ability, gender, and sexuality help that?

I can’t get on board with the nationalism of  an “American” (or now “Canadian!”) revolution – I just can’t.  There has been too much genocide and violence for the United States and Canada to be founded and to continue to exist as nation states.  I think John Paul Montano, Anishnaabe writer captured it quite well in his “Open Letter to Occupy Wall Street Activists”:

I hope you would make mention of the fact that the very land upon which you are protesting does not belong to you – that you are guests upon that stolen indigenous land. I had hoped mention would be made of the indigenous nation whose land that is. I had hoped that you would address the centuries-long history that we indigenous peoples of this continent have endured being subject to the countless ‘-isms’ of do-gooders claiming to be building a “more just society,” a “better world,” a “land of freedom” on top of our indigenous societies, on our indigenous lands, while destroying and/or ignoring our ways of life. I had hoped that you would acknowledge that, since you are settlers on indigenous land, you need and want our indigenous consent to your building anything on our land – never mind an entire society.

I will leave you with this new art piece from Erin Konsmo (also pictured above), our fabulous intern at The Native Youth Sexual Health Network she created on “OCCUPY: THE GAME OF COLONIALISM”.  Hopefully you get the picture now.